E-grāmata: Hamlet Doctrine: Knowing Too Much, Doing Nothing

This is an engaging, eloquent, and insistently pleasurable text that makes the best case possible for "rash" reading. Hamlet can now be read in light of a number of new theoretical vocabularies such that we cannot think about love, self-reflection, doubt, or obstinacy without being haunted by its ghost. This collaborative writing gives us a dynamic set of forays, recruiting us into the start and stop of thought, making Hamlet crucial for the thinking of our own impasses and delights. In the mix is a singular and illuminating encounter between philosophy and psychoanalysis. -- Judith Butler, author of Frames of War Critchley and Webster's fierce, witty exploration of Hamlet makes most other writing about Shakespeare seem simpleminded. -- Hari Kunzru, author of Gods Without Men I found myself ravenously turning pages. I absolutely love the book, which I think is brilliant both as a set of readings of the play and as a meditation on contemporary, postillusion existence. Hamlet is, as everyone knows, about everything , but it's also about nothing , or rather, nothingness. And this almost impossibly aphoristic book penetrates to the center of this paradox. A thrilling performance. -- David Shields, author of Reality Hunger The gap between thought and action has rarely been contemplated with so much intellectual excitement and energy as it is in this book. Indeed, this study of Hamlet is a kind of thrill ride, a breathless investigation of some of the most important ideas from philosophy and psychoanalysis from the Modern era. But the great pleasure it holds in store for most readers has to do with its profound understanding of reflection, and its discontents. -- Charles Baxter, author of The Feast of Love A brilliant set of readings of a work that, like an insistent ghost, seems to have more to tell us with each passing era. -- Tom McCarthy, author of C In their provocative new study, Simon Critchley, a professor of philosophy at the New School, and Jamieson Webster, a practicing psychoanalyst and author, offer a novel take on this most commented-upon of dramas. It is as much an astute account of the reactions of various philosophers and psychoanalysts to the play-and their often profound and sometimes wacky analyses-as a chronicle of the authors' own passionate response to virtually every aspect of the tragedy. The authors have an impressive mastery of all the factual details of the play . . . their discussions of such thinkers as Hegel and Nietzsche or Freud and Lacan are at once pithy and perceptive. * Wall Street Journal *