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E-grāmata: Image Testimonies: Witnessing in Times of Social Media

Edited by (Freie Universitat Berlin, Germany), Edited by (Freie Universität Berlin, Germany), Edited by (Freie Universität Berlin, Germany)
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Image Testimonies contributes to the ongoing debate of testimony and witnessing. Whereas testimony and witnessing have been largely theorized within the framework of epistemological, philosophical, ethical and media-theoretical perspectives, the contributions in this volume focus on images and their specific role in the context of the social web. Besides their claim to "show the truth" or their aim to confront with political problems, the special efficacy of image testimonies seems to lie in their ability to affect, move, or mobilize.

The first and second section of the volume reflects the discussion of image testimonies as an interplay of evidential qualities and their potential to express affective relationalities and emotional involvement. The third section focuses on the question of how social media technologies shape and subsequently are shaped by image testimonies. To further complicate the ethical position of the witness, the final section looks at image testimony at the intersection of creation and destruction, taking into account the perspectives of different actors and their opposed moral positions.

With an emphasis on the affectivity of these images, Image Testimonies provides new and so far overlooked insights in the field. It will appeal to students and researchers interested in fields such as Sociology and Social Policy, Media and Communications, Visual Arts and Middle East Studies.

Notes on contributors vii
Acknowledgements xi
1 Image testimonies: Witnessing in times of social media
1(14)
Kerstin Schankweiler
Verena Straub
Tobias Wendl
PART I Epistemologies of testimonies
15(42)
2 Credibility in crisis: Contradictions of web video witnessing
17(13)
Sascha Simons
3 Affective images and the political trial
30(17)
Jonas Bens
In conversation
45(2)
4 Fearless filming: Video footage from Syria since 2011
47(10)
Marianna Liosi
Guevara Namer
Amer Matar
PART II Affective witnessing
57(30)
5 "Moroccan Lives Matter": Practices and politics of affecting
59(13)
Kerstin Schankweiler
6 Drone's-eye view: Affective witnessing and technicities of perception
72(15)
Michael Richardson
PART III Social media practices
87(50)
7 Photographic witnessing, the occupation and Palestinian politics
89(15)
Simon Faulkner
8 Witnessing to survive: Seine videos, live mobile witnessing and black neeropolitics
104(17)
Penelope Papailias
9 Eye, flesh, world: Three modes of digital witnessing
121(16)
Paul Frosh
PART IV Witnessing destruction
137
10 "Living martyrs": Testifying what is to come
139(15)
Verena Straus
11 Testimonies for a new social order: The Islamic State's iconic iconoclasm
154(13)
Christoph Gunther
Tom Bioly
12 From Cape Town to Timbuktu: Iconoclastic testimonies in the age of social media
167
Tobias Wendl
Kerstin Schankweiler is an art historian and postdoctoral researcher at the Collaborative Research Center Affective Societies at Freie Universität Berlin, Germany.

Verena Straub is an art historian and research associate at the Collaborative Research Center Affective Societies at the Freie Universität Berlin, Germany.

Tobias Wendl is Professor for the Arts and Visual Cultures of Africa at the Institute of Art History, Freie Universität Berlin, Germany.