Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority.
Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The objects studied include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. PETER COSS is Professor of Medieval History, Cardiff University. MAURICE KEEN is Emeritus Fellow of Balliol College, Oxford. Contributors: MAURICE KEEN, DAVID CROUCH, PETERCOSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN AND MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON, JOHN WATTS.
Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority.
