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Guide to Teaching Art at the College Level [Hardback]

  • Formāts: Hardback, 176 pages, height x width x depth: 229x152x12 mm, weight: 383 g
  • Izdošanas datums: 24-Sep-2021
  • Izdevniecība: Teachers' College Press
  • ISBN-10: 0807765651
  • ISBN-13: 9780807765654
  • Hardback
  • Cena: 118,44 €
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  • Formāts: Hardback, 176 pages, height x width x depth: 229x152x12 mm, weight: 383 g
  • Izdošanas datums: 24-Sep-2021
  • Izdevniecība: Teachers' College Press
  • ISBN-10: 0807765651
  • ISBN-13: 9780807765654

This accessible guide will help studio art and design professors meaningfully and effectively transform their curriculum and pedagogy so that it is relevant to today’s learners. Situating contemporary college teaching within a historic art and design continuum, the author provides a practical framework for considering complex interactions within art and design pedagogy. Readers will gain a deeper appreciation of college students and their learning, an understanding of teaching repertoires, and insight into the local and global contexts that impact teaching and learning and how these are interrelated with studio content. Throughout, Salazar expertly weaves research, theory, and helpful advice that instructors can use to enact a mode of teaching that is responsive to their unique environment. The text examines a variety of educational practices, including reflection, critique, exploration, research, student-to-student interaction, online teaching, intercultural learning, and community-engaged curricula.

Book Features:

  • A clear introduction to research and theory in college learning and art education.
  • A response to the current shift from studio practice to an investment in teaching practice.
  • Reflective prompts, actions, teaching strategies, and recommended resources.
  • User-friendly templates ready to customize for the reader’s own content.
Acknowledgments ix
Part I: The Context For A Guide To Teaching Art At The College Level
1 Introduction
3(16)
Why a Guide to Teaching Art at the College Level?
3(7)
The College Teaching of Art as a Complex System
10(2)
TLCS: A Framework
12(2)
What's in This Book?
14(3)
A Final Thought Before Proceeding
17(2)
2 A History
19(16)
Introduction
19(1)
The Medieval Atelier
20(1)
The Academy
20(3)
Modern Western European Models
23(2)
Modern Western European Models in the United States
25(4)
Postmodern Pedagogues
29(2)
A Postmodern Polyphony
31(1)
Patterns Across History
31(1)
Conclusion
32(3)
Part II: Using The TLCS Framework For Teaching Art At The College Level
3 Teacher
35(16)
Introduction
35(1)
Contemporary Considerations: College Teachers Today
35(3)
Snapshot of the Research: Teachers and Teaching
38(3)
Reflection and Action
41(4)
Teaching Strategies
45(4)
Further Reading
49(1)
Conclusion
49(2)
4 Learner
51(13)
Introduction: Know the Learner
51(1)
Contemporary Considerations: College Students Today
51(4)
Snapshot of the Research: Learners and Learning
55(4)
Reflection and Action
59(1)
Teaching Strategies
60(2)
Further Reading
62(1)
Conclusion
63(1)
5 Context
64(14)
Introduction
64(1)
Contemporary Considerations: Higher Education Today
64(7)
Snapshot of the Research: Art-and-Design Contexts
71(2)
Reflection and Action
73(1)
Teaching Strategies
74(2)
Further Reading
76(1)
Conclusion
77(1)
6 Studio Content
78(17)
Introduction
78(1)
Contemporary Considerations: Creativity Today
78(3)
Snapshot of the Research: Conditions Conducive to Creativity
81(5)
Reflection and Action
86(1)
Teaching Strategies
87(4)
Further Reading
91(1)
Conclusion
92(3)
Part III: Practical Tools
7 Creating Assignments
95(10)
Introduction
95(1)
Defining and Facilitating Inquiry
95(1)
A Flexible Holistic Model
96(4)
Using the Flexible Holistic Model
100(3)
A Note on Curriculum Development
103(1)
Further Reading
103(1)
Conclusion
104(1)
8 Doing Assessment
105(10)
Introduction
105(1)
Assessing Learning at the College Level
105(4)
Aligning Assessment Practices with Course Learning Outcomes
109(5)
Further Reading
114(1)
Conclusion
114(1)
9 Documenting Teaching
115(10)
Introduction
115(1)
The Syllabus
115(6)
The Teaching Philosophy
121(2)
Further Reading
123(1)
Conclusion
124(1)
Epilogue 125(4)
Notes 129(28)
Index 157(9)
About the Author 166
Stacey Salazar is the vice provost for graduate studies at the Maryland Institute College of Art. A college art educator for nearly 30 years, she has received professional recognition for her teaching and research. She holds a doctorate in education and a Master of Fine Arts in painting.