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E-grāmata: Imagining and Knowing: The Shape of Fiction

3.00/5 (13 ratings by Goodreads)
(University of York)
  • Formāts: EPUB+DRM
  • Izdošanas datums: 14-Feb-2020
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780192636782
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 14-Feb-2020
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780192636782

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Works of fiction are works of the imagination and for the imagination. Gregory Currie energetically defends the familiar idea that fictions are guides to the imagination, a view which has come under attack in recent years. Responding to a number of challenges to this standpoint, he argues that within the domain of the imagination there lies a number of distinct and not well-recognized capacities which make the connection between fiction and imagination work. Currie then considers the question of whether in guiding the imagination fictions may also guide our beliefs, our outlook, and our habits in directions of learning. It is widely held that fictions very often provide opportunities for the acquisition of knowledge and of skills. Without denying that this sometimes happens, this book explores the difficulties and dangers of too optimistic a picture of learning from fiction. It is easy to exaggerate the connection between fiction and learning, to ignore countervailing tendencies in fiction to create error and ignorance, and to suppose that claims about learning from fiction require no serious empirical support. Currie makes a case for modesty about learning from fiction--reasoning that a lot of what we take to be learning in this area is itself a kind of pretence, that we are too optimistic about the psychological and moral insights of authors, that the case for fiction as a Darwinian adaptation is weak, and that empathy is both hard to acquire and not always morally advantageous.

Recenzijas

this important and polemical book...shines a penetrating, for some disturbing, light on one of the most prominent lines of defence for a humanistic, literary education, the thought that we can learn from works of fiction in substantial ways: that reading fiction can make us better people, more wise, more morally astute, more empathetic, more knowledgeable about human follies and aspirations.... The book is a major contribution to debates about fiction by one of the pre-eminent philosophers in this area. It contains an immense amount of subtle argument, presented in a pleasing and urbane manner, the author always generous to his adversaries, modest in his own conclusions. But make no mistake, the book completely changes the landscape of "cognitivism" about literature. No one now can go on insisting on the usual beneficial effects of literature without taking serious and systematic account of Currie's arguments. * Peter Lamarque, Notre Dame Philosophical Reviews * While the book focuses on literature and film, it is a worthwhile read for any media scholar with a general interest in its subject. * Jens Kjeldgaard-Christiansen, Department of English, Aarhus University, Journal of Media and Communication Research *

The project: a geometry of fiction 1(14)
PART I IMAGINATION's EMPIRE
1 An essential connection
15(16)
1.1 First thoughts on fiction, imagination, and learning
15(2)
1.2 Kinds of imagining
17(2)
1.3 The idea of fiction
19(7)
1.4 Fiction and its history
26(4)
1.5 Conclusions
30(1)
2 How fiction works
31(18)
2.1 Explaining engagement
31(4)
2.2 Alief
35(4)
2.3 Understanding real people and fictional people
39(8)
2.4 Reductions of the imagination
47(1)
2.5 Conclusions
48(1)
3 Imaginings like desires
49(11)
3.1 Desire
50(1)
3.2 Truth and representation
50(2)
3.3 Formulation problems
52(2)
3.4 Desires in imagination
54(5)
3.5 Conclusions
59(1)
4 Affective imagining
60(17)
4.1 Norms for emotions
60(4)
4.2 Truth
64(2)
4.3 Emotions and quasi-emotions
66(1)
4.4 Appropriate emotions, intended emotions
67(4)
4.5 Conclusions
71(6)
PART II STARTING TO THINK ABOUT FICTION AND KNOWLEDGE
5 The varieties of knowing
77(19)
5.1 Knowing-that
77(5)
5.2 Knowing-how
82(4)
5.3 Acquaintance
86(1)
5.4 Externalism
87(3)
5.5 Understanding
90(4)
5.6 Conclusions
94(2)
6 An empirical question?
96(16)
6.1 Norms and dispositions
97(2)
6.2 Evidence and the kinds of knowing
99(6)
6.3 Expert readers
105(1)
6.4 Revisionism
106(4)
6.5 Conclusions
110(2)
7 Fiction, mentalizing, and planning
112(15)
7.1 Ways to affect others
112(1)
7.2 Levels of mindedness
113(2)
7.3 Mentalizing in fiction
115(4)
7.4 Explaining the representation of mentalizing
119(5)
7.5 Conclusions
124(3)
PART III FICTION, KNOWLEDGE, AND IGNORANCE
8 Knowledge from imagination
127(23)
8.1 Imagination and the updating of belief
128(2)
8.2 A judgement
130(2)
8.3 The imagination then and now
132(3)
8.4 Fictions as thought experiments
135(14)
8.5 Conclusions
149(1)
9 Fiction, truth, and the transmission of belief
150(32)
9.1 Beliefs from fiction
151(1)
9.2 Belief change
152(2)
9.3 Murder in the Mall
154(3)
9.4 Truth, and truth in fiction
157(3)
9.5 The author's beliefs
160(5)
9.6 Evaluations
165(4)
9.7 Trust
169(3)
9.8 Truth as a value in literature
172(9)
9.9 Conclusions
181(1)
10 Wise authors?
182(17)
10.1 Institutional constraints
184(8)
10.2 The creative personality
192(3)
10.3 Authorship and expertise
195(3)
10.4 Conclusions
198(1)
11 Fiction and empathy
199(20)
11.1 Empathy and representation
199(3)
11.2 Reasons to be moral
202(2)
11.3 A complex picture
204(1)
11.4 Monitoring the development and use of skills
205(2)
11.5 Current evidence for the effects of fiction on empathy
207(2)
11.6 Doubts about the positive effects of fiction on empathy
209(2)
11.7 Self-licensing
211(4)
11.8 Conclusions
215(2)
Where we are
217(2)
References 219(18)
Index 237
Gregory Currie is Professor of Philosophy at the University of York. He was educated at the London School of Economics and at the University of California, Berkeley. He has taught at universities in Australia, New Zealand and the UK, and held visiting positions at the Australian National University, the University of Oxford, and the School for Advanced Studies in the Social Sciences (EHESS), Paris. He is a Fellow of the British Academy and of the Australian Academy of the Humanities.