The Handbook of Interior Architecture and Design offers a compelling collection of original essays that seek to examine the shifting role of interior architecture and interior design, and their importance and meaning within the contemporary world.
Interior architecture and interior design are disciplines that span a complexity of ideas, ranging from human behaviour and anthropology to history and the technology of the future. Approaches to designing the interior are in a constant state of flux, reflecting and adapting to the changing systems of history, culture and politics. It is this process that allows interior design to be used as evidence for identifying patterns of consumption, gender, identity and social issues.
The Handbook of Interior Architecture and Design provides a pioneering overview of the ideas and arrangements within the two disciplines that make them such important platforms from which to study the way humans interact with the space around them.
Covering a wide range of thought and research, the book enables the reader to investigate fully the changing face of interior architecture and interior design, while offering questions about their future trajectory.
Recenzijas
From uniquely varied viewpoints and scales of exploration, The Handbook of Interior Architecture and Design provides clear-eyed insight into a profession that has evolved dramatically in the last decades to come into its own. It is an important contribution that further clarifies the practice of Interior Architecture in the 21st century. * Lilianne Wong, Head of the Interior Architecture department at Rhode Island School of Design, USA *
Papildus informācija
The Handbook of Interior Architecture and Design brings together the latest research by leading international scholars and practitioners in the dynamic fields of interior architecture and interior design, while also offering an evolution of the disciplines.
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ix | |
| General Introduction |
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1 | (6) |
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7 | (8) |
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PART 1.1 REFLECTING ON THE DISCIPLINE |
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1 Modern History and Interior Design |
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15 | (13) |
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2 Rethinking Histories, Canons, and Paradigms |
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28 | (12) |
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3 Inhabited Space: Critical Theories and the Domestic Interior |
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40 | (10) |
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4 Methods of Research and Criticality |
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50 | (11) |
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5 Protected Title in Britain: An Educational Necessity? |
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61 | (18) |
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6 Regulations and Conventions: Interior Design Practice and Education |
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79 | (14) |
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7 The Profession that Dare Not Speak its Name |
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93 | (14) |
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PART 1.2 INTERIOR TERRAINS |
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107 | (10) |
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9 Surface Demonstrations, Neutral, Not So |
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117 | (12) |
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10 A Short History of the Room |
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129 | (10) |
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139 | (12) |
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12 Program, Function, and Fabrication: Exhibiting the Domestic Interior |
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151 | (14) |
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13 Lives in Large Interiors |
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165 | (15) |
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14 Swiss Cheese and Beanbags: Producing Interior Urbanism |
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180 | (19) |
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15 The Public Private Interior: Constructing the Modern Domestic Interior in Singapore's Public Housing |
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199 | (14) |
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16 The Evolution of Workspace Design: From the Machine to the Network |
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213 | (13) |
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17 Installation and Performance |
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226 | (13) |
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18 Exhibition Design: Reflections |
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239 | (14) |
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253 | (8) |
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PART 2.1 THE BODY, BEHAVIOR, AND SPACE |
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19 Redesigning for the Body: Users and Bathrooms |
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261 | (17) |
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20 The Selection, Creation, and Perception of Interior Spaces: An Environmental Psychology Approach |
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278 | (13) |
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21 Guilty by Design/Guilty by Desire: Queering Bourgeois Domesticity |
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291 | (13) |
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304 | (18) |
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23 Design for Ageing-in-Place for High-Density Living in Asia: A Comparative Analysis on Residential Design in Singapore, Japan, and Hong Kong |
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322 | (12) |
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24 Demographics and Identity |
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334 | (17) |
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PART 2.2 ETHICS AND THE INDOOR ENVIRONMENT |
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25 The Thin Edge of the Wedge: Shifting Ethical Terrains and Interior Design in the Twenty-First Century |
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351 | (13) |
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364 | (15) |
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27 Designing for Sustainability: A Framework for Interior Designers to Design for Efficiency and Beyond |
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379 | (15) |
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28 Interior Design, a Political Discipline |
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394 | (10) |
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29 Globalization: What Shapes a Global Interior? |
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404 | (19) |
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PART 3 REPRESENTATION AND FABRICATION |
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423 | (5) |
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428 | (13) |
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441 | (13) |
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32 Digital Representation and Fabrication |
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454 | (14) |
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33 The Interior: Television, Gaming, and New Media |
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468 | (13) |
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481 | (16) |
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PART 3.1 ATMOSPHERIC CONDITIONS OF THE INTERIOR |
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35 Ornament and Decoration |
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497 | (17) |
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36 The Poetic Language of Interior Materials and Color |
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514 | (14) |
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37 Technology and the Interior |
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528 | (16) |
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38 Phenomenology and the Senses in Interiors |
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544 | (15) |
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559 | (10) |
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| Notes |
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569 | (76) |
| Contributors |
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645 | (10) |
| Index |
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655 | |
Graeme Brooker is Head of Interior Design at the Royal College of Art, UK. Between 2013 and 2015 he was the Head of the Department of Fashion and Interiors at Middlesex University, UK. He has authored and co-authored several books on the interior, including Rereadings: Interior Architecture and the Principles of Remodeling Existing Buildings (2004), Form and Structure: The Organisation of Interior Space (2007), Context and Environment: Site and Ideas (2008), The Visual Dictionary of Interior Architecture (2008), Objects and Elements: Occupying Interior Space (2009), What is Interior Design? (2010) and From Organisation to Decoration (2012). He is Founder and Director of the charity Interior Educators, the national subject association for interiors in the UK.
Lois Weinthal is Chair of the School of Interior Design at Ryerson University in Toronto, Canada. Her teaching explores these topics, where theoretical discussions are put into practice in the design studio. Her seminar teaching led to the publication Toward a New Interior: An Anthology of Interior Design Theory (2011), which organises the interior as a series of layers that surround the body. Additional publications include the co-edited After Taste: Expanded Practice in Interior Design (2011). In 2016, she became Editor of the international journal Interiors: Design, Architecture, Culture. Weinthal has received grants from the Graham Foundation, Fulbright and DAAD, and has exhibited and lectured internationally. Previously, she directed the Interior Design program at Parsons the New School for Design and was graduate advisor at The University of Texas at Austin.
