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Images and Objects in Ritual Practices in Medieval and Early Modern Northern and Central Europe Unabridged edition [Hardback]

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  • Formāts: Hardback, 340 pages, height x width: 212x148 mm
  • Izdošanas datums: 03-Oct-2013
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-10: 1443851337
  • ISBN-13: 9781443851336
  • Hardback
  • Cena: 67,71 €
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  • Formāts: Hardback, 340 pages, height x width: 212x148 mm
  • Izdošanas datums: 03-Oct-2013
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-10: 1443851337
  • ISBN-13: 9781443851336
This multidisciplinary collection of essays explores the functions, meanings and use of images and objects in various late Medieval and Early Modern social practices, which were linked by their ritual character. The book approaches 'ritual' as an action which is discussed under the general umbrella term "performative practice", and is characterised by a synthesis between the repetitive and the extraordinary that carries an intense symbolic meaning and is emotionally charged.Images, spaces and rituals were closely interconnected in both the religious and the secular spheres, and played a relevant role in the symbolic communication of the time. The essays in this volume are devoted to a complex study of these phenomena in Northern and Central Europe, including regions which, due to linguistic or cultural barriers, have thus far received comparatively little attention in Anglo-American scholarship, including Scandinavia, Poland and the Baltic states.

Recenzijas

'All the contributions shed new light on the late medieval and early modern Baltic and Scandinavian worlds that are generally unfamiliar to Anglo-American scholars. However, the most exciting aspect of the collection is that it introduces the wider Anglophone scholarly world to the work of younger researchers, based in Estonia and Lithuania. [ ...] The reviewer heartily recommends this book.'Felice LifshitzUniversity of AlbertaThe Historian, 78: 3 (2016)

Acknowledgements vii
Introduction 1(12)
Krista Kodres
Anu Mand
Part I Images and Objects in Religious Rituals
13(90)
Late Medieval Images and the Variability of Rituals
15(19)
Gerhard Jaritz
"To Show That the Place Is Divine": Consecration Crosses Revisited
34(19)
Andrew Spicer
The Rosary and the Wounds of Christ: Devotional Images in Relation to Late Medieval Liturgy and Piety
53(15)
Stina Fallberg Sundmark
Image, Time and Ritual: The Motif of the Last Supper in Lutheran Churches
68(21)
Martin Wangsgaard Jurgensen
Morian and Merian. Word and Image: A Painting Used in Teaching the Catechism in the Keila Church (1669)
89(14)
Aivar Poldvee
Part II Visual Culture and the Performances of Power
103(122)
The Gaze of Power, the Act of Obedience: Interpreting Byzantine Wall Paintings in Trakai, Lithuania
105(17)
Giedre Mickunaite
Baptism and the King's Coronation: Visual Rhetoric of the Valdemar Dynasty on Some Scanian and Danish Baptismal Fonts
122(21)
Kersti Markus
In Between the Secular and the Religious: Art, Ritual and Science in the Funeral Chapel of Reinoud III of Brederode, Lord of Vianen (1491--1556), and His Wife, Philipotte de la Marck (d. 1537), in the Reformed Church of Vianen
143(21)
Juliette Roding
Nico Hijman
Images of Hereditary Succession
164(19)
Hugo Johannsen
Magic of Presence: The Ceremony of Taking an Oath of Allegiance in 1690 in Tallinn (Reval)
183(21)
Krista Kodres
Between Act, Image, and Memory: Ritual Re-Enactments in Eighteenth-Century Denmark
204(21)
Birgitte Bøggild Johannsen
Part III Ritual and Self-Representation
225(99)
The Self-Representation of the Late Medieval Cistercian Abbot: The Case of Henry Kresse of Bukowo Morskie
227(12)
Emilia Jamroziak
Memoria and Sacral Art in Late Medieval Livonia: The Gender Perspective
239(35)
Anu Mand
The Ritual Context of Chandeliers and Sconces in Early Modern Lutheran Churches
274(15)
Jurgen Beyer
The Art of Rituals: How Samuel Pepys Used His Eyes and Ears
289(12)
Ruth-E. Mohrmann
Wining and Dining in Style: Architectural Innovations as a Source for Ritual Change in German Renaissance Palaces
301(23)
Stephan Hoppe
Contributors 324
Krista Kodres is Professor at the Institute of Art History of the Estonian Academy of the Arts, and Senior Researcher at the Institute of History of Tallinn University. She has published widely on Early Modern art and architecture in Estonia and in the Baltic region. Her monograph Presenting Oneself. Architecture, Décor and Furnishings of Dwelling Houses in Early Modern Reval/Tallinn will be published in 2013. Her research interests include the theory and methodology of art history. She is editor-in-chief of the ongoing project of the six-volume History of Estonian Art.Anu Mänd is Senior Researcher at the Institute of History of Tallinn University. She has published several monographs, including Urban Carnival: Festive Culture in the Hanseatic Cities of the Eastern Baltic, 13501550 (Brepols, 2005), based on her PhD thesis. Recently she edited Art, Cult and Patronage: Die visuelle Kultur im Ostseeraum zu Zeit Bernt Notkes, with Uwe Albrecht (2013). Her main research interests are the social and cultural history of Medieval Livonian towns. She is currently working on guilds, gender and memoria.