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E-grāmata: How to Cheat in Photoshop CS6: The art of creating realistic photomontages [Taylor & Francis e-book]

  • Formāts: 464 pages
  • Izdošanas datums: 25-Jun-2012
  • Izdevniecība: Focal Press
  • ISBN-13: 9780240525976
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 146,74 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 209,63 €
  • Ietaupiet 30%
How to Cheat in Photoshop CS6: The art of creating realistic photomontagesPalielināt
  • Formāts: 464 pages
  • Izdošanas datums: 25-Jun-2012
  • Izdevniecība: Focal Press
  • ISBN-13: 9780240525976
Citas grāmatas par šo tēmu:
Taylor & Francis e-booksMore info about Taylor & Francis e-books
Rokasgrāmatas mājas lapa: https://www.taylorfrancis.com/books/9780240525976
Presents step-by-step instructions on using Photoshop CS6 to create effective photomontages, covering such topics as layers, image adjustment, perspective, shading, 3D layers, and hyper realism.





With enough charm and wit to make learning Photoshop anything but taxing, Steve Caplin delivers the next instalment of the How to Cheat series, containing all the techniques you need to create and master the art of photomontage. Delivered in easy to follow step-by-step tutorials, How to Cheat in Photoshop CS6 covers all the basics of selections and layers before moving on to top tricks and techniques for creating realistic works of art for business, pleasure, or something in between. An accompanying DVD is packed full of practice images and tutorial movies for you to work along with, plus bonus chapters to push your skills even further. Using a tweaked design that is clearer and fresher than previous editions, this is the most fun way to master Photomontage.

This complete How to Cheat in Photoshop CS6 package includes a fully updated book, a DVD containing all of the images used in the helpful tutorials, plus over 5 hours of video tutorials, and a website featuring a reader forum where your questions will be answered by other readers as well as the author himself.

How to cheat, and why vi
Acknowledgments viii
How to use this book 1(1)
What's new in Photoshop CS6 2(4)
1 Natural selection
6(36)
Selection: the fundamentals
8(2)
The Lasso and the Magic Wand
10(2)
QuickMask 1 better selection
12(2)
QuickMask 2 tips and tricks
14(2)
QuickMask 3 transformations
16(2)
The Quick Selection tool
18(2)
Refine Edge: fuzzy logic
20(2)
Refine Edge: Going further
22(2)
The Pen is mightier
24(2)
The Pen tool by numbers
26(2)
Putting the Pen into practice
28(2)
Lock and load
30(2)
Find and replace
32(2)
Color by numbers
34(2)
The color of her face
36(2)
Brush-on color
38(4)
Interlude: The perfect setup
40(2)
2 Transformation and distortion
42(38)
The Free Transform tool
44(2)
Step and repeat rotation
46(2)
Image Warp: flag waving
48(2)
Tying yourself in knots
50(2)
Cloning in perspective
52(2)
Special effects with cloning
54(2)
Puppet Warp: animal tamer
56(2)
Puppet Warp: get to grips
58(2)
Cappuccino with sprinkles
60(2)
Content-Aware Scaling
62(2)
Content-Aware Fill 1
64(2)
Content-Aware Fill 2
66(2)
Content-Aware Moving 1
68(2)
Content-Aware Moving 2
70(2)
Choose your distortion
72(2)
Wide-angle wonder
74(2)
Easy panorama correction
76(4)
Interlude: The freelance artist
78(2)
3 Hiding and showing
80(20)
Texture with layer modes
82(2)
Layer masks 1 intersections
84(2)
Layer masks 2 soft edges
86(2)
Layer masks 3 smoothing
88(2)
Layer masks 4 auto masking
90(2)
Weaving in and out
92(2)
Blending 1 fire power
94(2)
Blending 2 plane view
96(4)
Interlude: Graphics tablets
98(2)
4 Image adjustment
100(20)
Shadows and highlights
102(2)
Learning Curves
104(2)
Matching colors with Curves
106(2)
The photographer's level
108(2)
Selective hue and saturation
110(2)
Sharpening: Unsharp Mask
112(2)
Adjustment layers
114(2)
Hard Light layer adjustment
116(4)
Interlude: Taking the initiative
118(2)
5 Composing the scene
120(14)
Location tells the story
122(2)
Relative values: interaction
124(2)
I only have eyes for you
126(2)
Back to the foreground
128(2)
Composition tips and tricks
130(4)
Interlude: The left and right of things
132(2)
6 Getting into perspective
134(28)
Establishing the horizon
136(2)
Introducing vanishing points
138(2)
Two point perspective
140(2)
Three point perspective
142(2)
Correcting perspective
144(2)
Fixing wide angle objects
146(2)
Using existing perspective
148(2)
Boxing clever: doubling up
150(2)
Vanishing Point filter 1
152(2)
Vanishing Point filter 2
154(2)
Cropping in perspective
156(2)
A piece of cake
158(4)
Interlude: Photomontage ethics
160(2)
7 Light and shade
162(32)
Shadows on wall and ground
164(2)
Tricky ground shadows
166(2)
Creating complex shadows
168(2)
Light from windows
170(2)
Multiple shadowed objects
172(2)
Shading on Hard Light layers
174(2)
Visible light sources
176(2)
Turn the lamp on
178(2)
Shading using light modes
180(2)
Reverse shading with Curves
182(2)
Making smoke without fire
184(2)
Making fire without smoke
186(2)
Lighting up: perfect neon
188(2)
Day for night
190(4)
Interlude: I want to tell you a story
192(2)
8 Heads and bodies
194
Making the head fit
196(2)
Complex head fitting
198(2)
Combining body parts
200(2)
Changing history
202(2)
Detailed hair cutting
204(2)
The solution for flyaway hair
206(2)
Cutting hair with Refine Edge
208(2)
The problem of hair loss
210(2)
Instant hair growth
212(2)
Beards and stubble
214(2)
The ageing process
216(2)
Reversing the ageing process
218(2)
Lewis shows his age
220(2)
It's all in the eyes
222(2)
Face changing with Liquify
224(2)
Liquify: turning heads
226(2)
Skin patching and healing
228(2)
Cosmetic makeover
230(2)
Coloring black and white images
232(2)
A change of skin
234
Interlude: Sourcing images for free
236
9 Shiny surfaces
2(1)
Introducing... Plastic Wrap
2(1)
I'm forever blowing bubbles
2(1)
Water: moats and reflections
2(1)
Making water from thin air
2(1)
Submerging in water
2(1)
Snow and icicles
2(1)
Making it rain
2(1)
A cool glass of water
2(1)
A massive block of ice
2(1)
Getting the glazing bug
2(1)
Glass: refraction
2(1)
Combining reflections
2(1)
Complex reflections
2(1)
A bridge too far
2(1)
Putting things in bottles
2(1)
Glass: putting it all together
2(1)
A refracting glass case
2(1)
Interlude: Photographing glass
2(1)
10 Metal, wood and stone
2(308)
Instant metal using Curves
2(1)
Metal with Adjustment Layers
2(1)
Metal with Layer Styles
2(1)
Turning silver into gold
2(1)
Metal with Lighting Effects
2(1)
More on Lighting Effects
2(1)
Spray-on rust and decay
2(1)
Photographing shiny objects
2(1)
Making a better impression
2(1)
Timber floors with varnish
2(1)
Recycling old wood
2(1)
Making statues from life
3(1)
Bringing statues to life
3(1)
Carving words in stone
3(1)
A grave business
3(307)
Interlude: The point of illustration
3(307)
11 Paper and fabric
310(22)
How to make a load of money
312(2)
Judging a book by its cover
314(2)
Paper: folding and crumpling
316(2)
Folds and wrinkles
318(2)
Ripping and tearing
320(2)
Simulating old photographs
322(2)
Smudge painting fabric
324(2)
Making custom fibers
326(2)
Ribbon and tape
328(4)
Interlude: Upgrade and replace
330(2)
12 The third dimension
332(38)
Adding depth to flat artwork
334(2)
An open and shut case
336(2)
Flipping makes sense
338(2)
Opening the hamper
340(2)
Matching existing perspective
342(2)
Building boxes
344(2)
Displacement maps 1
346(2)
Displacement maps 2
348(2)
Drawing pipes and cables
350(2)
3D layers: getting started
352(2)
3D layers: reshaping
354(2)
3D layers: texture and more
356(2)
3D layers: revolution
358(2)
3D layers: inflation
360(2)
3D layers: scene integration
362(2)
3D layers with Vanishing Point
364(2)
Image-based lighting
366(4)
Interlude: Reality overload
368(2)
13 Hyperrealism
370(22)
The need for speed
372(2)
Iris Blur: yes and no
374(2)
The hidden Bokeh effect
376(2)
Cartoon distortions
378(2)
Breaking glass
380(2)
Smashing things up 1
382(2)
Smashing things up 2
384(2)
Magical realism
386(2)
Zombie pensioners from hell
388(4)
Interlude: Working to a brief
390(2)
14 Advanced techniques
392(46)
Tricks with layer masks
394(2)
Front and back
396(2)
Avoiding white outlines
398(2)
Working with Smart Objects
400(2)
Layer groups and layer comps
402(2)
Watercolor with Filter Gallery
404(2)
Working with Shapes
406(2)
Making tricky selections
408(2)
Complex repair work
410(2)
Distortion through glass
412(2)
Complex strokes
414(2)
Custom brush design 1
416(2)
Custom brush design 2
418(2)
Natural media brushes
420(2)
Precise scale matching
422(2)
Background Eraser tricks
424(2)
Making the most of Bridge
426(2)
Photoshop Actions
428(2)
Working with Camera Raw
430(2)
Portable shadows
432(6)
Interlude: Take a fresh look
434(4)
15 Print and the internet
438(10)
Image size and resolution
438(2)
Working for print
440(2)
Working for the web
442(2)
Making it move
444(2)
Movie editing in Photoshop
446(2)
Test yourself 448(2)
Index 450(4)
What's on the DVD 454(2)
Taking Photoshop further 456
Steve Caplin is a freelance artist and author working in London, England. His satirical photomontage work is commissioned by newspapers and magazine around the world, including The Guardian, The Independent, The Sunday Telegraph, The Sunday Times Magazine, Radio Times, Readers Digest and L'Internazionale.

Steve has worked for advertising agencies including Saatchi & Saatchi, Bartle Bogle Hegarty and Lowe, Howard Spink, and his work has won two Campaign Poster Awards and a D&AD Pencil award. He has lectured widely in England, Norway, France and Holland, and has taught digital design at the University of Westminster and the University of the Arts, London.
Permanent link: https://www.kriso.lv/db/9780240525976_pe.html
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