Atjaunināt sīkdatņu piekrišanu

High Culture and Tall Chimneys: Art Institutions and Urban Society in Lancashire, 17801914 [Hardback]

  • Formāts: Hardback, 336 pages, height x width x depth: 234x156x19 mm, weight: 649 g, 18 black & white illustrations
  • Izdošanas datums: 29-Mar-2018
  • Izdevniecība: Manchester University Press
  • ISBN-10: 1784991473
  • ISBN-13: 9781784991470
  • Hardback
  • Cena: 113,24 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 336 pages, height x width x depth: 234x156x19 mm, weight: 649 g, 18 black & white illustrations
  • Izdošanas datums: 29-Mar-2018
  • Izdevniecība: Manchester University Press
  • ISBN-10: 1784991473
  • ISBN-13: 9781784991470
This study follows the development of Lancashire's unique network of art institutions throughout the nineteenth century, exploring the motivations of the artists, patrons, politicians and philanthropists involved. -- .

This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.
List of figures
vi
Acknowledgements viii
Abbreviations ix
1 Introduction: art in the first industrial society
1(35)
2 Lorenzo in Liverpool: William Roscoe, civic myths and the institutionalisation of urban culture
36(29)
3 An `ornament to the town'? The Royal Manchester Institution and early public art patronage in Manchester
65(30)
4 From private to civic: the diverse origins of the municipal art gallery movement
95(32)
5 A `solid foundation'? Art schools and art education
127(39)
6 The art of philanthropy? The formation and development of the Walker Art Gallery
166(24)
7 A problem of scale and leadership? Manchester's municipal ambitions and the `failure' of public spirit
190(31)
8 Challenging `the ocean of mediocrity and pretence'? The alternative visions of the Whitworth and Harris galleries
221(30)
9 The rise and fall of the municipal art gallery movement? The public and private dimensions of local civic art
251(39)
Bibliography 290(23)
Index 313
James Moore is Lecturer in the School of History, Politics and International Relations at the University of Leicester -- .