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Harold Norse: Poet Maverick, Gay Laureate [Hardback]

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  • Formāts: Hardback, 304 pages, height x width: 239x163 mm, 1 Illustrations
  • Sērija : Clemson University Press: Beat Studies
  • Izdošanas datums: 01-Mar-2022
  • Izdevniecība: Clemson University Digital Press
  • ISBN-10: 1638040168
  • ISBN-13: 9781638040163
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  • Cena: 145,10 €
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  • Formāts: Hardback, 304 pages, height x width: 239x163 mm, 1 Illustrations
  • Sērija : Clemson University Press: Beat Studies
  • Izdošanas datums: 01-Mar-2022
  • Izdevniecība: Clemson University Digital Press
  • ISBN-10: 1638040168
  • ISBN-13: 9781638040163
Citas grāmatas par šo tēmu:
"Harold Norse: Poet Maverick, Gay Laureate is the first volume of essays on an enigmatic but overlooked poet and artist. Best known for his associations with the American Beat writers, and then later as a key figure in Gay Liberation poetry, Norse was also a prolific and well-regarded poet in his own right"--

Who was Harold Norse? Despite publishing over a dozen volumes of poetry between the early 1950s and the new millennium, until now, the Brooklyn-born Norse has been relegated to a footnote in accounts of twentieth century literary history. Harold Norse: Poet Maverick, Gay Laureate is the first collection of essays devoted to this enigmatic poet and visual artist. As this volume explores, Norse, who developed his craft while living in Europe during the 1950s and 1960s, is an important figure in the development of mid-twentieth century poetics. During the 1950s and 1960s, Norse was a notable figure in the plethora of little poetry magazines published in the USA and Europe through to skirmishes with respectability and acceptance (Penguin and City Lights). Norse is a key figure in the development of the cut-up process made famous by his friend, William S. Burroughs. His correspondence with his mentor, the poet William Carlos Williams, captures his poetic shifts from formalism to the
development of his Brooklyn idiom, while his gripping autobiography, Memoirs of a Bastard Angel, documents his transatlantic networks of writers and artists, among them James Baldwin, Allen Ginsberg, and Charles Bukowski. And after returning to the US in the late 1960s, Norse emerged as leading figure in Gay Liberation poetry.
Acknowledgments vii
Prologue: The Case for Harold Norse ix
Jan Herman
Introduction 1(10)
A Robert Lee and Douglas Field
1 Harold Norse and the Perils of Literary Obscurity
11(16)
Erik Mortenson
2 The Business of Poetry: Seeing and Hearing Harold Norse
27(16)
A. Robert Lee
3 Seen from a Distance: The Individual Talent of Harold Norse
43(14)
Fiona Raton
4 Harold Norses Friends
57(14)
Daniel Kane
5 Finding Hermes in the Oil Stain: Norses Early Work
71(16)
Steven Belletto
6 The Memory of the Bastard Angel: Autobiographical Writing in Harold Norse
87(12)
Estibaliz Encarnacion-Pinedo
7 Harold Norse Under the Sign of William Carlos Williams
99(16)
Ronna C. Johnson
8 Hidden History: Norse and Bukowski
115(14)
Kurt Hemmer
9 Turning the Blue Key: Harold Norse, William Burroughs, and the Infinite Early Cut-up
129(14)
Chad Weidner
10 Beat Hotel: Harold Norse and Cut-up
143(14)
Benjamin J. Heal
11 Cut-ups and Comosgraphs: Harold Norse at Work in the Beat Hotel
157(12)
Tate Swindell
12 Due Norse: On Forgetting and Remembering Harold Norse, and His Place in the Queer Canon
169(14)
Andrew McMillan
13 Running with the Underdog: Harold Norse and the Mimeo Revolution
183(16)
Douglas Field
Jay Jeff Jones
14 From Bastard to Angel: Harold Norse as Mentor and Publisher in 1970s San Francisco
199(14)
Todd Swindell
Harold Norse: Timeline 213(10)
Todd Swindell
Afterword 223(4)
James Grauerholz
Notes 227(38)
List of Contributors 265(6)
Index 271