Atjaunināt sīkdatņu piekrišanu

Inner: The Collected Writings of Sean Scully [Hardback]

4.60/5 (10 ratings by Goodreads)
Edited by , Text by
  • Formāts: Hardback, 336 pages, height x width: 260x190 mm, weight: 1420 g, 112 Illustrations, black and white
  • Izdošanas datums: 06-Sep-2016
  • Izdevniecība: Hatje Cantz
  • ISBN-10: 377574164X
  • ISBN-13: 9783775741644
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 336 pages, height x width: 260x190 mm, weight: 1420 g, 112 Illustrations, black and white
  • Izdošanas datums: 06-Sep-2016
  • Izdevniecība: Hatje Cantz
  • ISBN-10: 377574164X
  • ISBN-13: 9783775741644
Citas grāmatas par šo tēmu:
Sean Scully (born 1945) is among the greatest abstract painters of our age. He is also one of the most outspoken. Since the late 1960s, Scully’s visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections to essay-length meditations on artists such as Van Gogh, Morandi and Rothko, Scully’s writings are distinguished by a brutal lyricism and an effortlessly aphoristic turn of phrase. The nearly 200 texts that comprise this collection provide a unique perspective on one of the most engaging artistic imaginations of the past half-century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history and what it means to be a creator in the contemporary world. The texts are illustrated by images including facsimile reproductions of handwritten pages which also feature drawings.

Papildus informācija

The comprehensive written work of the Irish-American painter Sean Scully
On Beauty: The Writings of Sean Scully 6(5)
Kelly Grovier
1981
Come and Go
11(1)
Spider, site-specific
11(1)
Image as Mediator
11(1)
1983
Work
12(1)
Counterpoint
12(1)
Angel
12(1)
1984
Simi and Kalymnos
13(2)
1985
Fiction
15(1)
1986
Empathy
15(1)
Panic
15(1)
1987
Place
16(1)
1988
Window
16(1)
1989
The Sublime and the Ordinary: Lecture Given at the Albuquerque Museum of Art and History, Albuquerque, New Mexico, February 12, 1989
17(6)
Robert Hughes
23(2)
Inset
25(1)
1991
Stone Light
25(1)
1992
Absolute
25(1)
Lecture Given at the Carpenter Center for the Visual Arts, Harvard University, October 8, 1992
26(9)
1995
AMERICA, lecture notes
35(2)
Oil Paint
37(1)
Diptych: Lecture Given at Oxford University, April 21, 1995
38(12)
Minimalism
50(1)
Excerpts from an Interview with Ned Rifkin: Black and White, Narrative, Composition, Pastel, Watercolor, Dark
51(1)
1996
Pathos
52(1)
London
53(1)
Drawings on the Beach
53(1)
Abstract Painting
54(1)
New York
54(1)
Filth
55(1)
1997
Grey
55(1)
1998
Rothko: Bodies of Light
56(6)
Van Gogh
62(1)
1999
Interview with Eric Davis
63(13)
Bigland
76(1)
Alchemy
77(1)
2000
Art
78(1)
Black
78(1)
The Figure
78(1)
Style (Letter to a Friend)
79(1)
Subversion
80(2)
Matador
82(1)
Out Of
83(2)
The Language of Light
85(1)
The Opposite
85(1)
Rozanova
86(1)
Simple
87(1)
On Pollock and Newman
87(1)
Time
87(1)
2001
On Barcelona
88(2)
Waiting
90(1)
Concept Art
90(1)
Landline
91(1)
Sunny Sydenham
92(1)
Perfection
93(1)
Newman and De Kooning
94(1)
Why Stripes?
95(2)
Painting
97(1)
2002
Up and Down
97(1)
Painting
98(1)
Spirituality
98(1)
Beauty
98(1)
Beginning
99(1)
Banality
100(1)
Embodied
100(1)
Language
100(1)
On Photography
101(1)
Interview with Kevin Power
101(5)
Edge
106(1)
Emotion
106(3)
The Wall
109(1)
Newman
109(1)
Doorway
109(1)
2003
Letter to M. Auping
110(1)
Black (notes)
111(1)
Heaven
111(1)
On Mythology, Abstraction, and Mystery
112(6)
Advice to Students
118(1)
Note to Donald
118(1)
On Painting
119(1)
Region
119(1)
Crann Soilse
120(1)
The Power of a Line
121(1)
Black Robe
122(1)
Synthesis
123(1)
2004
A Work by Karen Irmer
124(1)
Metaphor
125(1)
Evolve
126(1)
Alvin
126(1)
Munich
127(1)
Valencia: Lecture Given at the Institut Valencia d'Art Modern, Valencia, Spain, May 4, 2004
128(9)
Liliane Tomasko: The Third Shore
137(5)
Work
142(1)
On Color
142(1)
What Art Is
142(2)
Yuendumu
144(4)
Injalak Hill
148(2)
The Story of Warren
150(2)
Cactus
152(1)
On Robert Gardner
153(1)
Dublin
154(2)
Reactions to Arthur C. Danto's Essay "The Abuse of Beauty"
156(2)
The Argument
158(1)
Eva
159(1)
My 11-Year-Old Friend
160(1)
2005
Blood and the Fartherland
161(2)
Wings. Books
163(1)
Notes for an Upcoming Exhibition in Germany
163(1)
Ian Stephenson: Man of the North
164(5)
Dire Fire
169(1)
Notes on Four Dark Mirrors
170(1)
Giorgio Morandi: Resistance and Persistence
171(5)
The Crack of Irony That Hides Out Between Disciplines
176(1)
The Subject
177(2)
Drawing (Dibujar)
179(1)
Milano
179(1)
Barnett Newman
180(1)
Duncan Phillips Lecture, Phillips Collection, Washington, D.C.
181(9)
The Love of the Work
190(1)
The Problem with Collectors
190(1)
Free
190(1)
2006
Fascinating
191(1)
Image Turning
191(1)
History
192(1)
Nothing Is Abstract
192(3)
Vertical
195(1)
Zen
195(1)
Work
196(1)
"Go Between": 9 positions between abstract and figurative painting
197(1)
Raging Reduction
197(5)
Being Famous
202(1)
Skin and Dream
202(1)
Idea
202(2)
2007
Drawing Unto Aran
204(2)
Elson Lecture, National Gallery of Art, Washington D.C.
206(10)
Nietzsche
216(1)
I Agree With Nietzsche
217(1)
A Dark but Vital Light: Interview with Robert Enright
218(6)
Painting
224(3)
37
227(1)
Alcohol
227(1)
Miracle
227(1)
A Painting Isn't Much
227(1)
Yellow Leaves
228(1)
Wall of Light Cubed
229(3)
The Horizontals
232(1)
2008
Abstraction
233(1)
A Note on the Heroic American Traditions
233(2)
Triptych
235(2)
Boxers
237(1)
Pop or Spiritual
237(1)
Steve
237(1)
Bill Zimmer
238(1)
Lisa Koedel: Mask as Photo
238(1)
Wall of Light Dog
239(2)
Duisberger Hof
241(1)
2009
Live
242(1)
Flagless
243(1)
Of Now
243(1)
Konrad the Seer
243(1)
Happy
244(1)
Clyfford Still
245(2)
The Sculpture
247(3)
Bridge
250(1)
Body
250(2)
Barbara and Arthur
252(1)
Long Night
253(3)
Robe Triptych
256(5)
Titian's Robe Pink
261(1)
Grid Painting
261(2)
On Metal
263(2)
C/Joaquin Costa
265(1)
Jane Austen's Wolf
265(2)
2010
Cubism and Suprematism
267(1)
Fold
268(2)
Cimabue at the Basilica of Saint Francis of Assisi c. 1280-83
270(2)
Painting Kisser
272(1)
Goldman Sachs
273(1)
Ryman, Mondrian, Seurat
273(1)
Notes on Australia and the Transformation of Material and Image
274(1)
Body of Light
275(1)
The Border
276(2)
Tin Mal
278(1)
2011
Logic vs. Love
279(1)
On Robert Ryman
279(1)
2012
Double Meaning
280(1)
Abstract
280(1)
Doric
281(1)
2013
Effect of the Past on the Now
282(2)
2014
Figure/Abstract
284(2)
Interview with Hans Ulrich Obrist
286(7)
Holly
293(1)
Ozu
293(1)
Intuition
293(1)
Music
294(1)
Dorothy
295(1)
Robert Natkin
296(1)
Star Child: A Eulogy for Ian Bennett
297(2)
2015
The Mud Pit of Your Own Making
299(1)
Oisin's Breath
300(1)
Landline
301(1)
Questions
301(1)
Luther the Good
302(1)
Calder
302(2)
Book
304(1)
Strangeness
304(1)
Avant Garde
304(2)
Jack the Wolf
306(3)
2016
Reach Out
309(1)
Playground
310(1)
Sol
311(3)
Conversation with Rebecca
314(1)
Compression
314(4)
Interview with U'NiQ Magazine
318(3)
Eighties
321(2)
Backs and Fronts
323(1)
Ellen
324(2)
China Days
326(4)
Giverny in Tappan
330(2)
Lucian Freud
332(1)
The Pacifist
333(1)
Sean Scully 334
Kelly Grovier is a feature writer for BBC Culture and the author of several acclaimed studies of art, including 100 Works of Art That Will Define Our Age, Art Since 1989 and A New Way of Seeing: The History of Art in 57 Works, all published by Thames & Hudson. His writings have appeared in the Times Literary Supplement, The Independent, the Sunday Times, the Observer, the RA Magazine and Wired magazine. His history of London's Newgate Prison, The Gaol, was a BBC Radio 4 Book of the Week. He is co-founder of the scholarly journal European Romantic Review.

Sean Scully was born in Dublin in 1945. He grew up in London and works in New York and Barcelona. He has exhibited widely in Europe and the United States: including exhibitions at the Kunstammlung Nordeim Westfalen in Dusseldoerf, Germany, (2001); the Metropolitan Museum of Art, New York (2000); the Milwaukee Art Museum, Denver Art Museum, and Albright-Knox Gallery (199899); Galeria Arte Moderna,Villa delle Rose in Bologna, and Galerie National de Jeu de Paumme in Paris (1996). His work may be found in museum collections worldwide, such as the Guggenheim Museum in New York;The Art Institute of Chicago; Corcoran Gallery in Washington D.C.; Centro de Arte Reina Sofia in Madrid, Spain;Tate Gallery in London, England;The Irish Museum of Modern Art in Dublin, Ireland; and Nagoya City Art Museum, Japan.