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E-grāmata: Harmonic Development and Contrapuntal Techniques for the Jazz Pianist: An Imaginative Approach

  • Formāts: 222 pages
  • Izdošanas datums: 18-Dec-2023
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781003829706
  • Formāts - EPUB+DRM
  • Cena: 62,60 €*
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  • Formāts: 222 pages
  • Izdošanas datums: 18-Dec-2023
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781003829706

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"Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques. The text focuses on the relationship between theory and execution and both of those components' usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create. Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include: musical examples audio tracks performance exercises written assignments Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting"--

Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques.



Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques.

The text focuses on the relationship between theory and execution and both of those components’ usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create.

Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include:

  • Musical examples
  • Audio tracks
  • Performance exercises
  • Written assignments

Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting.

Preface

Book Features

Acknowledgements

About the Author

Chapter 1

Introduction

Introduction to Harmonic Counterpoint

Chapter 2

Contrapuntal Improvisation

Harmony

Chapter 3

Harmonic Counterpoint

Chapter 4

Rhythm

Comping Styles

Chapter 5

Chord Voicing

Chapter 6

Building Harmony

Chapter 7

Chord Motion

Internal Chord Motion

External Chord Motion

Chapter 8

Chord Progression

V-I Cadence

II-V Progression

II-V-I Progression

Harmonic Development

Harmonic Development Using Fourths

Chord Progression for Song Intros

Chord Progression for Song Endings

Appendices

Index

Gary Motley is Teaching Professor and Founding Director of Jazz Studies at Emory University in Atlanta, Georgia, where he teaches jazz theory and jazz improvisation.