E-grāmata: Innovation in Music: Adjusting Perspectives

1. On Error, Accident and Contingency in Music
2. The Streaming Curve:
Streaming, The S Curve and Super-abundance
3. Missed or Postponed Innovation?
The Rise and Fall (and Rise?) of Live Streamed Music Events in Italy
4.
Youre Not Supposed to Launder my Music! Music as Data in the Training of
Generative AI Music Models
5. Unconscious Rebelliousness: The Polytonal
Roles of Young Musicians in an Innovative Music Program
6. Innovation in
Music: Reimagining Approaches to Gender Equality in the British Live Music
Industry
7. Modes of Engagement with Classical Music: Digital Formats
8. When
Chord Charts Fail: Pitfalls of Radical Reharmonisation of Jazz Standards
9.
Digital Aesthetics and Transcending Lo-Fi in Alex Gs God Save the Animals
10. Space and Place: Outsiders Collecting, Curating and Sharing Insider
Stories and Sounds
11. Aural Architecture: Integrating Site into Composition
12. We Went From Yes, Yes Yawl, Tae Who You Talkin Tae?: Language and
Authenticity in Scots Hip Hop
13. Might as Well be Swing: On the Use and
Misuse of Quantisation in Hip-Hop Production
14. Innovation in Dance Music
Research: A Focus on Listening
15. Creative Cyborgs: Virtual 3D Characters as
Artist Identities for Musicians
16. Translating Artworks into Music:
Synaesthetic Reverse-Engineering in Music Composition
17. Reframing Conflicts
Between Systematic Production, Creative Production, Authorship and Ownership
18. An Innovative Music Production Model Leading to a Sustainable Hit Song:
"Främling"

Jan-Olof Gullö is Professor in Music Production at the Royal College of Music, Stockholm, Sweden and Visiting Professor at Linnaeus University.

Russ Hepworth-Sawyer is a mastering engineer with MOTTOsound, an Associate Professor at York St John University, and the managing editor of the Perspectives on Music Production series for Routledge.

Dave Hook is an Associate Professor in Music at Edinburgh Napier University. A rapper, poet, songwriter, and music producer, his research focuses on hip-hop, rap lyricism, identity, culture, and performance, through creative practice.

Mark Marrington is an Associate Professor in Music Production at York St John University, having previously held teaching positions at Leeds College of Music and the University of Leeds. His research interests include metal music, music technology and creativity, the contemporary classical guitar, and twentieth-century British classical music, and his recently published book, Recording the Classical Guitar (2021), won the 2022 ARSC Award for Excellence in Historical Recorded Sound Research (Classical Music).

Justin Paterson is Professor of Music Production at London College of Music, University of West London, UK. He has numerous research publications as author and editor. His research interests include haptics, 3-D audio, and interactive music, fields that he has investigated over a number of funded projects. He is also an active music producer and composer; his latest album (with Robert Sholl) Les ombres du Fantōme, was released in 2023 on Metier Records.

Rob Toulson is Director of RT60 Ltd, who develop innovative music applications for mobile platforms. He was formerly Professor of Creative Industries at the University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob is an author and editor of many books and articles, including Drum Sound and Drum Tuning, published by Routledge in 2021.