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E-grāmata: Ilan Manouach in Review: Critical Approaches to his Conceptual Comics

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"This book takes an interdisciplinary and diverse critical look at the work of comic artist Ilan Manouach, situating it within the avant-garde movement more broadly. An international team of authors approach the topic from diverse theoretical approaches,from traditional narratology and aesthetic close readings of some of Manouach's books, engaging with comics' own distinctive history, modes of production, circulation and reception, to perspectives from disability studies, post-colonial studies, technological criticism, media ecology, ontography, posthumanist philosophy, and issues of materiality and media specificity. This innovative and timely volume will interest students and scholars of comic studies, media studies, media ecology, literature, cultural studies, and visual studies"--

This book takes an interdisciplinary and diverse critical look at the work of comic artist Ilan Manouach, situating it within the avant-garde movement more broadly.

An international team of authors engages with the topic from diverse theoretical approaches, from traditional narratology and aesthetic close readings of some of Manouach's books, engaging with comics' own distinctive history, modes of production, circulation and reception, to perspectives from disability studies, post-colonial studies, technological criticism, media ecology, ontography, posthumanist philosophy, and issues of materiality and media specificity.

This innovative and timely volume will interest students and scholars of comic studies, media studies, media ecology, literature, cultural studies, and visual studies.



This book takes an interdisciplinary and diverse critical look at the work of comic artist Ilan Manouach, situating it within the avant-garde movement more broadly. 

Foreword Introduction: A Critical Situatedness of Comics Part 1:
Textuality and Surfaces
1. Katz, Noirs & Tintin akei Kongo: Ilan Manouachs
Critical Manifesto
2. Ilan Manouachs Abrégé de bande dessinée franco-belge:
Ontography and the Past and Future of Stories
3. Whitewashing the Smudge: The
Politics of Erasure and Unreadability in Ilan Manouach's Cascao
4. The Void
that Challenged Narrative: A Poetics of Emptiness in Riki Fermier
5.
Replacing and Reorganizing: A Discursive Arc about Cultural Production Part
2: Reading Practices
6. Reading Childly: Riki Fermier and Cascao
7.
Disability, Comics and the Shapereader
8. Shapereader and the Limits of Touch
9. Blanco: On Blank and Illegible Books Part 3: Rethinking the Pasts and the
Futures of Comics
10. Manouach Contrabandier: Countering Practices to
Industrial Publishing.
11. Haunted by Tradition: Ilan Manouach and the Ghosts
of BD Past
12. [ CoCo]: Conceptual Comics and Online Archives
13. Can Comics
Think? Automation on The Cubicle Island
14. Ilan Manouach: The Comic Book
Hacker Afterword: Like a Robot Bereft of Its Function
Pedro Moura is an independent scholar, teacher, and comics scriptwriter from Lisbon, Portugal. He holds a PhD from the University of Lisbon and KU Leuven.
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Permanent link: https://www.kriso.lv/db/97810009554392e.html
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