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E-grāmata: Icons of Space: Advances in Hierotopy

  • Formāts: 458 pages
  • Izdošanas datums: 26-Jul-2021
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000410860
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  • Formāts: 458 pages
  • Izdošanas datums: 26-Jul-2021
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000410860

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Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. It will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.



Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov.

As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power.

This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.

Introduction PART I: SACRED SPACE, ITS TRACES, AND REPRESENTATIONS
1.
Sacred Spaces vs Holy Sites: On the Limits and Advantages of a Hierotopic
Approach
2. Image-Paradigms: The Aesthetics of the Invisible
3. Dazzling
Radiance: A Paradigm and a Quiz in Byzantine Chorography and Hierotopy
4. The
Concept of Temenos and the Sectioning of Light
5. Byzantine Architectural
Form Between Iconicity and Chōra
6. Hierochronotopy: Stepping into Timeful
Space through Bonannos Twelfth Century Door for the Pisa Cathedral PART II:
ICONS AND HOLY OBJECTS IN SACRED SPACE
7. The Marvelous Hierotopy of the
Golden Altar in Milan: A Visual Constantinopolitan Fascination?
8. The
Patriarchal Quarters in the South Gallery of Hagia Sophia: Where was the
Patriarchs Throne?
9. Seeing Toponymic Icons Hierotopically
10. The
Adoration of the Magi: From Iconic Space to Icon in Space
11. Encountering
Presence: Icon/Relic/Viewer PART III: EMBODIED EXPERIENCES OF SACRED SPACE
12. The Shrines of the Holy King Stefan the First-Crowned in the Sacral
Topography of Serbian Lands
13. Travelling Objects and Topographies of
Salvation: Agencies and Afterlives of Two Post-Byzantine Proskyntaria
14.
The Sacred Space of the State and its Direction
15. Back to the Top of the
Mountain: A Syrian Protological Theme in Late Antique and Medieval
Representations of the World to Come
16. Rapture, Ecstasy, and the
Construction of Sacred Space: Hierotopy in the Life of Symeon the New
Theologian
Jelena Bogdanovi is Associate Professor at Iowa State University, USA. She specializes in cross-cultural and religious themes in the architecture of the Balkans and Mediterranean. Her publications include The Framing of Sacred Space: The Canopy and the Byzantine Church (2017), and Perceptions of the Body and Sacred Space in Late Antiquity and Byzantium (2018).