The Image of Africa in Italian Popular Music proposes an innovative, fresh, provocative study, delving inside the common mentality of Italians, through their popular music and the way it has represented Africa and Africans. Italian music has largely followed national history, representing Africa as a mere object, from an inferior and inferiorized land of conquest to a slow process of decolonization of this image, which began around the 1980s and culminated with the irruption of second-generation Afro-Italian rappers into the Italian music scene. Through a careful analysis of the lyrics that is never detached from the historical context and sociological implications, the author shows how it was only with second-generation Afro-Italian rappers that provincial Italy had to come to terms with its present and its past. This musical movement gave rise to cultural, social and political debates that went far beyond the mere fact of music, involving other types of art, as well as proposing changes - such a new citizenship law - that are still struggling to take hold. Far beyond the image of Italians as good people, these rappers challenge us on a complex and slippery terrain: the construction of a new Italianness, overcoming clichés and stereotypes that one part of the country stubbornly continues to defend.
Recenzijas
"Luca Bussotti's book is a mandatory reference that identifies and zooms into the multilayered racism that persists in Italy's arts, music, cinema, and popular culture. It is a must-read for anyone interested in colonial stereotypes, fascist culture, and critical cultural studies." * Marēal de Menezes Paredes, Pontifical Catholic University of Rio Grande do Sul *
Papildus informācija
The Image of Africa in Italian Popular Music is an innovative, well-documented and provocative study which explains the how Africa and Africans are portrayed in Italian music, and how African-Italian musicians contribute to the decolonization of Italian music and became the new protagonists of the public life of an entire European nation.
Preface
Introduction
Chapter
1. Theoretical Approach
Chapter
2. Methodology
Chapter
3. A Short Overview on the Image of Africa in Italian Culture: From
Dante to the Dawn of Colonialism
Chapter
4. A First Approach to Africa: Popular Italian Music at the
Beginning of Colonialism (1888-1912)
Chapter
5. Italian Popular Music in the Face of Fascist Colonialism
Chapter
6. The Representation of Africa after the Second World War: Africa
as Absence (1940s-1970s)
Chapter
7. A Long Transition: From Africa as Metaphor to Africa as Reality
(1980s-2000s)
Chapter
8. Decolonizing the Approach: Africa as a Subject (from 2000 to the
present)
Chapter
9. After the 2G Network: The Second Generation Rappers between
Commitment and Individualism
Chapter
10. Besides the African-Italia Rappers: The Representation of
Africa between Continuity and Innovation
Final Remarks
References
About the Author
Luca Bussotti is Professor at the Technical University of Mozambique, with teaching experiences in Italy, Portugal, Brazil and Mozambique. He has matured a long experience in Italian as well as in African Studies, privileging an approach centered on political and cultural analysis. He is the author of a complete history of Italian citizenship (La cittadinanza degli italiani, Angeli, 2002), of the book Minoranze e multiculturalismo nellItalia contemporanea (IBIS, 2013), on the formation of a multicultural society in Italy and in Europe, of a study on the U.S. policy in Austral Africa during the Cold War (Dal sabotaggio alla cooperazione, printed by the University of Trieste, Italy, 2024) and (with Gianfranco Giovannone) of a book on diversified cultural aspects of Africa (Sguardi sullAfrica, IBIS, 2024). He has also edited about 20 books and written almost 100 articles in international journals, including about 10 on issues related to music, in Africa as well as in Italy.
