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Graphic Design for Architects: A Manual for Visual Communication [Mīkstie vāki]

4.13/5 (75 ratings by Goodreads)
  • Formāts: Paperback / softback, 224 pages, height x width: 246x189 mm, weight: 657 g, 10 Tables, color; 133 Line drawings, color; 258 Halftones, color
  • Izdošanas datums: 30-Jun-2015
  • Izdevniecība: Routledge
  • ISBN-10: 0415522617
  • ISBN-13: 9780415522618
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  • Cena: 57,31 €
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  • Formāts: Paperback / softback, 224 pages, height x width: 246x189 mm, weight: 657 g, 10 Tables, color; 133 Line drawings, color; 258 Halftones, color
  • Izdošanas datums: 30-Jun-2015
  • Izdevniecība: Routledge
  • ISBN-10: 0415522617
  • ISBN-13: 9780415522618
Citas grāmatas par šo tēmu:

Graphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics – to address every phase of architectural production.

This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process – not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication.

Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architects’ work. In this way, readers don’t have to search through graphic design books to figure out what’s relevant to them – this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.

Recenzijas

By clearly demonstrating, both as an example itself as well as through explaining its procedures, the numerous formats and techniques within architecture's extended field of production and reproduction (Portfolios, RFQs, Proposal Books the extensive combinations of images, texts, diagrams, and spreadsheets that are, in total, and in various permutations, the architect's mode d'emploi) Graphic Design for Architects is not only a useful subject, but also a required skill, and now a necessary volume for any architects studio bookshelf. - John McMorrough, Associate Professor, Taubman College of Architecture and Urban Planning, University of Michigan, USA

'Graphic Design for Architects - A Manual for Visual Communication is a comprehensive overview that is compelling for both written content and the wide-ranging use of graphic examples in the book. The combination of interviews together with numerous contributors adds a wealth of experience and knowledge into this work. I'm fairly certain that most readers will learn something from this book as it is filled with examples and alternative approaches. For the non-architect, this book will reveal some the architectural secret-sauce that is commonly seen on project sights - thereby helping the reader to appreciate what the architect was trying to do with his presentation.' - Jeff Thurston, 3D Visualization World Magazine

Introduction 8(8)
Architects For Graphic Design
8(8)
Essay by Karen Lewis
Conversation with 2x4
10(6)
Michael Rock, Principal
Presenting Yourself
16(54)
Portfolios
Getting started
18(2)
Overview flowchart
20(2)
Printing techniques
22(2)
Binding options
24(2)
Cover options
26(2)
Organizing content
28(4)
Diagramming structure
32(2)
Page typologies
34(4)
Pacing and structure
38(2)
Page grids
40(6)
Typeface organization
46(4)
Conversation with WOBJ
50(4)
William O'Brien Jr. Principal
54(2)
Resumes
Organizational overview
56(2)
Page structures
58(2)
Baseline grids
60(2)
Nesting information
62(2)
Mixing typefaces
64(2)
Conversation with Benjamin Van Dyke
66(4)
Graphic Designer
Presenting To An Audience
70(52)
Competitions
Structuring the argument
72(2)
Scales of information
74(2)
Layering information
76(2)
Organizing images
78(2)
Mixing drawing types
80(2)
Conversation with studio DUBS
82(4)
Michael Piper, Principal
86(2)
Presentations
Rhetorical structures
88(2)
Compacting messages
90(2)
Structuring color
92(2)
Words to images
94(2)
Conversation with Interboro Partners
96(6)
Tobias Armborst, Partner
Daniel D'Oca, Partner
Georgeen Theodore, Partner
102(2)
Books
Printing technology
104(2)
Book ergonomics
106(2)
Pacing and sequence
108(2)
Page grids
110(2)
Page structure
112(2)
Setting type
114(2)
Typographic mechanics
116(2)
Conversation with Thumb
118(4)
Luke Bulman, Principal
Architectural Communication
122(60)
Diagrams
Formal diagrams
124(2)
Explaining process
126(2)
Clarifying the components
128(2)
Phenomenological explanations
130(2)
Information diagrams
132(2)
Color production
134(2)
Conversation with All of the Above
136(6)
Janette Kim. Principal
142(2)
Information Graphics
Pie charts
144(2)
Types of data
146(2)
Bar charts
148(2)
Pie versus bar charts
150(2)
Presenting numbers
152(2)
Flow charts
154(2)
Conversation with Filson and Rohrbacher
156(6)
Anne Filson, Principal
162(2)
Maps
Coordinating information
164(2)
Layering information
166(2)
Levels of specificity
168(2)
Enhancing relationships
170(2)
Aggregating marks
172(2)
Hierarchy and detail
174(2)
Conversation with Nicholas Felton
176(6)
Graphic Designer
Communication As Architecture
182(35)
Signage and Wayfinding
Clarifying experience
184(2)
Signage systems
186(2)
Organizing spaces
188(2)
Walls as communication
190(2)
Structure of signage
192(2)
Landscape signage
194(2)
Conversation with Open
196(4)
Scott Stowell, Principal
200(2)
Super Graphics
What makes them super?
202(2)
Concealing the surface
204(2)
Supergraphic as brand
206(2)
Urban space graphics
208(2)
Conversation with Project Projects
210(7)
Prem Krishnamurthy, Principal
Credits 217(1)
Index 218
Karen Lewis is an architect, educator and designer who works at the intersection of information, architecture and landscape. Her design work and research in infrastructural systems, data visualization and graphic techniques have been recognized internationally. Currently Karen Lewis is a tenured professor on the architecture faculty at the Knowlton School of Architecture, Ohio State University, USA.