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E-grāmata: Herbert Bayer, Graphic Designer: From the Bauhaus to Berlin, 1921 1938

(Universität Erfurt, Germany)
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Herbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States.

This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and Lįszló Moholy-Nagy, follows Bayer through the Weimar Republic, Nazi Germany and finally to his exile in the United States. Specifically, Patrick Rössler reveals for the first time Bayers unique experience of 1930s Germany, where, with his commercial and artistic life shattered by terror and censorship, he distracted himself with leading a hedonistic life. Shining a light on Bayers time in Berlin during the Weimar Republic, and his route out of the Nazi state, Rössler provides rich new insights into how Bauhaus artists navigated a protracted period of social upheaval and dictatorship, where commercial success was fraught with a deep hostility towards the regime and the temptations of emigration.

Revealing the tensions of an avant-garde artist struggling to practice during a period of repression, Herbert Bayer, Graphic Designer speaks to both the memory of those who left Nazi Germany, but also the perseverance of artists and intellectuals throughout history who have worked under authoritarian regimes. Drawing on never before interpreted documents, letters and archival material, Rössler tells Bayers compelling story documenting the life of a unique artist and offering a valuable contribution to research in émigré experiences.

Recenzijas

With access to never-before-seen materials, Rössler includes documents, diaries and intimate letters from both Bayers first wife, Irene Bayer-Hecht, and his lover, Ise Gropius [ ] Rather than a sweeping indictment of Bayers pragmatism, Rössler takes a nuanced approach to an artists dilemma and the choices made for survival in a turbulent political landscape. * Communication Arts * Shining a new light on the life and work of Herbert Bayer, this insightful book makes a vital contribution to our understanding of modernism and the 20th century events that shaped its practitioners, and how this extraordinary designer navigated those complex times. * Robin Schuldenfrei, Reader in 20th Century Modernism, The Courtauld Institute of Art, University of London, UK * Extensively researched, Rösslers lively text analyzes Bayers artistic, personal, and political journey from the Bauhaus to the US and hits issues head onaddressing difficult questions regarding history, emigration, politics, and biography * Gwen F. Chanzit, Curator Emerita, Denver Art Museum, and Professor Emerita, University of Denver, USA * Gorgeously illustrated and rigorously researched, this book lays bare the crucial missing decade in the life and work of this innovative, influential, and often misunderstood artist. Patrick Rösslers engaging and unflinching account is a must read for anyone interested in design history and the contradictions of creative life in Nazi Berlin. * Elizabeth Otto, Professor of Modern & Contemporary Art History, the University at Buffalo (SUNY), USA *

Papildus informācija

An engaging biography of Bauhaus master and leading graphic designer Herbert Bayer, covering his time in the Weimar Republic and Nazi Germany, as well as his escape to the USA.
List of Illustrations
vi
A Short Bayer Timeline xvii
Introduction: Herbert Bayer's Lost Decade 1(14)
Part One Formative Experiences--How an Apprentice from Linz Became a Junior Master at the Bauhaus
1 Youth: Family, Friends, and Companions
15(12)
2 Irene Hecht and Herbert Bayer: A Fateful Relationship
27(12)
3 Intimate Friendships: Bayers Work and Life at the Bauhaus
39(14)
4 Sturm und Drang: Life in Berlin
53(14)
5 Ise Gropius and the Summer of 1932
67(16)
Part Two A Commercial Artist in Nazi Germany
6 Working for Dorland Advertising Agency in Berlin
83(10)
7 Designs for Propaganda
93(24)
8 Good Life in Berlin
117(16)
9 Loyal Bauhaus Circles
133(14)
Part Three The Path to Emigration
10 The Last Person Left Behind in Berlin
147(8)
11 Trial Run: The London Gallery Exhibition
155(6)
12 Dress Rehearsal: Summer Excursion to the United States
161(8)
13 A Well-Considered Departure
169(20)
Part Four A New Life: Bayer in the Land of Opportunity
14 Bayer's New Start in the United States: The Bauhaus at MoMA
189(8)
15 Difficult Beginnings: Bayer's First Eight Years in the United States
197(18)
Epilogue: Bayer in Berlin, or: A Life in an Echo Chamber 215(17)
Notes 232(53)
Bibliography 285(18)
Index 303
Patrick Rössler is Professor of Empirical Communication Research and Methods at the University of Erfurt, Germany. He is author of The Bauhaus and Public Relations (2014), and with Elizabeth Otto, he co-edited Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernisms Legendary Art School (2019).