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E-grāmata: Handbook of Forensic Photography [Taylor & Francis e-book]

  • Formāts: 706 pages, 19 Tables, color; 14 Line drawings, color; 881 Halftones, color; 895 Illustrations, color
  • Izdošanas datums: 21-Jun-2022
  • Izdevniecība: CRC Press
  • ISBN-13: 9781003047964
  • Taylor & Francis e-book
  • Cena: 120,07 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 171,52 €
  • Ietaupiet 30%
  • Formāts: 706 pages, 19 Tables, color; 14 Line drawings, color; 881 Halftones, color; 895 Illustrations, color
  • Izdošanas datums: 21-Jun-2022
  • Izdevniecība: CRC Press
  • ISBN-13: 9781003047964

Handbook of Forensic Photography is the most-comprehensive, definitive reference for the use of photography in the capture and presentation of forensic evidence. The intent is to inform the reader about the most complete and up-to-date methods to capture and reproduce images that most accurately representing the evidence.

With the rise in importance of forensic science, crime and accident scene documentation has likewise increased on importance—not the least of which has been forensic photography. The need to use excepted practice and protocols to guarantee the authenticity of images for evidence documentation is paramount for using it in court. And as with any discipline, there is an art to the science of forensic photography.

Contributing authors from various backgrounds—each experts in their field—have provided numerous case examples, best practices, and recommendations for recognizing, recording, and preserving evidence using cameras and the latest digital image technology, including video and other imaging technologies. Chapters present such topics such as videography, drone photography, underwater photography, crime scene photography, autopsy photographs, fire documentation, forensic odontology, and more. The book closes with coverage of courtroom displays, presenting imaging evidence, and expert witness testimony in the courtroom.

Handbook of Forensic Photography

is a must-have reference for experienced crime scene photographers, death and crime scene investigators, police, and forensic professionals—including medical examiners, odontologists, engineers, and forensic anthropologists—who frequently need to capture investigative photographs in the course of investigations.

Preface x
Editor xiii
Contributors xv
Chapter 1 Forensic Photography: The Purpose
1(10)
Sanford L. Weiss
Chapter 2 Fair and Accurate Representation
11(6)
David "Ski" Witzke
Chapter 3 Development of Agency Standard Operating Procedures
17(6)
Lawrence Stringham
Chapter 4 Getting Ready to Go
23(14)
Sanford L. Weiss
Robert Wyman
Chapter 4A Using a Tripod
37(5)
Arthur Borchers
Chapter 4B Mirrors and Go-Kits
42(3)
Sanford L. Weiss
Robert Wyman
Chapter 5 Visual Storytelling
45(10)
Sanford L. Weiss
Chapter 6 Digital Processing of Evidentiary Photography
55(67)
David "Ski" Witzke
Chapter 6A Impression and Pattern Evidence
122(17)
Dawn Watkins
King Brown
Chapter 7 Necessary Hardware: Operating, Holding, and Focusing
139(10)
Sanford L. Weiss
Robert Wyman
Chapter 7A Light Metering for Exposure
149(12)
Sanford L. Weiss
Robert Wyman
Chapter 7B High Dynamic Range (HDR)
161(6)
Sanford L. Weiss
Arthur Borchers
Chapter 8 Photography in Technical Investigations
167(12)
John M. Fildes
Chapter 9 Three-Dimensional Photography and Its Applications
179(28)
Sanford L. Weiss
Chapter 10 Human Vision and Low-Light Photography
207(23)
Paul Kayfetz
George Pearl
Sanford L. Weiss
Robert Wyman
Chapter 10A Existing Light Photography
230(5)
Robert Wyman
Chapter 10B Painting Evidence with Light
235(3)
George S. Pearl
Chapter 10C Dealing with Retroreflective Light
238(5)
Robert Wyman
Chapter 11 Macrophotography
243(29)
Sanford L. Weiss
Robert Wyman
Chapter 11A Cellphone Forensic Photography
272(3)
Robert Wyman
Chapter 12 Image Rectification and Angular Correction
275(10)
Arthur Borchers
Chapter 13 Firearms and Toolmarks
285(25)
Carlo Rosatti
Marcelo Jost
Chapter 13A Bullet Trajectory Laser Photography
310(3)
Arthur Borchers
Chapter 14 Questioned Documents
313(4)
Emily J. Will
J. Wright Leonard
Chapter 14A Photography and Human Vision
317(20)
J. Wright Leonard
Chapter 15 Clandestine or Surveillance Photography
337(8)
Patrick Linnenbank
Chapter 16 Videography
345(14)
Kathryn McMillan
Chapter 17 Surveillance Videos Capture the Path of a Killer (Forensic Analysis)
359(8)
Litigation Animation
Chapter 18 Working the Field/Accident Scene
367(20)
Robert Wyman
Chapter 19 Laser Scanning
387(12)
Ryan Hacker
Chapter 20 Large Scene Investigation
399(6)
John L. Larsen
Chapter 21 Photographing Crime Scenes
405(18)
Sanford L. Weiss
Robert Wyman
Chapter 21A Public and Private Scene Investigations: Fire, Crash, and Crime Scenes
423(12)
Arthur Borchers
Chapter 21B Crime Scene Photogrammetry
435(9)
Eugene Liscio
Chapter 21C Single-Photo Perspective Photogrammetry
444(9)
Arthur Borchers
Chapter 22 Aerial Coverage from Light Planes and Helicopters
453(6)
Robert Feuerstein
Chapter 23 Drone Photography
459(15)
Abbe L. Lyle
Mark Johnson
Chapter 23A Forensic Aerial Imagery and Drone Photogrammetry
474(7)
Mark Johnson
Chapter 24 Inspection for Auditing Conditions
481(14)
Sanford L. Weiss
Chapter 25 Water and Underwater Photography
495(12)
Jennifer Idol
Chapter 26 Forensic Fire and Explosion Photography
507(10)
Noah Ryder
Chapter 27 Injury Photography
517(38)
Eric Johnson
Chapter 28 Documenting Findings in Interpersonal Violence
555(14)
William M. Green
Chapter 29 Autopsy Photography
569(12)
Sanford L. Weiss
P.J. Schoebel
Chapter 30 Entomological Photograph Protocols
581(18)
Neal H. Haskell
Leon G. Higley
Pat Cicero
Chapter 31 Forensic Odontology
599(6)
Denise Murmann
Chapter 32 Photography and Forensic Archaeology
605(6)
Karl Harrison
Chapter 33 Forensic Anthropology and Photography
611(1)
Ozgur Bulut
Amy Wedge
Chapter 33A Forensic Facial Analysis
612(7)
Ozgur Bulut
Chapter 33B Forensic Age Progression
619(13)
Ozgur Bulut
Chapter 33C Forensic Facial Reconstruction and Postmortem Depiction
632(7)
Amy Wedge
Chapter 34 Photography for Publication
639(4)
Mark R. Fell
Chapter 35 The Role of the Forensic Scientist as Expert Witness in Court
643(8)
Julia Garcia de Leon
Chapter 36 Technology for Courtroom Displays and Demonstrative Presentations
651(8)
Mark Johnson
Chapter 37 Teaching Forensic Photography in the 21st Century
659(6)
Sarah Graham
Glossary 665(32)
Index 697
Sanford L. Weiss, BCEP, is the author of Forensic Photography: The Importance of Accuracy Published by Pearson-Prentice Hall (2008). Mr. Weiss is also an Evidence Photographers International Council (EPIC) Board Certified Forensic Evidence Photographer, a Competitive Intelligence Specialist, and was an Illinois State licensed private detective (#115-001807) and head of the Packer Detective Agency (#12002454). He holds a State of Illinois Certified Teacher rating (#1535733) for any and all photography related subjects. He worked for Packer Engineering, Inc., in Naperville, Illinois, from 1980 to 2009 for whom he documented the artifacts and scenes of hundreds of investigations and carried out complex human vision studies for almost 30 years. He also spent time performing Competitive Intelligence Analysis, being corporate librarian, then graphic artist, marketing specialist, and corporate historian. He is an expert in photo-lab management and all aspects of photographic chemical processing and was in charge of the Packer Engineering Photo Laboratory for over 17 years. Mr. Weiss has a B.S. degree in management from National Louis University. He has taught in many venues and on many levels for over 30 years, from government agencies to Universities. He is regularly published on forensic photography in national periodicals, including Evidence Technology Magazine. In 2003 Mr. Weiss received the R. C. Hakanson, Evidence Photographer of the Year Award from EPIC, in 2005 the Nikon Evidence Photographer of the Year Award, then in 2006 he was presented the prestigious Lifetime Achievement Award in forensic photography from Nikon USA, one of the worlds leading companies in Professional Photographic Products and Technologies. When he began his career in forensic photography, he was a beginner and the options for learning the craft were limited. In his case the on the job training consisted of watching, talking, asking, and mostly concentrating on the problems he was tasked. He quickly learned there were similarities in all projects and experience was a great teacher. He learned, one must have a passion for figuring out how to most accurately document evidence photographically. To be successful in this work, any other person must have that passion, too. Since 2009 he has been the Principal of Sandy Weiss Forensic Photography Consulting. From 2010 to 2016 he taught accredited online courses in forensic Photography for the University of California Davis Extension Service.