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Heart's Ease: Spirituality in the Music of John Tavener New edition [Mīkstie vāki]

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  • Formāts: Paperback / softback, 306 pages, height x width: 229x152 mm, weight: 380 g, 73 Illustrations
  • Sērija : Music and Spirituality 11
  • Izdošanas datums: 05-Oct-2020
  • Izdevniecība: Peter Lang International Academic Publishers
  • ISBN-10: 1788747488
  • ISBN-13: 9781788747486
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  • Mīkstie vāki
  • Cena: 64,46 €
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  • Formāts: Paperback / softback, 306 pages, height x width: 229x152 mm, weight: 380 g, 73 Illustrations
  • Sērija : Music and Spirituality 11
  • Izdošanas datums: 05-Oct-2020
  • Izdevniecība: Peter Lang International Academic Publishers
  • ISBN-10: 1788747488
  • ISBN-13: 9781788747486
Citas grāmatas par šo tēmu:
"Our age owes Sir John Tavener deep gratitude. His works cross both cultural and disciplinary boundaries. He illustrated how to deal with intense suffering and felt deeply for the suffering of the world. He stands as an icon representing a view of artistic expression as a way of generating hope and transcendence. In Tavener's thinking, spirituality was closely tied to wellbeing and healing and this book considers thespiritual encounters that brought him 'heart's ease' and the communication of that experience to performers and listeners through his composition. The contributors to this book include scholars, musicians, theologians, medical practitioners, informed listeners and practitioners in religious traditions. It includes case study material, empirical studies, philosophical, theological and theoretical contributions along with accounts from lived experience of the spirituality generated by Tavener's music. This is set in the context of a world that sees spirituality sometimes coupled and sometimes uncoupled from religion. The pattern of the book is an alternation between interludes and chapters illuminating different facets of the crystal of Tavener's creative work and the spirituality and 'heart's ease' it can offer"--

Our age owes Sir John Tavener deep gratitude. His works cross both cultural and disciplinary boundaries. He illustrated how to deal with intense suffering and felt deeply for the suffering of the world. He stands as an icon representing a view of artistic expression as a way of generating hope and transcendence.

In Tavener’s thinking, spirituality was closely tied to wellbeing and healing and this book considers the spiritual encounters that brought him ‘heart’s ease’ and the communication of that experience to performers and listeners through his composition. The contributors to this book include scholars, musicians, theologians, medical practitioners, informed listeners and practitioners in religious traditions. It includes case study material, empirical studies, philosophical, theological and theoretical contributions along with accounts from lived experience of the spirituality generated by Tavener’s music. This is set in the context of a world that sees spirituality sometimes coupled and sometimes uncoupled from religion.

The pattern of the book is an alternation between interludes and chapters illuminating different facets of the crystal of Tavener’s creative work and the spirituality and ‘heart’s ease’ it can offer.



The contributors to this book include scholars, musicians, theologians, medical practitioners, informed listeners and practitioners in religious traditions. It includes case study material, empirical studies, philosophical, theological and theoretical contributions along with accounts from lived experience of the spirituality in Tavener’s music.

List of Figures
ix
Acknowledgements xix
Welcome from Lady Maryanna Tavener xxiii
Introduction 1(32)
June Boyce-Tillman
Prelude: `To Be a Pilgrim' -- the Spiritual Journey of John Tavener through his Music
9(24)
June Boyce-Tillman
1 John Tavener's Musical Theology Of Religions
33(20)
Stephen B. Roberts
2 In Search Of Truth: John Tavener's Transition From Western Culture To Eastern Tradition
53(44)
Andrzej Kesiak
Interlude One The Mystery of Faith -- an Interview with John Tavener
77(20)
June Boyce-Tillman
3 Tavener And Taverner: Choral Perspectives On The Holy Trinity
97(16)
Anne-Marie Forbes
4 `Dumped Modernism'? The Interplay Of Musical Construction And Spiritual Affect In John Tavener And His To A Child Dancing In The Wind
113(24)
Brian Inglis
Interlude Two An Instrumentalist Embraces the Choral Tradition
135(2)
Neil Valentine
5 Critical Encounters With John Tavener's Requiem: `Our Glory Lies Where We Cease To Exist'
137(28)
Bart Seaton-Said
Interlude Three John Tavener's The Protecting Veil -- a Performer's Reflections
165(4)
Matthew Barley
6 Spiritual Echoes Of Love: John Tavener's Three Hymns Of George Herbert
169(14)
Anne-Marie Forbes
Interlude Four Mozart -- a Celebration of an Unconscious Mystic
183(2)
Sir John Tavener
7 John Tavener And The Search For An English Orthodox Musical Language
185(40)
Alexander Lingas
Interlude Five Encomium for Sir John Tavener
225(4)
June Boyce-Tillman
8 John Tavener And Sacred Silence
229(24)
Eduard Heyning
Interlude Six John Tavener and the Holy Spirit
249(4)
Jill Bunce
9 Spirituality In Music As A Source Of Wellbeing: Group Experiences And Client Statements On The Basis Of The Music Therapy Method `Guided Imagery And Music' With Music By John Tavener
253(28)
Anna E. Rocker
Postlude: Brief Reflections on Winchester Cathedral and the Music of Sir John Tavener
277(4)
James Atwell
Notes on Contributors 281(8)
Index 289
The Rev. Professor June Boyce-Tillman MBE, PhD, MA, LRAM, FRSA read music at Oxford University and is Professor Emerita of Applied Music at the University of Winchester and Extra-ordinary Professor at North West University, South Africa. She has published widely on music education and spirituality and is editing the series on Music and Spirituality for Peter Lang.









Associate Professor Anne-Marie Forbes PhD, MMus, MA, BMus, FRSPH leads the interdisciplinary programmes in Creative Arts and Health at the University of Tasmania. She has published widely in historical musicology, focussing on twentieth-century British and Australian music, sacred music and performativity.