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E-grāmata: Historical Lacunae and Poetic Space: A Creative Approach to Old Norse Poetry and Poetics

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This book explores the nature of poetic reading using a creative approach to understanding Old Norse poetry. Through a poetic enactment, an epic poem and its companion reader, the author explores critical approaches to Old Norse poetry and poetics, exploring the complex relationship between history, criticism and the creative reader.



This book explores the nature of poetic reading using a creative approach to understanding Old Norse poetry. It considers lacunae in the history, criticism and scholarly translations of Old Norse poetry into English through a poetic enactment, an epic poem and its companion reader, demonstrating critical approaches to Old Norse poetry and poetics.

The poetic enactment analyses the complex relationship between historical gap and creative reader, the importance of the comprehension of literary objects as ideal or immutable, and the poetic construction of readable texts with particular reference to skaldic images. The poetic demonstration of scholarly approaches also raises a number of questions about poetic process and the role of composers, readers and historical contexts in Old Norse poetry. Analysing narrative-movement, diction, grammar, legend, the aural, the visual, authenticity, meaning and poetic objects as scripts, the author offers a theory of actual and virtual reading.

List of Images
xi
Preface xiii
Acknowledgements xxi
The Companion Reader 1(2)
Chapter 1 Gaps and Critical Contexts
3(12)
Chapter 2 From Empty Helmets and a Few Bones
15(12)
Chapter 3 Who Is the Reader? And How Many of Us Are There?
27(18)
Chapter 4 Roman Ingarden's Observer as Composer
45(6)
Chapter 5 Musical Chairs
51(6)
Chapter 6 Measures of Skaldic Poetry: What Does Metre Mean?
57(30)
Chapter 7 The Legibility of Contours
87(24)
Chapter 8 Commanding the Terrain of Lacunae
111(6)
Chapter 9 A Grammar of Secrets
117(466)
Gild-rac Manuscript
139(2)
Rinaldi da Giacomo's Argomento
141(4)
Abbreviations
145(1)
Pronunciation Guide
145(2)
The History: Books I--VII
147(244)
I Dagazar's Dreams
147(30)
II Heyeoahkah's Tales
177(24)
III Obyla's Lays
201(27)
IV Helga's Lament for Kerrigan
228(25)
V Kerrigan the Fearless
253(45)
VI The Rise of Skulvaoi Ulfr
298(34)
VII Siswyo's Songs of the Wolf
332(59)
The Successors: Books VIII--X
391(192)
VIII The Argument between North and South
392(43)
IX The Law-suit
435(62)
X Lord of the Route
497(86)
Bibliography 583(8)
About the Artist 591(2)
Index 593
BEVERLIEY BRAUNE holds the degrees of Master of Philosophy in English from the University of the West Indies and Doctor of Creative Arts from the University of Wollongong. She is the author of many articles in journals and books, and two books of poetry. She has been an invitee to the European Association for Commonwealth Literature and Language Studies conference and a guest of the Melbourne Festival of Poetry, the Sydney Writers Festival at Varuna, the Queensland Poetry Festival and the Brisbane Writers Festival. She lives in Australia.