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Goods of Design: Professional Ethics for Designers [Mīkstie vāki]

  • Formāts: Paperback / softback, 308 pages, height x width x depth: 224x154x22 mm, weight: 458 g, 1 BW Illustrations
  • Izdošanas datums: 02-Feb-2023
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1538179911
  • ISBN-13: 9781538179918
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  • Cena: 41,71 €
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  • Formāts: Paperback / softback, 308 pages, height x width x depth: 224x154x22 mm, weight: 458 g, 1 BW Illustrations
  • Izdošanas datums: 02-Feb-2023
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1538179911
  • ISBN-13: 9781538179918
Citas grāmatas par šo tēmu:

A 2022 Choice Reviews Outstanding Academic Title

What ends should designers pursue? To what extent should they care about the societal and environmental impact of their work? And why should they care at all? Given the key influence design has on the way people live their lives, designing is fraught with ethical issues. Yet, unlike education or nursing, it lacks widespread professional principles for addressing these issues.

Rooted in a communitarian view of design practice, this lively and accessible book examines design through the lens of professions, offering a critical vision that enables practitioners, academics and students of design in all disciplines to reflect on the practice’s overarching purposes. Considering how these are connected to others' flourishing and moulded by community interactions, "The Goods of Design" argues for a practice-based approach to cultivate professional ethics; it provides a normative direction that can meaningfully guide professional design activity, both individually and collectively. The volume also looks into the implications work has for the designer's self-growth as a person, offering ways to discover and navigate the complex tensions between personal and professional life.



Examining the practice of design through the lens of professional ethics, this book’s critical vision enables practitioners, academics and students to reflect on the ethics of designing. The volume argues for a practice-based cultivation of ethics and provides a normative direction to guide individual and collective professional design activity.

Recenzijas

Readers, take note! Despite the title's pun, this important book does not focus on the trending topics of the "stuff" or materiality of design. Instead, goods as used here references the ethics of design and design practice as viewed through the lens of virtue ethics. This approach, grounded in ancient philosophers such as Confucius and Aristotle, then elaborated by contemporary philosopher Alisdair MacIntyre, questions the nature of the good life and what sort of person one should be. This philosophically grounded treatise establishes the need for a professional ethics for designers, then authorizes and encourages designers to act ethically. Philosopher, design theorist, and educator Ariel Guersenzvaig offers a critical, much-needed examination of the relatively young profession of design, providing an overview of an ethics of design practice. Unlike manifesto authors, Guersenzvaig eschews oversimplification and ranting and instead proceeds at a measured pace, providing a philosophically reasoned argument with lively accessible language supported by deep and timely scholarly references. A noteworthy bibliography compiles and expands on these excellent resources with handy topical categorization. Educators will especially appreciate the coda, "Teaching Design Professional Ethics." Essential. All readers. * Choice Reviews * In a turbulent world where everyone designs, who are the professional designers? What characterises their specific role? Finally a book looks at these questions seriously. And it starts with the most difficult one: what ethics should apply to professional designers? Ariel Guersenzvaig offers an updated and critical track with which to discuss this crucial issue. -- Ezio Manzini, Desis Network Especially with todays complex societal challenges, this engaging book is a must-read for all designers, be it a professional designer, a design educator, or design student. By diving into virtue ethics, Ariel Guersenzvaig clarifies and inspires designers to approach the design profession as a practice, and with their practical wisdom to care for and contribute to society. This book takes you on an inspiring and precious ethical journey that emphasizes the importance of learning and self-growth to become virtuous designers who can contribute to the goods of design and society. -- Caroline Hummels, Full Professor in Design and Theory for Transformative Qualities at Eindhoven University of Technology The challenges we face nowadays as individuals, collectives and societies are extremely demanding on the design disciplines. How can professional designers cope with emerging areas of activity without losing orientation, and without losing sight of the opportunities and boundaries of the discipline? Finally, here is a book that offers an in-depth engagement with those fundamental questions for design professionals. How can we ethically frame our efforts and endeavours? What does it mean to practice design as a profession in a society where design strategies might contribute to even deepen current crises? With this inspiring volume, Ariel Guersenzvaig poses the right questions for designers to ask as professionals and individuals. -- Bianca Herlo, Weizenbaum Institute for the Networked Society, Berlin University of the Arts (UdK) I only hope that this book puts an end to the idea that a handful of aspirational phrases will suffice when it comes to the practice of ethics in design rather than applying that degree of dedicated awareness that is required in professional practice. In this regard, this volume could set a standard, a turning point, in a field where we need, both as a sector, and as a viable society, a solid basis of thought rather than a bunch of proverbs. The Goods of Design raises more questions, and the means to ask them, than certainties - thanks for that too. This book cautiously whispers to those who consider that personal and professional ethics are separate compartments, but is directly aimed to those who know or sense, even deep inside, that they are not. -- Nacho Padilla, Creative Director, Barcelona City Council As design is increasingly embedded in every aspect of our world and lives, its impact in shaping our reality becomes undeniable. How can designers consciously embrace such responsibility? In The Goods of Design Ariel Guersenzvaig navigates the professional and personal tensions and dilemmas associated with the ethics of making design decisions. But rather than laying out a prescriptive set of rules, this book masterfully articulates an inspiring thread of questions and arguments that challenge the reader and will undoubtedly advance design professional ethics. -- Mara Balestrini, Human Computer Interaction scholar and former CEO, Ideas for Change

Acknowledgements ix
List of Figures
xiii
Introduction and Overview 1(16)
Aligning Our View About Design
4(4)
Aligning Our View About Ethics
8(3)
Who Is This Book For?
11(2)
Plan for the Book
13(2)
Notes
15(2)
Part I The Design Profession
17(104)
1 Design, Designers, and Normativity
19(22)
Conditions and Epistemic Boundaries for Design
19(7)
Two Views of Design Activity
26(4)
The Normative Dimension of Design Outcomes
30(6)
Notes
36(5)
2 Professions as Moral Projects
41(20)
Occupations and Professions
41(3)
Two Key Elements Beyond Competence
44(2)
Professionalism and Its Discontents
46(4)
Professional Ethics in a Nutshell
50(4)
Doesn't Design Need a Code of Ethics?
54(3)
Notes
57(4)
3 Is Design a Profession?
61(28)
The Cognitive Element
62(7)
The Public Service Element
69(15)
Design Profession or Design Professions?
84(1)
Notes
85(4)
4 Necessary Objections and a Call to Action
89(32)
First Objection: Manipulation
90(3)
Reply to the Objection of Manipulation
93(3)
Second Objection: Consumerism
96(4)
Reply to the Objection of Consumerism
100(4)
Third Objection: Unintended Consequences
104(4)
Unintended Consequences Revisited: Taming the Uncertainty
108(4)
Where Ethics and Design Meet
112(3)
Notes
115(6)
Part II An Inquiry into Design Professional Ethics
121(54)
5 Charting an Inquiry into Design Professional Ethics
123(20)
Charting the Ground for the Inquiry
123(7)
A Direction for the Inquiry
130(4)
The Need for Broadness
134(4)
Limitations, Difficulties, and Perspectives
138(1)
Notes
139(4)
6 A Philosophical Foundation for Our Inquiry
143(32)
A Primer to Virtue Ethics
143(9)
Alternative Approaches: Principle-based Ethics
152(7)
Enter Alasdair MacIntyre
159(10)
Notes
169(6)
Part III Toward a Practice-Centred Design Professional Ethics
175(82)
7 Uncovering a Purpose for Design
177(32)
From Design Practice to Overarching Purpose
178(3)
Design as a MacIntyrean Practice
181(4)
A Key Contribution: Extending Abilities and Powers
185(3)
Design's Purpose and the Flourishing of Others
188(3)
From Powers to Capabilities
191(6)
Reflections around the Telos of Design
197(4)
Regulative Ideals as Internalised Guidelines for Action
201(5)
Notes
206(3)
8 The Full Circle: From Responsibility to Action
209(28)
Design and the Virtues
209(2)
Responsibility as a Virtue
211(7)
Empathy and Moral Imagination
218(5)
Design Complexity and Practical Wisdom
223(4)
Two Objections: `Responsivity' and Paternalism
227(6)
Notes
233(4)
9 Flourishing and Enduring as a Designer
237(20)
Institutions and External Goods: Tensions and Corruption
237(3)
Constancy, Integrity, and Compartmentalisation
240(7)
Closing Remarks and Connections
247(7)
Notes
254(3)
Coda: Teaching Design Professional Ethics
257(10)
How to Foster the Development of Ethical Expertise
257(5)
Connections with Design Methodology
262(3)
Notes
265(2)
Further Reading
267(6)
Design and Policy Making
267(1)
Participatory Design and Emerging Roles for Design
267(1)
Consumption and the Anthropocene
268(1)
Philosophy and Studies of Technology
268(1)
Design Ethics
268(1)
General Introductions to Ethics
269(1)
Virtue Ethics
270(1)
Applied Topics Analysed from a Virtue Ethical Perspective
270(1)
The Capability Approach
270(1)
Capabilities and Design
270(3)
Bibliography 273(16)
Index 289
Ariel Guersenzvaig is Professor of Design Theory at ELISAVA, Faculty of Design and Engineering at UVic-UCC in Barcelona, Spain. He is a design practitioner with over 20 years of experience, and his work has been published in academic journals such as ACM Interactions, AI & Society and IEEE Technology and Society Magazine.