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Greeks and Romans on the Latin American Stage [Hardback]

Edited by (King's College London, UK), Edited by (Saint Josephs University, USA)
  • Formāts: Hardback, 312 pages, height x width: 234x156 mm, weight: 617 g, 12 bw illus
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 09-Jan-2020
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 135012561X
  • ISBN-13: 9781350125612
  • Hardback
  • Cena: 134,94 €*
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  • Formāts: Hardback, 312 pages, height x width: 234x156 mm, weight: 617 g, 12 bw illus
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 09-Jan-2020
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 135012561X
  • ISBN-13: 9781350125612

The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play.

A comprehensive introduction provides a critical overview of the varying issues and complexities that arise when studying the afterlife of the European classics in the theatrical stages across this diverse and vast region. Fourteen chapters, divided into three general geographical sub-regions (Southern Cone, Brazil and the Caribbean and North America) present a strong connection to an ancient dramatic source text as well as comment upon important socio-political crises in the modern history of Latin America. The diversity and expertise of the voices in this volume translate into a multi-ranging approach to the topic that encompasses a variety of theoretical and interdisciplinary perspectives from classics, Latin American studies and theatre and performance studies.

Recenzijas

Greeks and Romans on the Latin American Stage is a fine addition to Bloomsburys Studies in Classical Reception collection It shows that Latin America is a region that Anglophone scholarship can no longer afford to overlook, and throws down an impressive gauntlet for scholars in the field to begin wrestling with the reception of antiquity on the Latin American stage. * Bryn Mawr Classical Review * [ A] volume that brings to light little-known adaptations from a variety of countries in the area addressing many of its present conflicts and recent past turmoil, is extremely valuable. Moreover, the fact that the book starts by highlighting the need to redefine certain terms taken for granted to examine reception in 'Latin America' and to acknowledge that this is not a homogeneous area but a highly diverse region that cannot be studied as a single unit, is certainly refreshing, reassuring, and a step in the right direction. * Classics for All * The editors provide an introduction fizzing with helpful social and historical contextualization for a readership less familiar with the issues and complexities surrounding these diverse Latin American receptions. The methodological and theoretical discussion is recommended for anyone interested in twentieth-century and postcolonial receptions. * Greece & Rome *

Papildus informācija

A comprehensive study of the rich and varied afterlife of classical drama across North and South America and the Caribbean.
List of Illustrations
ix
Notes on Contributors x
Acknowledgements xiii
1 Staging the European Classical in `Latin' America: An Introduction
1(18)
Rosa Andujar
Konstantinos P. Nikoloutsos
Part I Southern Cone
2 From Epic to Tragedy: Theatre and Politics in Juan Cruz Varela's Dido
19(14)
Konstantinos P. Nikoloutsos
3 Leopoldo Marechal's Anttgona Velez: Rewriting Greek Tragedy as a Foundation Myth in Peronist Argentina
33(14)
Brenda Lopez Saiz
4 Juan Radrigan's Medea Mapuche: Recreating Euripides' Revenge Tragedy in an Indigenous Chilean Context
47(12)
Irmtrud Konig
5 Philoctetes and Medea in Contemporary Chilean Theatre
59(16)
Carolina Brncic
Part II Brazil
6 A God Slept Here by Guilherme Figueiredo: A Radical Modernist Amphitruo from Brazil
75(14)
Rodrigo Tadeu Goncalves
7 Guilherme Figueiredo, Amphitryon and the Widow of Ephesus: Linking Plautus and Petronius
89(12)
Tiziana Ragno
8 Electra's Turn to the Dark Side: Nelson Rodrigues' Senhora dos Afogados
101(14)
Anastasia Bakogianni
9 Becoming Antigone: The Classics as a Model of Resistance in Jorge Andrade's Pedreira das Almas
115(16)
Seth A. Jeppesen
Part III The Caribbean and North America
10 Distorting the Lysistrata Paradigm in Puerto Rico: Francisco Arrivi's Club de Solteros
131(14)
Rosa Andujar
11 Challenging the Canon in the Dominican Republic: Liststrata odia la poll tic a by Franklin Dominguez
145(12)
Katherine Ford
12 Aeschylus and the Cuban Counter-Revolution
157(14)
Jacques A. Bromberg
13 The Contest between Creolite and Classics in Patrick Chamoiseau's Stage Plays
171(14)
Justine McConnell
14 Dismantling the Anthropological Machine: Feliks Moriso-Lewa's Antigon and Luis Alfaro's Electricidad
185(14)
Tom Hawkins
15 Antigone Undead: Tragedy and Biopolitics in Perla de la Rosa's Anttgona: las voces que incendian el desierto
199(14)
Jesse Weiner
Notes 213(44)
Bibliography 257(28)
Index 285
Rosa Andśjar is Deputy Director of Liberal Arts and Lecturer in Liberal Arts at Kings College London, UK.

Konstantinos P. Nikoloutsos is Associate Professor of Classics at Saint Josephs University, USA.