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Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets [Hardback]

Edited by (University at Buffalo, SUNY, USA), Series edited by (Stony Brook University, USA), Series edited by (University of Kent, UK), Edited by (University of Georgia, USA)
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"Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets is the first of two volumes dedicated to the diverse sociocultural work of science-oriented performance. A dynamic volume of scholarly essays, interviews with scientists and artists, and creative entries, From the Lab to the Streets examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations. The book's chapters trace the theatrical and ethical contours of live science events, reenact historical stagings of scientific expertise, and demonstrate the pedagogical and activist potentials in performing science in community settings. Alongside the scholarly chapters, From the Lab to the Streets features creative work by contemporary science-integrative artists and interviews with popular science communicators Sahana Srinivasan (host of Netflix's Brainchild) and Raven Baxter ("Raven the Science Maven") and artists from performance ensembles The Olimpias and Superhero Clubhouse. In exploring the science performance as a vital but flawed method of public engagement, From the Lab to the Streets offers a critique of the racist, ableist, sexist, and heteronormative ideologies prevalent across the history of science, as well as highlighting science performances that challenge and redress these ideologies. Along with its complementary volume From the Curious to the Quantum, this book documents the varied ways in which identity categories and cultural constructs are formed and reformed through science performances"--

"Explores hidden aspects of the science performance and the ways theatrical performance matters to the imagination and exploration of the mysteries of the natural world. Topics covered include the mysteries of the body and mind, scientific wonders, the ethics of the science performance, observable vs. inferred phenomena, and science objects. It features creative interludes as well as interviews with a variety of figures including science-integrative playwright Lauren Gundersen (The Catastrophist, Silent Sky)"--

Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets is the first of two volumes dedicated to the diverse sociocultural work of science-oriented performance. A dynamic volume of scholarly essays, interviews with scientists and artists, and creative entries, it examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations.

The book's chapters trace the theatrical and ethical contours of live science events, re-enact historical stagings of scientific expertise, and demonstrate the pedagogical and activist potentials in performing science in community settings. Alongside the scholarly chapters, From the Lab to the Streets features creative work by contemporary science-integrative artists and interviews with popular science communicators Sahana Srinivasan (host of Netflix's Brainchild) and Raven Baxter (“Raven the Science Maven”) and artists from performance ensembles The Olimpias and Superhero Clubhouse.

In exploring the science performance as a vital but flawed method of public engagement, it offers a critique of the racist, ableist, sexist, and heteronormative ideologies prevalent across the history of science, as well as highlighting science performances that challenge and redress these ideologies. Along with its complementary volume From the Curious to the Quantum, this book documents the varied ways in which identity categories and cultural constructs are formed and reformed through science performances.

Papildus informācija

Examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations. It includes scholarly essays, interviews with scientists and artists, and creative entries.
List of Illustrations
ix
Acknowledgments x
Introduction: Taking It to the Streets: Performing Science in Public 1(14)
Vivian Appier
Meredith Conti
PART ONE Building Community and Imagining Worlds through the Science Performance
15(82)
Performance Artists Roundtable Petra Kuppers and Stephanie Heit of the Olimpias and Lani Fu and Jem Pickard of Superhero Clubhouse
17(18)
1 SF for Many Modernities: Hybridity in the Worlds of Margaret Cavendish and Donna Haraway
35(19)
Vivian Appier
2 Cultivating Ensembles: A Relational Reflection on Creating Cultural Transformation with New Performances of Science
54(18)
Raquell M. Holmes
3 Shadow Ecologies: Shadow Puppets as Science Performance
72(25)
Alison L. Dell
Stephanie Dowdy-Nava
Armando de la Torre
Saul S. Nava
Creative Interlude: Science Poetry Kate Gillespie
93(4)
PART TWO Performing Science in the Public Laboratory
97(74)
4 Lecture on Heads and Lectures with Skulls---Performance Transmutations
99(22)
Marlis Schweitzer
5 Performing Paleontology at the Natural History Museum
121(20)
Shelby Brewster
6 Ether, Acid, Sweat, and Blood: Toward a Dramaturgy of Smells in the Victorian Operating Theatre
141(30)
Meredith Conti
Creative Interlude: Mbrehu & Titi
159(12)
David Geary
PART THREE Experimentation, Exhibition, and Ethics
171(2)
7 Anatomical Acts: Minstrelsy and Nineteenth-Century Performances of Popular Anatomy
173(20)
Mia Levenson
8 Staging Science and Humanity in Manjula Padmanabhan's Harvest
193(18)
Radhica Ganapathy
9 Do Goats Have a Right to Cigarettes?: A Cross-Disciplinary Investigation of the Ethics of Nonhuman Animal Performances
211(16)
Jennifer A. Kokai
Lauren Kokai
Science Communicators Roundtable 227(10)
Raven Baxter
Katherine Inderbitzen
Sahana Srinivasan
Selected Bibliography 237(10)
List of Contributors 247(5)
Index 252
Vivian Appler is Associate Professor of Theatre at the College of Charleston, USA. She has published scholarship at the intersection of science and performance in Global Performance Studies, Theatre History Studies, and other journals. She is a former fellow of Fulbright and the Huntington Library, USA. Meredith Conti is Associate Professor of Theatre at the University at Buffalo, SUNY, USA. She is the author of Playing Sick: Performance of Illness in the Age of Victorian Medicine (2018) and the co-editor (along with Kevin J. Wetmore, Jr.) of Theatre and the Macabre (2021).