Atjaunināt sīkdatņu piekrišanu

E-grāmata: Information Doesn't Want to Be Free

, Foreword by , Foreword by
  • Formāts: EPUB+DRM
  • Izdošanas datums: 01-Nov-2014
  • Izdevniecība: McSweeney's Publishing
  • Valoda: eng
  • ISBN-13: 9781940450780
  • Formāts - EPUB+DRM
  • Cena: 15,02 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: EPUB+DRM
  • Izdošanas datums: 01-Nov-2014
  • Izdevniecība: McSweeney's Publishing
  • Valoda: eng
  • ISBN-13: 9781940450780

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

A report on the state of copyright and creative success in the digital age considers the challenges being faced by small artists and posed by large corporations, exploring pitfalls and opportunities to reveal evolving Internet business models.

A report on the state of copyright and creative success in the digital age considers the challenges being faced by small artists and posed by large corporations, exploring today's pitfalls and opportunities to reveal evolving internet business models. 20,000 first printing.

Forewords
Neil Gaiman viii
Amanda Palmer xii
0 Introduction
Detente xviii
0.1 What Makes Money? xx
0.2 Don't Quit Your Day Job-Really xxii
1 Doctorow's First Law
Any Time Someone Puts a Lock on Something That Belongs to You and Won't Give You the Key, That Lock Isn't There for Your Benefit
1(3)
1.1 Anti-Circumvention Explained
4(3)
1.2 Is This Copyright Protection?
7(5)
1.3 So Is This Copy Protection?
12(2)
1.4 Digital Locks Always Break
14(7)
1.5 Understanding General-Purpose Computers
21(2)
1.6 Rootkits Everywhere
23(3)
1.7 Appliances
26(2)
1.8 Proto-Appliances: The Inkjet Wars
28(3)
1.9 Worse Than Nothing
31(6)
2 Doctorow's Second Law
Fame Won't Make You Rich, But You Can't Get Paid Without It
37(4)
2.1 Good at Spreading Copies, Good at Spreading Fame
41(2)
2.2 An Audience Machine
43(6)
2.3 Getting People to Care About Your Work
49(2)
2.4 Content Isn't King
51(2)
2.5 How Do I Get People to Pay Me?
53(11)
2.6 Does This Mean You Should Ditch Your Investor and Go Indie?
64(2)
2.7 Love
66(3)
2.8 The New Intermediaries
69(6)
2.9 Intermediary Liability
75(2)
2.10 Notice and Takedown
77(3)
2.11 So What's Next?
80(2)
2.12 More Intermediary Liability, Fewer Checks and Balances
82(5)
2.13 Disorganized Channels Are Good for Creators
87(3)
2.14 Freedom Can Be Expensive, but Censorship Costs Us the World
90(3)
3 Doctorow's Third Law
Information Doesn't Want to Be Free, People Do
93(2)
3.1 What the Copyfight Is About
95(3)
3.2 Two Kinds of Regulation
98(2)
3.3 Anti-Tank Mines and Land Mines
100(6)
3.4 Who's Talking?
106(4)
3.5 Censorship Doesn't Solve Problems
110(6)
3.6 The Problem with Cutting Off Access
116(2)
3.7 Copyright and Human Rights
118(2)
3.8 A World Made of Computers
120(1)
3.9 Renewability: Digital Locks' Sinister Future
121(5)
3.10 A World of Control and Surveillance
126(5)
3.11 What Copyright Means in the Information Age
131(2)
3.12 Copyright: Fit for Purpose
133(3)
3.13 Term Extension Versus Samplers
136(3)
3.14 What Works?
139(4)
3.15 Copyright's Not Dead
143(2)
3.16 Every Pirate Wants to Be an Admiral
145(2)
3.17 It's Different This Time
147(1)
3.18 All Revolutions Are Bloody
148(2)
3.19 Cathedrals Versus the Protestant Reformation
150(1)
3.20 Three-Hundred-Million-Dollar Movies
151(2)
3.21 What Is Copyright For?
153(3)
4 Epilogue
156
4.1 What Does the Future Hold?
158