Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured.
| Introduction |
|
7 | (16) |
|
1 `We Belong Together': Melodrama as Non-Fiction in Grey Gardens |
|
|
23 | (21) |
|
2 The Revolutionary Costume': Little Edie and Fashion |
|
|
44 | (18) |
|
3 `If you can't get a man to propose to you, you might as well be dead!': Direct Cinema and the Problem of Seduction |
|
|
62 | (22) |
| Conclusion: `I'm pulverized by this latest thing': Grey Gardens and its Lives |
|
84 | (9) |
| Notes |
|
93 | (1) |
| Credits |
|
94 | |
MATTHEW TINKCOM is Associate Professor of Communication, Culture and Technology at Georgetown University, USA. He is the author of Working Like a Homosexual: Camp, Capital, Cinema (2002) and co-editor of Key Frames: Popular Cinema and Cultural Studies (2001). He is currently working on a book about the digital moving image and its relation to online queer discursive communities.
Biežāk uzdotie jautājumi par e-grāmatām