Atjaunināt sīkdatņu piekrišanu

The Image of the Black in Latin American and Caribbean Art, Book 2 [Hardback]

Edited by , Edited by , Edited by , Associate editor
  • Formāts: Hardback, 592 pages, height x width x depth: 279x248x46 mm, weight: 3062 g, 28 photos, 281 color photos, 2 illus., 2 color maps
  • Izdošanas datums: 02-Apr-2024
  • Izdevniecība: Harvard University Press
  • ISBN-10: 0674248872
  • ISBN-13: 9780674248878
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 111,87 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
The Image of the Black in Latin American and Caribbean Art, Book 2Palielināt
  • Formāts: Hardback, 592 pages, height x width x depth: 279x248x46 mm, weight: 3062 g, 28 photos, 281 color photos, 2 illus., 2 color maps
  • Izdošanas datums: 02-Apr-2024
  • Izdevniecība: Harvard University Press
  • ISBN-10: 0674248872
  • ISBN-13: 9780674248878
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9780674248878.html
The Image of the Black in Latin American and Caribbean Art is the first comprehensive survey of the visual representation of people of African descent in the region. This second volume explores the period from the final abolition of slavery in Brazil and Cuba through the independence of the Caribbean islands to the present day.

The Image of the Black in Latin American and Caribbean Art is the first comprehensive survey of the visual representation of people of African descent in Latin America and the Caribbean, some twelve million of whom were forcibly imported into the Americas during the transatlantic slave trade. This second volume explores the period from the final abolition of slavery in Brazil and Cuba in the nineteenth century through the independence of the Caribbean islands to the present day. The images and essays here reveal the damaging legacy of colonialism and slavery and the vigorous efforts of Afrodescendant artists to assert their identity in the face of prejudice and denial.

These volumes complement the vision of Dominique and Jean de Menil, art patrons who, during the 1960s, founded an archive to collect images depicting the myriad ways that people of African descent have been represented in Western art from the ancient world to modern times. The Image of the Black in Latin American and Caribbean Art continues the de Menil family’s original mission and brings to the fore a renewed focus on a rich and understudied area.

David Bindman is Professor of the History of Art, Emeritus, at University College London. Alejandro de la Fuente is Robert Woods Bliss Professor of Latin American History and Economics, and Professor of African and African American Studies and History, at Harvard University. Henry Louis Gates, Jr., is the author of numerous books and has written extensively on the history of race and anti-Black racism in the Enlightenment. His most recent works include Stony the Road and The Black Church. He is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University.