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Imagination of the Mind in Classical Athens: Forms of Thought [Mīkstie vāki]

Edited by (University of Warwick, UK), Edited by (University of Oxford, UK)
  • Formāts: Paperback / softback, 332 pages, height x width: 234x156 mm, weight: 453 g, 29 Halftones, black and white; 29 Illustrations, black and white
  • Sērija : Image, Text, and Culture in Classical Antiquity
  • Izdošanas datums: 19-Dec-2024
  • Izdevniecība: Routledge
  • ISBN-10: 0367706695
  • ISBN-13: 9780367706692
  • Mīkstie vāki
  • Cena: 57,31 €
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  • Formāts: Paperback / softback, 332 pages, height x width: 234x156 mm, weight: 453 g, 29 Halftones, black and white; 29 Illustrations, black and white
  • Sērija : Image, Text, and Culture in Classical Antiquity
  • Izdošanas datums: 19-Dec-2024
  • Izdevniecība: Routledge
  • ISBN-10: 0367706695
  • ISBN-13: 9780367706692

This book explores the imaginative processes at work in visual and verbal artefacts of Classical Athens. A fascinating reasssessment of "imagination" in this period, it is of interest to those working on ancient philosophies of mind and ancient Greek culture.



This book explores the imaginative processes at work in the artefacts of Classical Athens. When ancient Athenians strove to grasp ‘justice’ or ‘war’ or ‘death’, when they dreamt or deliberated, how did they do it? Did they think about what they were doing? Did they imagine an imagining mind?

European histories of the imagination have often begun with thinkers like Plato and Aristotle. By contrast, this volume is premised upon the idea that imaginative activity, and especially efforts to articulate it, can take place in the absence of technical terminology. In exploring an ancient culture of imagination mediated by art and literature, the book scopes out the roots of later, more explicit, theoretical enquiry. Chapters hone in on a range of visual and verbal artefacts from the Classical period. Approaching the topic from different angles – philosophical, historical, philological, literary, and art historical – they also investigate how these artefacts stimulate affective, sensory, meditative – in short, ‘imaginative’ – encounters between imagining bodies and their world.

The Imagination of the Mind in Classical Athens offers a ground-breaking reassessment of ‘imagination’ in ancient Greek culture and thought: it will be essential reading for those interested in not only philosophies of mind, but also ancient Greek image, text, and culture more broadly.

Introduction Emily Clifford and Xavier Buxton;
1. How Far, How Close?
Imagining the Battle of Cunaxa in Greek Historiography Luuk Huitink;
2. The
Realms of Fantasy: Aristotle on the Phenomenality of Mental Imagery Pia
Campeggiani;
3. Morbid Phantasies: the After-Death and the Dead between
Imagination and Perception Karolina Sekita;
4. An Imagined and Imagining
dmos in Athenian Public Inscription Leah Lazar;
5. Imagining Justice in the
Athenian Lawcourt: Aeschines and Others Guy Westwood;
6. Platos Creative
Imagination Zacharoula Petraki;
7. Imagining Death with Painted Pots Emily
Clifford;
8. Imagining Bodies with Gorgias David Fearn;
9. Vigilance to the
Point of Magic Tom Phillips;
10. Performing the Mind: Aeschylus Suppliants
and the Theatre of Deep Thought Xavier Buxton; Epilogue: The Ancient
Imagination in Retrospect Ja Elsner and Michael Squire.
Emily Clifford is Junior Research Fellow in Greek Mythology at Christ Church College in Oxford, UK. Her research examines visual and verbal media from the Greek and Roman worlds to build a cultural history of thinking and idea-formation, currently focusing on death. She is completing a monograph on culturally-mediated reflections on death in Classical Athens.

Xavier Buxton is Teaching Fellow in Greek Language and Literature at the University of Warwick, UK. His research combines literary criticism and intellectual history to explore ways of thinking, especially thinking with emotions, in Classical Athens.