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xi | |
| Preface |
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xiii | |
| Acknowledgements |
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xv | |
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1 Changing Conceptualisations of 20th- and 21st-century Art Migrations: Britain and Beyond |
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1 | (45) |
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1 | (1) |
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Conceptualising and Understanding Migrant Movements in Britain |
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2 | (3) |
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A note on the post in (post) colonialism |
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5 | (1) |
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The Post- War Period Revised and Revisited |
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5 | (1) |
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6 | (2) |
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A White `Westerner's Engagement with `East Asian' Artists: Dilemmas |
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8 | (4) |
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Postcolonial and Decolonial Positions and East Asian Visibilities in Britain |
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12 | (7) |
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Artists of Chinese, Taiwanese, Korean and Japanese Descent in Britain |
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19 | (1) |
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Exhibitions in Britain and Beyond: Tropes of `Tradition versus the Contemporary' |
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20 | (1) |
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20 | (2) |
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22 | (2) |
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24 | (2) |
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26 | (2) |
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Methods of Investigation and Related Projects |
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28 | (3) |
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Some Shifts in Research Questions and Processes for Imaging Migration |
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31 | (6) |
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Book Boundaries/Divisions (Conclusion) |
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37 | (3) |
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40 | (6) |
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2 Border (En)counters: Visualising Boundaries in Artistic Practice |
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46 | (33) |
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46 | (3) |
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The Pressing Nature of Border Issues |
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49 | (1) |
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Scholarly Engagement with Border Studies |
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50 | (2) |
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52 | (1) |
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Performing the Border: Parody, Paradox and a Kind of Praxis |
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53 | (1) |
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Biennial displa(y)cements |
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54 | (4) |
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Performing the Border through Socially Engaged Art Practices: Politicising Aesthetics, Aestheticising Politics and the Engagement with the Social |
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58 | (1) |
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Understanding the Social and Activist Turns in Art Practices |
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58 | (1) |
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Socially Engaged Projects: Mainly Taiwan |
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59 | (3) |
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Locales at the Borders: Micro Breakthroughs |
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62 | (2) |
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Socially Engaged Projects: Mainly Hong Kong |
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64 | (1) |
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Occupying (post) colonial spaces |
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64 | (3) |
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67 | (1) |
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Shades of protest: political and border challenges |
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67 | (1) |
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Visual Border Disruption -- Challenging Food Cultures: lok, key and Lee |
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68 | (3) |
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Physical Artworks -- Acknowledging or Disrupting Hard Borders using Binary Visual Devices |
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71 | (1) |
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71 | (2) |
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Concluding/Bordering Thoughts |
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73 | (3) |
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76 | (3) |
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3 Outside Chinatown: Shifting Factors and Considerations of Chinese British Artists |
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79 | (44) |
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79 | (1) |
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79 | (3) |
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The CFCCA (Post-Chinese Arts Centre) Defund and Boycott: Positioning, Contesting |
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82 | (1) |
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82 | (1) |
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Emerging Chinatowns: The History of Chinese People in Britain |
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83 | (4) |
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Moving with/from Britain's Black Art Movement |
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87 | (4) |
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Labouring the Chinese `Diaspora'ls |
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91 | (2) |
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93 | (2) |
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Conceptualising Methods: Working with Artists |
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95 | (2) |
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97 | (3) |
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Consuming Chinese Culture: lok, Key, Lee and Chow |
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100 | (1) |
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101 | (4) |
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Haunted by Hope: `Diasporic' Spectres and Prospects |
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105 | (1) |
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106 | (2) |
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108 | (1) |
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109 | (1) |
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110 | (2) |
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112 | (5) |
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Gordon Cheung -- `Transfer of Power' |
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117 | (1) |
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117 | (1) |
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118 | (5) |
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4 Korean Art Careers: The Cultural Wave in Britain |
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123 | (34) |
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123 | (1) |
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Picturing The Korean Diaspora in Britain and the Globe |
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124 | (4) |
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Migrating Transnationality |
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128 | (3) |
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131 | (3) |
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Imaging the Blur: Fluid Nationalisms |
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134 | (1) |
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Embodying Histories, casting doubt: Bada Song and Meekyoung Shin |
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135 | (2) |
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Seahyun Lee: Between Red series |
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137 | (2) |
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Diaspora: a dispersive concept |
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139 | (2) |
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Chasing Phantoms: Kathy Cho and Katie Yook curatorial project |
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141 | (6) |
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Koreatown Art Studio: Jin Kim, Jisoc Han and Seahyun Lee |
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147 | (2) |
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Place (not) Found: Positioning the Translocational |
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149 | (3) |
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152 | (1) |
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153 | (4) |
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5 Moving Between: Negotiations of Migratory Experiences of `Home and Away' by Artists from China, Korea and Japan |
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157 | (28) |
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157 | (4) |
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Diasporising Home-hood and Host-hood |
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161 | (2) |
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Belonging to invented nations |
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163 | (4) |
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Diaspore: The Agency of Diasporas |
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167 | (1) |
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Locating Japanese Artists in Britain |
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168 | (1) |
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Hybrid Surrealisms: Rui Matsunaga |
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169 | (4) |
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Arriving, Departing: Repeat |
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173 | (1) |
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Technological and semi-imaginary manifestations of Japanese dual heritage: Naomi Kashigawi and Sputniko! |
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174 | (3) |
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`An Ideal Foreigner': Anti-cool |
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177 | (4) |
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181 | (1) |
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181 | (1) |
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181 | (4) |
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6 Conclusion: Beyond the Between: Post-national Identity and Expansive Contemporaneities in British `Diasporic Art' |
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185 | (24) |
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185 | (1) |
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Post-national Contemporaneity |
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186 | (2) |
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188 | (1) |
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Nations Here and There, Identities Unending: Gender Intersections |
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189 | (1) |
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Bada Song, Shinuk Suh, Jaeran Won |
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189 | (7) |
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Visualising the City vista |
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196 | (1) |
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196 | (3) |
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Ecological and Digital Intersections with New Materialism: Yu Chen Wang |
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199 | (6) |
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Post-national Positionings of Identity |
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205 | (2) |
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Some Imaged Migrations, Some Migrating Images: Some Concluding Thoughts on Contemporaneous Artworks |
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207 | (2) |
| References |
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209 | (3) |
| Index |
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212 | |
