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History and Art History: Looking Past Disciplines [Hardback]

Edited by (Carleton University), Edited by (Universite de Montreal, Canada)
  • Formāts: Hardback, 258 pages, height x width: 246x174 mm, weight: 453 g, 30 Halftones, black and white; 30 Illustrations, black and white
  • Sērija : Routledge Research in Art History
  • Izdošanas datums: 30-Nov-2020
  • Izdevniecība: Routledge
  • ISBN-10: 0367256010
  • ISBN-13: 9780367256012
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  • Hardback
  • Cena: 191,26 €
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  • Formāts: Hardback, 258 pages, height x width: 246x174 mm, weight: 453 g, 30 Halftones, black and white; 30 Illustrations, black and white
  • Sērija : Routledge Research in Art History
  • Izdošanas datums: 30-Nov-2020
  • Izdevniecība: Routledge
  • ISBN-10: 0367256010
  • ISBN-13: 9780367256012
Citas grāmatas par šo tēmu:
"Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present. Cumulatively, the contributions, which range over many time periods and places, showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge. This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture, and historiography"--

Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present.

Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge.

This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.

List of Figures
vii
Acknowledgements ix
Author/Editor Biographies x
1 Why History and Art History?
1(22)
Nicholas Chare
Mitchell B. Frank
PART I Visualizing History
23(80)
2 How He Saw It: Visual Satire in the Writings of Joseph Woolley
25(14)
Carolyn Steedman
3 Historical Distance and the Nineteenth-Century Revival of Fresco
39(15)
Mitchell B. Frank
Mark Salber Phillips
4 The Unsettled
54(18)
Julie Cough
5 Art History and History: Around Francis Haskell and the Rediscovery of French Nineteenth-Century History Painting
72(15)
Stephen Bann
6 Shanawdithit's Drawings
87(16)
Nicholas Chare
PART II Visions of the Past
103(58)
7 What Giorgione Saw: Variations on The Three Philosophers
105(12)
Patrick Boucheron
8 Art and the Masquerade of History
117(17)
Patricia Rubin
9 Do Styles Have a Body? A History of Images and a History of Perception
134(15)
Andrea Pinotti
10 Still Another, and Yet Another: Li Ran's Re-writings of Art History -- a Translational Historiographical Approach to Global Art History
149(12)
Birgit Hopfener
PART III Writing about the Past
161(76)
11 The People of the Past Come First: Natalie Zemon Davis in Conversation with Nicholas Chare
163(10)
Natalie Zemon Davis
12 Analogous Histories? Textual/Visual Constructions of the Past and Present
173(14)
Mark A. Cheetham
13 Histories in the Art of Ravensbriick: The Drawings of Jeannette L'Herminier and Violette Rougier-Lecoq
187(13)
Catherine Quintal
14 When History Intersects with Spaces of Indigenous Self-representation: On the Trail of the Artists Zacharie Vincent and Pierre Sioui
200(13)
Louise Vigneault
15 `The Answers are the Question': A Conversation about Art History, Artwriting and Historical Time
213(24)
Adrian Rifkin
Index 237
Nicholas Chare is Associate Professor in the Department of History of Art and Film Studies at the Université de Montréal.

Mitchell B. Frank is Associate Professor of Art History at Carleton University in Ottawa.