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E-grāmata: Greek Theater in Ancient Sicily

Edited by (New York University), Edited by (King's College London), Prepared for publication by (Virginia Polytechnic Institute and State University), (Northwestern University, Illinois)
  • Formāts: EPUB+DRM
  • Izdošanas datums: 21-Jan-2021
  • Izdevniecība: Cambridge University Press
  • Valoda: eng
  • ISBN-13: 9781316998076
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 21-Jan-2021
  • Izdevniecība: Cambridge University Press
  • Valoda: eng
  • ISBN-13: 9781316998076

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Studies of ancient theater have traditionally taken Athens as their creative center. In this book, however, the lens is widened to examine the origins and development of ancient drama, and particularly comedy, within a Sicilian and southern Italian context. Each chapter explores a different category of theatrical evidence, from the literary (fragments of Epicharmus and cult traditions) to the artistic (phylax vases) and the archaeological (theater buildings). Kathryn G. Bosher argues that, unlike in classical Athens, the golden days of theatrical production on Sicily coincided with the rule of tyrants, rather than with democratic interludes. Moreover, this was not accidental, but plays and the theater were an integral part of the tyrants' propaganda system. The volume will appeal widely to classicists and to theater historians.

Provides a new and broader perspective on ancient theater by focusing on its origins and development in Sicily and southern Italy, especially in connection with comedy. Examining the fragments of Epicharmus, cult traditions, vase paintings and theater archaeology, Kathryn G. Bosher explores the link between politics and art on the island.

Papildus informācija

Explores the origins and development of ancient drama, especially comedy, on Sicily and its relationship to the political situation.
List of Figures
vii
List of Maps
ix
List of Tables
x
Foreword xi
Note to the Reader xiii
1 Introduction
1(13)
1.1 Sicily's Network
6(6)
1.2 Scope
12(2)
2 Out of the Shadows: Epicharmus and Early Performance in Syracuse
14(20)
2.1 Epicharmus
14(4)
2.2 Literary Traditions in Sicily
18(1)
2.3 Doric Comedy
19(3)
2.4 Early Literary Influences
22(4)
2.5 Epicharmus, Early Performance, and Comic Competitions
26(8)
3 Cult and Circumstance
34(46)
3.1 Demeter
34(12)
3.2 Demeter in the Fragments of Epicharmus
46(1)
3.3 Odysseus Automolos and Demeter the Savior
47(2)
3.4 Ideas in the Air: Pythagoras, Prodicus, and Epicharmus' Earth
49(6)
3.5 Dionysus, the God from the East
55(1)
3.6 Dionysus' Precarious Position
56(1)
3.7 Commemorating Sicilian Theater
57(4)
3.8 Dionysus and Comic Actors
61(1)
3.9 Dionysus in the Fragments of Epicharmus
62(8)
3.10 Demeter's Island and Sicilian Tyrants
70(4)
3.11 Burlesque and the Grave
74(6)
4 Politics and Propaganda
80(27)
4.1 Plays about Current Affairs and Local Settings
82(3)
4.2 Creating a Community of Greeks
85(3)
4.3 Controlling the Island: Establishing Greek Dominance
88(3)
4.4 Theater and Democracy
91(2)
4.5 Defining Tyranny
93(2)
4.6 Aeschylus' Persians
95(3)
4.7 A Good Tyrant
98(1)
4.8 Tyranny and Democracy in Syracuse, 490-466
99(4)
4.9 Epicharmus
103(2)
4.10 Conclusion
105(2)
5 Taking Theater Home: Images of Comedy and Tragedy on Vases
107(53)
5.1 Viewers and Settings
109(7)
5.2 Comic Vases: a Review of Scholarly Interpretations of the Comic Phlyax Vases
116(5)
5.3 Phlyakes among Images
121(2)
5.4 Attic Comedy in the West
123(4)
5.5 Wurzburg Telephos
127(3)
5.6 The "Choregoi"
130(7)
5.7 Sicily and Paestum
137(10)
5.8 Tragic Vases
147(3)
5.9 Characters on Stage: a Link between Tragic and Comic Sicilian Vases
150(5)
5.10 The Combination Theory: Doric and Attic Comic Traditions Merge in the West
155(5)
6 Drama in Public: Stone Theaters in the West
160(29)
6.1 Assemblies and the Theater
162(7)
6.2 Theater Design and the Influence of Athens
169(6)
6.3 Timoleon
175(7)
6.4 Dionysius and the Spark of Theater in the Fourth Century
182(4)
6.5 Whose Theater?
186(3)
7 Conclusion
189(7)
7.1 The Gap
190(6)
Bibliography 196(22)
Index locorum 218(3)
General Index 221
Kathryn G.. Bosher was Assistant Professor of Classical Studies at Northwestern University until her death in 2013. She was editor of Theater Outside Athens: Drama in Greek Sicily and South Italy (Cambridge, 2012) and coeditor of The Oxford Handbook of Greek Drama in the Americas (2015). Edith Hall is Professor of Classics at King's College London. Clemente Marconi is James R. McCredie Professor of Greek Art and Archaeology at the Institute of Fine Arts, New York University.