"Innovation in Music: Cultures and Contexts is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering creative production practices and national/international perspectives, this volume offers truly global outlooks on ever-evolving practices. Including chapters on Dolby Atmos, the history of distortion, creativity in the pandemic and remote music collaboration, this is recommended reading for professionals, students and researchers looking for global insights into the fields of music production, music business and music technology"--
Innovation in Music: Cultures and Contexts is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering creative production practices and national/international perspectives, this volume offers truly global outlooks on ever-evolving practices.
Including chapters on Dolby Atmos, the history of distortion, creativity in the pandemic, and remote music collaboration, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
Innovation in Music: Cultures and Contexts is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering creative production practices and national/international perspectives, this volume offers truly global outlooks on ever-evolving practices.
Part 1: Creative Production Practice
1. Staging Notions of Space:
Realising Compositional Intention in 3D and Stereo Record Production Through
Dolby Atmos
2. Exploring Dolby Atmos: Past, Present, and Future
3.
Introducing the Hyper Near-Field Dolby Atmos Tiny Studio
4. Rap as Composite
Auditory Streams: Techniques and Approaches for Chimericity Through Layered
Vocal Production in Hip-Hop, and their Aesthetic Implications
5. Exploring
the History of Distortion in Drum and Bass
6. Dynamic Meta-Spatialization:
Narrative and Recontextualization Implications of Spatial Stage Stacking
7.
Vocal Chops: Another Human/Machine Hybrid
8. Come together, right now...:
Making Remote Multiparty in-the-Box Audio Mixing a Reality
9. A Creative
Methodology for Self-Production
10. Two Production Strategies for Music
Synchronisation: As Speculative Entrepreneurship Part 2: National and
International Perspectives
11. Mobile Classical Music Recording,
Innovation, Networks and Mediatization: Three Swedish Case Studies From the
1940s to 2021
12. Culture Produces an Industry: Production and Promotion
Strategies of Campus Song Records by Taiwanese Synco Corporation
13. Business
Model Innovation in the Music Industry
14. Yellow Music in Diaspora:
Re-Inventing the Sound of Pre-1975 Record Production in Sąi Gņn
15.
Innovating Music Experiences: Creativity in Pandemic Times
16. Connecting
Across Borders: Communication Tools and Group Practices of Remote Music
Collaborators
17. From Master Pieces to Masterpiece: Source Selection and
Reformatting During the Republishing Process of Legacy Music Productions
Jan-Olof Gullö is Professor in Music Production at the Royal College of Music, Stockholm, Sweden and Visiting Professor at Linnaeus University.
Russ Hepworth-Sawyer is a mastering engineer with MOTTOsound, an Associate Professor at York St John University, and the managing editor of the Perspectives On Music Production series for Routledge.
Justin Paterson is Professor of Music Production at London College of Music, University of West London, UK. He has numerous research publications as author and editor. Research interests include haptics, 3-D audio and interactive music, fields that he has investigated over a number of funded projects. He is also an active music producer and composer; his latest album (with Robert Sholl) Les ombres du Fantōme was released in 2023 on Metier Records.
Rob Toulson is Director of RT60 Ltd, who develop innovative music applications for mobile platforms. He was formerly Professor of Creative Industries at University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob is an author and editor of many books and articles, including Drum Sound and Drum Tuning, published by Routledge in 2021.
Mark Marrington is an Associate Professor in Music Production at York St John University, having previously held teaching positions at Leeds College of Music and the University of Leeds. His research interests include metal music, music technology and creativity, the contemporary classical guitar and twentieth-century British classical music, and his recently published book, Recording the Classical Guitar (2021), won the 2022 ARSC Award for Excellence in Historical Recorded Sound Research (Classical Music).
