Intriguing paintings that explore Japanese artists relationship with China.
Toward Tomorrow: Visions of China in Japanese Art examines Japanese artistic understanding of China from the late 1600s, Japans period of seclusion, to its age of modernization after the mid-nineteenth century. It focuses on ways Japanese painters from the late 1600s to the twentieth century pictured China, both as a real place and as an imagined promised land. It features three essays by renowned Japanese art historians in addition to more than fifty catalog entries highlighting unusual artworks revealing Japanese artists complex responses to Chinese art, history, and culture. In recent years, a handful of scholarly studies have tried to push against the established narrative of an exclusively Western-inspired modern Japan. Toward Tomorrow challenges the established narrative of an exclusively Western-inspired modern Japan by offering a more nuanced approach to understanding the countrys struggle with reconciling the old with the new as it reinvented itself into a modern nationstate.
Dr. Frank Feltens is Curator of Japanese Art at the Smithsonians National Museum of Asian Art. His publications include Hokusais Brush (Smithsonian Books, 2019), Ogata Korin: Art in Early Modern Japan (Yale University Press, 2021), with Yukio Lippit, Sesson Shukei: A Zen Monk-Painter in Medieval Japan (Hirmer, 2021). He is also the editor of Japan in the Age of Modernization: The Arts of Otagaki Rengetsu and Tomioka Tessai (Smithsonian Scholarly Press, 2023).
