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E-grāmata: Home Recording For Dummies

3.77/5 (193 ratings by Goodreads)

Jeff Strong

Formāts: PDF+DRM
Izdošanas datums: 13-Oct-2020
Izdevniecība: For Dummies
Valoda: eng
ISBN-13: 9781119711636

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Music recording & reproduction

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Formāts: PDF+DRM
Izdošanas datums: 13-Oct-2020
Izdevniecība: For Dummies
Valoda: eng
ISBN-13: 9781119711636

Citas grāmatas par šo tēmu:

Music recording & reproduction

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Make your next track a studio-quality gem with this celebrated recording guide

Have you ever dreamed of producing the next big song? Or maybe you need some hints on the recording gear used to create pro podcasts? With just a little bit of guidance, theres nothing stopping you from creating crystal-clear, studio-quality tracks from the comfort of your own home. In Home Recording For Dummies, expert sound engineer and celebrated author Jeff Strong demystifies the world of recording and walks you through every step of creating high-fidelity audio.

With this book at your side, youll discover how to choose a room that fits your studio needs, get the hardware you cant live without, choose the right microphone for the task at hand, record live and virtual instruments, build rhythm tracks and loops, and edit, mix, and master your recording.

Learn how to:

Set up your home studio, acquire and connect all the right gear, and build multi-track recordings Understand the different types of microphones and the best use for each Record audio from live sound or virtual instruments Edit your tracks for better project management Mix and master your music for public consumption

Home Recording For Dummies is the must-read guide that helps home create high-fidelity, multi-track songs and recordings that blow audiences away.

Introduction

(1)

About This Book

(1)

Foolish Assumptions

(1)

Icons Used in This Book

(1)

Beyond the Book

(1)

Where to Go from Here

(2)

PART 1 GETTING STARTED WITH HOME RECORDING

(160)

Chapter 1 Understanding Home Recording

(16)

Examining the Anatomy of a Home Studio

(4)

Exploring the recording essentials

(2)

Checking out recording system types

(1)

Getting a Glimpse into the Recording Process

(1)

Setting up a song

(1)

Getting a great sound

(1)

Recording

(1)

Overdubbing

(1)

Making Sense of Mixing

(2)

Cleaning up tracks using editing

(1)

Equalizing your tracks

(1)

Processing your signal

(1)

Blending your tracks

(1)

Adding the Final Touches

(3)

Mastering your mixes

(1)

Putting your music out into the world

(1)

Promoting your music

(1)

Chapter 2 Getting the Right Gear

(124)

Determining Your Home Studio Needs

(3)

Detailing Your Digital Options

(2)

Computer-Based Digital Recording Systems

(10)

Finding the right computer setup

(3)

Getting the sound in and out

(4)

Choosing the right software

(3)

Studio-in-a-Box Systems

(1)

Taking a look at the benefits

(1)

Examining some popular SIAB systems

(1)

Mobile-Device Recording

(107)

Android

(1)

Apple iOS

(105)

Chapter 8 Miking Your Instruments

141

(24)

Getting a Great Lead Vocal Sound

142

(3)

Making the most of the room

142

(1)

Choosing the best mic

142

(3)

Getting Good Backup Vocals

145

(1)

Examining Electric Guitar Miking

146

(3)

Using the room

147

(1)

Getting the most out of the mics

147

(2)

Exploring Electric Bass Miking

149

(1)

Managing the room

149

(1)

Getting the most from the mic

149

(1)

Miking Acoustic Guitars and Similar Instruments

150

(2)

Making the most of the room

150

(1)

Using your mics

150

(2)

Maneuvering Horn Mics

152

(1)

Understanding the role of the room

152

(1)

Making the most of the mics

152

(1)

Placing Mics for a Piano

153

(1)

Harnessing the sound of the room

153

(1)

Managing the mics

153

(1)

Setting Up Mics for Strings

154

(1)

Making the most of the room

154

(1)

Making sense of the mics

154

(1)

Digging into Drum Set Miking

155

(8)

First things first: Tuning your drums

155

(1)

Using the room to your benefit

156

(1)

Picking up the kick (bass) drum

156

(3)

Setting up the snare drum

159

(1)

Tackling the tom-toms

160

(1)

Handling the hi-hats

161

(1)

Creating the best cymbal sound

161

(1)

Miking the whole kit

162

(1)

Getting Your Hands on Hand Drums

163

(1)

Perfecting Percussion Miking

163

(2)

Exploring the impact of the room

163

(1)

Choosing and using the mics

164

(1)

PART 3 RECORDING LIVE AUDIO

165

(68)

Chapter 9 Getting a Great Source Sound

167

(16)

Making Sense of the Signal Chain

167

(2)

Setting Optimal Signal Levels

169

(2)

Understanding Pre and Post Levels

171

(3)

Interpreting the various levels

171

(2)

Looking at examples

173

(1)

Getting Great Guitar, Bass, and Electronic String Instrument Sounds

174

(2)

Connect directly

174

(1)

Process beforehand

175

(1)

Leverage your amp

176

(1)

Creating Killer Keyboard Tracks

176

(1)

Recording E-Drums, Drum Machines, and Electronic Percussion

177

(1)

Making the Most of Microphones

178

(5)

Placing mics properly

179

(1)

Compressing carefully

179

(4)

Chapter 10 Recording Audio

183

(8)

Performing Your First Take

183

(2)

Punching In and Out

185

(2)

Manual punching

185

(1)

Punching with a foot switch

185

(1)

Automatic punching

185

(1)

Repeated punching (looping)

186

(1)

Exploring Overdubbing

187

(1)

Submixing

188

(1)

Bouncing

189

(1)

Keeping Track of Your Tracks

190

(1)

Chapter 11 Understanding Electronic Instruments and MIDI

191

(16)

Meeting MIDI

192

(6)

Perusing MIDI ports

192

(2)

Understanding MIDI channels

194

(1)

Appreciating MIDI messages

195

(1)

Managing modes

196

(1)

Taking orders from General MIDI

197

(1)

Gearing Up for MIDI

198

(9)

Sound generators

199

(3)

Sound card

202

(1)

MIDI controller

203

(1)

Sequencer

204

(1)

MIDI interface

204

(3)

Chapter 12 Recording Electronic Instruments Using MIDI

207

(14)

Synchronizing Your Devices

207

(7)

Synchronizing two (or more) synthesizers

208

(1)

Synchronizing a computer sequencer and a synthesizer

209

(1)

Synchronizing a sequencer and an audio recorder

210

(2)

Using the transport function from one device to control another

212

(2)

Sequencing

214

(4)

Recording MIDI data

215

(2)

Overdubbing

217

(1)

Saving Your Data

218

(1)

Transferring Data Using MIDI

219

(2)

Chapter 13 Working with Loops

221

(12)

Understanding Loops and Loop Types

222

(1)

Choosing Loop Formats

222

(1)

Setting Up Your Session

223

(3)

Setting tempo and time and key signatures

223

(1)

Creating song maps

224

(1)

Enabling a metronome

225

(1)

Adding Loops to Your Sessions

226

(3)

Browsing loop libraries

226

(1)

Previewing loops

227

(1)

Adding loops to your session

227

(2)

Editing Loops

229

(1)

Creating Loops

229

(4)

PART 4 EDITING AND ENHANCING YOUR TRACKS

233

(36)

Chapter 14 Getting into Editing

235

(18)

Understanding Digital Editing

236

(5)

Copy

237

(1)

Cut/Delete/Erase

237

(1)

Insert

238

(1)

Paste

239

(1)

Move

240

(1)

Export/Import

240

(1)

Undo

241

(1)

Finding the Section You Want to Edit

241

(3)

Editing aurally

241

(1)

Editing visually

242

(2)

Editing to Improve the Sound of a Performance

244

(5)

Replacing a bad note

245

(1)

Evening out a performance

246

(1)

Getting rid of distortion

247

(1)

Getting rid of noise

248

(1)

Correcting pitch problems

248

(1)

Creating a Performance That Never Happened

249

(2)

Creating loops

249

(1)

Assembling a song

250

(1)

Making compilations of your tracks

250

(1)

Discovering Other Ways to Use Editing

251

(2)

Adjusting the length of a performance

251

(1)

Reversing a phrase

251

(2)

Chapter 15 Editing MIDI Data

253

(16)

Understanding MIDI Windows

253

(4)

Selecting track material

255

(1)

Setting MIDI patches on tracks

255

(1)

Adding MIDI events

256

(1)

Deleting MIDI notes

257

(1)

Editing MIDI Data

257

(3)

Changing a note's pitch

258

(1)

Changing a note's duration

258

(1)

Changing a note's velocity

259

(1)

Changing time locations

259

(1)

Moving notes freely

260

(1)

Editing Program Data

260

(1)

Changing program patches

260

(1)

Moving program change markers

260

(1)

Changing Continuous Controller Data

261

(2)

Editing lines with the Pencil tool

261

(1)

Editing breakpoints

262

(1)

Scaling breakpoints

262

(1)

Quantizing Your Performance

263

(3)

Transposing Your Performance

266

(1)

Saving Your Data

267

(1)

Transferring Data Using MIDI

267

(2)

PART 5 MIXING AND MASTERING YOUR MUSIC

269

(120)

Chapter 16 Mixing Basics

271

(14)

Understanding Mixing

272

(1)

Managing Levels as You Work

272

(1)

Getting Started Mixing Your Song

273

(1)

Mixing in DAWs

274

(2)

Using a control surface

274

(1)

Using a digital mixer

274

(1)

Using an analog mixer

275

(1)

Using the Stereo Field

276

(3)

Left or right

276

(2)

Front or back

278

(1)

Adjusting Levels: Enhancing the Emotion of the Song

279

(2)

Dynamics

280

(1)

The arrangement

281

(1)

Tuning Your Ears

281

(4)

Listening critically

281

(2)

Choosing reference music

283

(1)

Dealing with ear fatigue

284

(1)

Making several versions

284

(1)

Chapter 17 Using Equalization

285

(16)

Exploring Equalization

285

(2)

Graphic

285

(1)

Parametric

286

(1)

Low-shelf/high-shelf

286

(1)

Low-pass/high-pass

287

(1)

Dialing-in EQ

287

(4)

Inserting an EQ plug-in in a track

287

(2)

Exploring EQ options

289

(2)

Equalizing Your Tracks

291

(10)

General EQ guidelines

293

(3)

Equalizing vocals

296

(1)

Equalizing guitar

296

(1)

Equalizing bass

297

(1)

Equalizing drums

297

(2)

Equalizing percussion

299

(1)

Equalizing piano

299

(1)

Equalizing horns

300

(1)

Chapter 18 Digging into Dynamics Processors

301

(22)

Connecting Dynamics Processors

301

(1)

Introducing Compressors

302

(9)

Getting to know compressor parameters

303

(2)

Getting started using compression

305

(1)

Using compression

306

(5)

Looking into Limiters

311

(3)

Understanding limiter settings

312

(1)

Setting limits with the peak limiter

313

(1)

Introducing Gates and Expanders

314

(3)

Getting to know gate parameters

314

(2)

Getting started using gates

316

(1)

Getting started using an expander

317

(1)

Detailing the De-Esser

317

(2)

Setting Up Side Chains

319

(4)

Setting up a side chain

319

(2)

Using a side chain

321

(2)

Chapter 19 Singling Out Signal Processors

323

(16)

Routing Your Effects

324

(2)

Inserting effects

324

(1)

Sending signals to effects

325

(1)

Rolling Out the Reverb

326

(3)

Seeing reverb settings

327

(1)

Getting started using reverb

328

(1)

Detailing Delay

329

(2)

Digging into delay settings

329

(1)

Getting started using delay

330

(1)

Creating Chorus Effects

331

(2)

Making Sense of Microphone Modeling

333

(1)

Applying an Amp Simulator

334

(1)

Detailing Distortion Effects

335

(1)

Selecting Tape Saturation Effects

336

(3)

Chapter 20 Automating Your Mix

339

(12)

Understanding Automation

340

(1)

Audio tracks

340

(1)

Auxiliary input tracks

340

(1)

Instrument tracks

341

(1)

Master fader tracks

341

(1)

MIDI tracks

341

(1)

Accessing Automation Modes

341

(2)

Writing Automation

343

(3)

Writing automation on a track

343

(1)

Writing plug-in automation

344

(1)

Writing send automation

345

(1)

Viewing Automation

346

(1)

Editing Automation Data

347

(4)

Using editing commands

347

(1)

Editing with the edit tools

348

(3)

Chapter 21 Making Your Mix

351

(8)

Submixing Tracks

351

(2)

Mixing in-the-Box

353

(4)

Examining bounce options

353

(3)

Performing the bounce

356

(1)

Using an External Master Deck

357

(2)

Chapter 22 Mastering Your Music

359

(14)

Demystifying Mastering

360

(1)

Processing

360

(1)

Sequencing

361

(1)

Leveling

361

(1)

Getting Ready to Master

361

(1)

Paying a Pro or Doing It Yourself

362

(1)

Hiring a Professional Mastering Engineer

363

(2)

Mastering Your Music Yourself

365

(7)

Optimizing dynamics

366

(2)

Perfecting tonal balance

368

(2)

Sequencing your songs

370

(1)

Balancing levels

371

(1)

Preparing for Distribution

372

(1)

Chapter 23 Creating Your Finished Product

373

(16)

Understanding File Formats

374

(1)

Lossy audio file formats

374

(1)

Lossless audio file formats

374

(1)

Putting Your Music on CD

375

(5)

CDs on demand

376

(2)

Short-run CD duplication

378

(1)

Large-quantity CD replication

379

(1)

Delivering Digital Files

380

(3)

Download card

381

(1)

USB sticks (flash drives)

381

(1)

Online music distribution

382

(1)

Streaming music sites

382

(1)

Creating MP3 Files

383

(3)

Bit rate

383

(2)

Mode

385

(1)

Pressing Vinyl

386

(3)

PART 6 THE PART OF TENS

389

(22)

Chapter 24 Ten Invaluable Recording Tips

391

(6)

Using an Analog Tape Deck

391

(1)

Layering Your Drum Beats

392

(1)

Decorating Your Room

393

(1)

Setting a Tempo Map

393

(1)

Listening to Your Mix in Mono

394

(1)

Doubling and Tripling Your Tracks

394

(1)

Recording Dirty Room Ambience

394

(1)

Overdubbing Live Drums

395

(1)

Pressing Record, Even during a Rehearsal

396

(1)

Leaving the Humanity in Your Tracks

396

(1)

Chapter 25 Ten (or So) Ways to Distribute and Promote Music

397

(14)

Marketing Yourself

398

(1)

Setting Up Your Own Music Website

399

(3)

Checking out musician-friendly hosting services

400

(1)

Designing your site

400

(2)

Putting Your Music on a Music Host Site

402

(1)

Engaging in Social Media Networking

403

(1)

Offering Free Downloads

404

(1)

Selling Your Music Digitally

404

(2)

Licensing Your Music

406

(1)

Podcasting

406

(1)

Selling Your CDs

407

(1)

Promoting Your Music

408

(1)

Connecting with an Email Newsletter

409

(2)

Index

411

Jeff Strong is a percussionist, composer, recording engineer, researcher, and Director of the Strong Institute—an auditory brain stimulation research organization—and creator of Brain Shift Radio (BSR), an interactive brain stimulation music site.

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