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Information Design for the Common Good: Human-centric Approaches to Contemporary Design Challenges [Mīkstie vāki]

4.33/5 (6 ratings by Goodreads)
(Quinnipiac University, USA)
  • Formāts: Paperback / softback, 216 pages, height x width x depth: 236x172x8 mm, weight: 460 g, 200 colour illus
  • Izdošanas datums: 09-Sep-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 1350117269
  • ISBN-13: 9781350117266
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  • Mīkstie vāki
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Information Design for the Common Good: Human-centric Approaches to Contemporary Design ChallengesPalielināt
  • Formāts: Paperback / softback, 216 pages, height x width x depth: 236x172x8 mm, weight: 460 g, 200 colour illus
  • Izdošanas datums: 09-Sep-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 1350117269
  • ISBN-13: 9781350117266
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781350117266.html
Keywords:

This book explores the increasing altruistic impulse of the design community to address some of the world's most difficult problems including social, political, environmental, and global health causes at the local, national, and global scale.

Each chapter strategically combines theory and practice to examine how to identify causes and locate accurate data, truth and integrity in information design, the information design/data visualization process, understanding audiences, crafting meaningful narratives, and measuring the impact of a design. A variety of international case studies and interviews with practitioners illustrate the challenges and impact of designing for social agendas. These range from traditional media outlets like The New York Times and The Guardian, popular science organizations like National Geographic and Scientific America, to health institutes like The World Health Organization and The Center for Disease Control.

This book allows the novice information designer to create compelling human-centered information narratives which make a difference in our world.

Papildus informācija

An exploration into how to address information design problems through visualizations while understanding and keeping the common good at the center of the work
Acknowledgments 9(1)
Introduction 10(2)
Chapter 1 The roots of data-driven design
12(28)
Information design vs. data visualization
13(2)
Historical overview
15(5)
Case Study: Harry Stevens, Washington Post
20(8)
Evolution of form
28(2)
Case Study: Jason Treat, National Geographic, World Plastics
30(4)
Methods and tools
34(6)
Chapter 2 Social good and empathy
40(24)
Social good
41(2)
History of social design
43(2)
Empathy
45(1)
Case Study: Juanita Londono, Impact Over Form
46(4)
History of empathy
50(3)
Case Study: Jan Willem Tulp (TULP interactive), World Water Atlas
53(3)
Applied empathy + humanization
56(3)
Methods
59(5)
Chapter 3 Collaboration and the process of data-driven design
64(24)
The evolution of design processes and data exploration
65(9)
Case Study: Bryan Christie Design, National Geographic
74(5)
Case Study: Dino Citraro of Periscopic, Pacific Salmon Explorer
79(4)
Collaborative opportunity starts early
83(1)
Case Study: Sophia Alfieri and Courtney Marchese, Fifth Wave
84(4)
Chapter 4 Truth and integrity in data presentation
88(30)
Data literacy
89(2)
Best practices of honest data
91(3)
Case Study: Carbon Footprint, David McCandless
94(3)
Rhetoric and persuasion
97(3)
Avoiding misleading data
100(2)
Case Study: WHO, Violence Info
102(6)
Maps
108(2)
Case Study: Pablo Robles, South China Morning Post, "Apocalypse Now"
110(3)
Methods -- finding and cleaning data
113(5)
Chapter 5 Crafting a meaningful narrative
118(28)
Exploratory to explanatory data
119(1)
Functions and goals of storytelling with data
120(2)
Case Study: Martin Krzywinski (Canada's Michael Smith Genome Sciences Centre at BC Cancer), The Many Paths of COVID-19 Spread
122(4)
Case Study: Pentagram, Covid-19
126(4)
Persuasion and memorability
130(2)
Narrative structures and plot
132(4)
Case Study: Dawn Kai, Life in the Camps, Reuters
136(2)
Case Study: Werner Helmich, GOV | DNA
138(6)
Storyboarding
144(2)
Chapter 6 Visual cues
146(30)
Introduction
147(1)
Perception and gestalt
148(2)
Marks, type, color, and other graphic details
150(5)
Case Study: Shing-Yun Chiang, Houston Flooding and Poverty
155(3)
Case Study: Sarthak Kathuria, Greetings from Georgia
158(4)
W.E.B. Du Bois and black America
162(2)
The influence of isotype
164(4)
Case Study: Institute for Disease Modeling, Malaria Lifecycle
168(4)
Methods and tools - making better icon systems
172(4)
Chapter 7 Measuring impact
176(28)
Case Study: Nadieh Bremer, The Guardian, "Bussed Out"
178(6)
Goals and reach
184(3)
Research methods
187(3)
Evaluation design
190(3)
Evaluation materials
193(2)
Common mistakes and key considerations
195(2)
Case Study: Giorgia Lupi, "Bruises"
197(6)
Conclusion
203(1)
Image credits 204(1)
Index 205
Courtney Marchese is a Connecticut-based graphic designer and educator. She received her B.A. in Interactive Digital Design from Quinnipiac University in Hamden, Connecticut, before earning her M.F.A. in Graphic Design at SCAD in Savannah, Georgia. Courtney now teaches at her alma mater, Quinnipiac University.