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How to Read a Shakespearean Play Text [Hardback]

Edited by (Anglia Ruskin University, Cambridge)
  • Formāts: Hardback, 200 pages, height x width x depth: 235x155x17 mm, weight: 440 g, 16 Halftones, unspecified; 6 Line drawings, unspecified
  • Izdošanas datums: 10-Feb-2011
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 0521886406
  • ISBN-13: 9780521886406
  • Hardback
  • Cena: 83,33 €
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  • Formāts: Hardback, 200 pages, height x width x depth: 235x155x17 mm, weight: 440 g, 16 Halftones, unspecified; 6 Line drawings, unspecified
  • Izdošanas datums: 10-Feb-2011
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 0521886406
  • ISBN-13: 9780521886406
"This book offers a detailed consideration of how Shakespearean play texts came about, including the material constraints and cultures of performance, publishing, printing, and reading that produced them. It then considers how these conditions impact upon reading early printed play texts. This is not a book for trained bibliographers. Instead, it outlines bibliographical insights and techniques to those who have engaged in the study of early printed play texts without having yet undertaken a course on bibliography. Jerome McGann pointed out in 1985 that 'textual/bibliographical studies, already conceived as "preliminary operations," are all but removed from the programme of literary studies' (McGann 1985, 181). McGann's claim is still true today, as bibliography is infrequently taught in undergraduate, masters, and PhD programmes in English. Although Ann Thompson and Gordon McMullan argue that 'the recent explosion of work' in 'editing and textual criticism' has brought them 'from the periphery of English studies to the much-debated centre' (2003 Thompson and McMullan: xvi-xvii), this enhanced critical interest has not been matched by increases in training for those not already entrenched within the profession"--

"This is an invaluable introductory guide for the English student who needs to decipher a page from a play, or a facsimile equivalent, from the Shakespearean period. The original quartos and folios of early play texts are increasingly subject to editorial and critical scrutiny, and electronic facsimiles are making the originals accessible to undergraduate and graduate students. Giddens provides a practical 'how to' guide to the original printed texts of Shakespeare and his contemporaries. He explains howthe features of the play text came about, what the different elements mean, and who created them. The book provides that important first step towards bibliography and critical editing, presenting a detailed account of how to read these early texts and how they have been turned into the modern editions we are accustomed to"--

Provided by publisher.

Recenzijas

'This book provides practical guidance on how to read specific bibliographical features of early modern printed playbooks, while constantly drawing attention to the larger question of how these features affect the reader's experience.' Sonia Massai, King's College London ' the clarity and resourcefulness of Eugene Giddens' How to Read a Shakespearean Playtext [ is] for not only students of English and Renaissance Drama, but students of all literatures The key word with this new book is accessibility I wish to promote Eugene Giddens' book primarily for its ease of use as a resource, a reference book, and a colourful narrative of the stories that texts tell.' The Shakespeare Bookshop Newsletter

Papildus informācija

An invaluable introductory guide for students on how to engage with the original printed texts of Shakespeare and his contemporaries.
List of illustrations
vi
Acknowledgments viii
Introduction 1(4)
1 The creation and circulation of play texts
5(47)
2 The features of play texts
52(47)
3 Reading the originals
99(48)
4 Reading modern editions
147(26)
Bibliography 173(10)
Index 183
Eugene Giddens is Skinner-Young Professor in Shakespeare and Renaissance Literature at Anglia Ruskin University, Cambridge. He is an associate editor of The Cambridge Edition of the Works of Ben Jonson and a general editor of The Complete Works of James Shirley.