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Hero and Hero-Making Across Genres [Mīkstie vāki]

Edited by (Banaras Hindu University, India), Edited by (Banaras Hindu University, India), Edited by (Banaras Hindu University, India)
  • Formāts: Paperback / softback, 250 pages, height x width: 234x156 mm, weight: 480 g, 6 Halftones, black and white; 6 Illustrations, black and white
  • Izdošanas datums: 25-Sep-2023
  • Izdevniecība: Routledge India
  • ISBN-10: 0367363321
  • ISBN-13: 9780367363321
  • Mīkstie vāki
  • Cena: 57,31 €
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  • Formāts: Paperback / softback, 250 pages, height x width: 234x156 mm, weight: 480 g, 6 Halftones, black and white; 6 Illustrations, black and white
  • Izdošanas datums: 25-Sep-2023
  • Izdevniecība: Routledge India
  • ISBN-10: 0367363321
  • ISBN-13: 9780367363321
This book critically examines how a Hero is made, sustained, and even deformed, in contemporary cultures. It brings together diverse ideas from philosophy, mythology, religion, literature, cinema, and social media to explore how heroes are constructed across genres, mediums, and traditions.

The essays in this volume present fresh perspectives for readers to conceptualize the myriad possibilities the term Hero brings with itself. They examine the making and unmaking of the heroes across literary, visual and social cultures in religious spaces and in classical texts; in folk tales and fairy tales; in literature, as seen in Heinrich Bölls Und Sagte Kein Einziges Wort, Thomas Brüssigs Heroes like Us, and in movies, like Christopher Nolans Interstellar, Michel Gondrys Eternal Sunshine of the Spotless Mind and in the short film like Dean Potter's When Dogs Fly. The volume also features nuanced takes on intersectional feminist representations in hero movies; masculinity in sports biopics; taking everyday heroes from the real to the reel, among others key themes.

A stimulating work that explores the mechanisms that manufacture heroes, this book will be useful for scholars and researchers of English literature, postcolonial studies, cultural studies, film studies, media studies, literary and critical theory, arts and aesthetics, political sociology and political philosophy.
Introduction PART 1: Hero(es) across Traditions
1. The Hero on Closer
Inspection a Fool
2. Udaaseeno Mahabalaha: Displacement of the Heroic in the
Mnemocultures of India
3. The Other Side of Heroism: Construction and
Deconstruction of the Heroic in German Literature on Greeces Struggle for
Independence in works by Wilhelm Müller, Friedrich Hölderlin and E.T.A.
Hoffmann4. Transformed Heroes: The Br Bbs and their Religio-Cultural
Metamorphosis PART II: Hero(es) across Fictions
5. Folktales Hero in the
Post-Truth World
6. How to Live (Happily) Ever After: Heroic Selflessness in
Hans Christian Andersens Fairy Tales
7. The Unheroic Hero in Heinrich Bölls
Und Sagte Kein Einziges Wort
8. Incompetent Heroism: Revisiting the Image of
the Hero in Thomas Brüssigs Heroes like Us PART III: Cinematic Hero(es) and
Beyond
9. Meet the Real Protagonists of Everyday Life
10. Transgressing the
Borders of Space and Time the Heroism of the Pilot Joseph Cooper in
Christopher Nolans Interstellar
11. Eternal Sunshine of the Spotless Mind
and the Crises of a Hero in Love PART IV: Making/Unmaking of Hero(es) across
Media and Culture
12. Daredevil Philosophy: Dean Potter's "When Dogs Fly"
13.
Of Nation and Masculinity in Bollywood Sports Biopics: Recontextualizing
Bhaag Milkha Bhaag and Dangal
14. The Representation of Dalit Women Heroes in
Nalini Jameelas The Autobigraphy of a Sex Worker and Yashica Dutts Coming
out as a Dalit
15. The Hero and the Other: The Making and Unmaking of the
Heroes across Cultures
Amar Singh is Assistant Professor at the Department of English, Mahila Mahavidyalaya (MMV), Banaras Hindu University, India. He has completed his doctoral research on Hyperrealism and Christopher Nolans Cinematic Texts in 2016 from Banaras Hindu University. At present he is working as a post-doctoral researcher (Wissenschaftlicher Mitarbeiter) at Bergische Universität Wuppertal, Germany. His research interest areas are English Literature, Film Studies and Popular Culture.

Shipra Tholia is Assistant Professor at the Department of German Studies, Banaras Hindu University, India. She has completed her M.Phil from Jawaharlal Nehru University, New Delhi. She is currently pursuing her doctoral research from Bergische Universität Wuppertal, Germany as a German Academic Exchange Service/ DAAD scholar. Her research interest areas are Media Studies, Narratology, German Language and Literature.

Pravin K Patel is Assistant Professor of English, Mahila Mahavidyalaya (MMV), Banaras Hindu University, India. He received his Doctorate in English from the English and Foreign Languages University, Hyderabad, India. His areas of interest are medical humanities and English literature.