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E-grāmata: I Know What the Red Clay Looks Like: The Voice and Vision of Black Women Writers (Expanded and Revised Edition)

  • Formāts: 272 pages
  • Izdošanas datums: 03-Dec-2024
  • Izdevniecība: Haymarket Books
  • Valoda: eng
  • ISBN-13: 9798888902776
  • Formāts - EPUB+DRM
  • Cena: 10,01 €*
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  • Formāts: 272 pages
  • Izdošanas datums: 03-Dec-2024
  • Izdevniecība: Haymarket Books
  • Valoda: eng
  • ISBN-13: 9798888902776

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Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers.





The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class.





Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in todays literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new authors note. The new contributors carry the torch of the original interviewees lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writingthey are about life, relationships, joy, gratitude, wellness, and self-preservation.





I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

Recenzijas

"While I have the Great Book in my homeI am a Black woman of a certain ageI reach for Toni, Gloria, Cooper, and Tina far more often than I do Matthew, Mark, Luke, and John. In I Know What The Red Clay Looks Like, Rebecca Carroll treats these Black women writers as a canonical text of elegiastic importance. In their own words and through their words, these pages offer comfort, guidance, and tradition."

Tressie McMillan Cottom, bestselling author of THICK and other essays





"Thirty years ago, Rebecca Carroll curated an astonishing collection of voices, and it is a gift to now be immersed in a lively dialogue between those remarkable trailblazers and a new generation of Black women who have been shaped by their words, wisdom and radical vision."

Lynn Nottage, Pulitzer Prize-winning playwright 





"What a tremendous gift to have this book reborn: the writers on the writers on the stories of the stories, the stunning loop of history and future, of poetry and prose that shape our notions of humanity and identity, of love and place. I Know What the Red Clay Looks Like is an education and a pleasure, an explosive moment of literary recognition and power, a reminder of the past and a promise made of words, pointing a way forward.

Rebecca Traister, journalist and author of Good and Mad: The Revolutionary Power of Women's Anger





"Rebecca Carroll has assembled a scintillating group of writers who are as adept at mining tradition as they are insisting on new patterns and practices of radical thought. Red Clay hovers over the ground made by Alice Walker, bell hooks, Toni Morrison and Margaret Walker, and when necessary, the authors challenge motions and literary inertia we'd never seen challenged before. Red Clay is the work of black women writers who heeded their lesson. And we are so lucky to experience the heeding."

Kiese Laymon, bestselling author of Heavy: An American Memoir





Red Clay, as a collection, shines throughout as intergenerational voices dance in conversation with the Black feminist tongue that has saved so many of our lives. The legacy within these pages is a soul kiss, filled with lyrical testaments from Pearl Cleage, Tina McElroy Ansa, and Nikki Giovanni. These literary pillars are matched with didactic, lush, and deep critiques by todays contemporary literary luminaries, centering the Black femme experience and offering a jeweled discovery in the sovereign search for liberation."

Mahogany L. Browne, author of Chrome Valley and I Remember Death By Its Proximity to What I love

Foreword by Salamishah Tillet

Introduction by Rebecca Carroll

Poem by Morgan Parker

Davida (Adedjouma) Kilgore, reintroduced by Shanita Hubbard

Excerpt from The Myth Makers

Tina McElroy Ansa, reintroduced by Alora Young

Excerpt from Ugly Ways

Lorene Cary, reintroduced by Nadia Owusu

Excerpt from Black Ice

Pearl Cleage, reintroduced by Donika Kelly

Excerpt from Deals with the Devil: And Other Reasons to Riot

J. California Cooper, reintroduced by Bassey Ikpi

Excerpt from The Matter is Life

Rita Dove, reintroduced by Safiya Sinclair

Excerpt from Through the Ivory Gate

Gloria Wade-Gayles, reintroduced by Keah Brown

Excerpt from Annointed to Fly

Nikki Giovanni, reintroduced by Chanda Prescod-Weinstein

Excerpt from The Women and the Men

Marita Golden, reintroduced by Cleyvis Natera

Excerpt from A Womans Place

June Jordan, reintroduced by J Wortham

Excerpt from Technical Difficulties: African American Notes on the State of
the Union

Gloria Naylor, reintroduced by Diamond Sharp

Excerpt from Mama Day

Barbara Neely, reintroduced by Maisy Card

Excerpt from Blanche on the Lam

Gwendolyn M. Parker, reintroduced by Denne Michelle Norris

Excerpt from These Same Long Bones

Charlotte Watson Sherman, reintroduced by Marissa Renee Lee

Excerpt from One Dark Body

Barbara Summers, reintroduced by Tembe Denton-Hurst

Excerpt from Nouvelle Soul
Rebecca Carroll is a writer, cultural critic, and host of the podcasts Come Through with Rebecca Carroll: 15 conversations about race in a pivotal year for America and the award-winning Billie Was a Black Woman. Rebeccas writing has been published widely, and her critically acclaimed memoir, Surviving the White Gaze, has been optioned by Killer Films with Rebecca attached to write and develop for episodic TV. She is the creator, curator, and executive producer of In Love and Struggle, a live and audio event series that centers the lived experiences of Black women and nonbinary people through monologues, music, and humor. The series is a co-production with The Meteor media collective, where Rebecca serves as Editor-at-Large.