| About the editors |
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viii | |
| Preface |
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x | |
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PART I MUSIC PRODUCTION INNOVATION |
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1 Country & Eastern: Contextual and cultural mediation in the recording studio - two producers, two artists, two cultures |
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3 | (14) |
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2 Defining and developing a sonic signature in music mixing: A practice-based approach as modern-day studio mentorship |
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17 | (20) |
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3 Making records within records: Manufacturing phonographic `otherness' in sample-based Hip Hop production |
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37 | (19) |
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4 Motormouth: An essay in sonic recontextualization |
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56 | (14) |
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5 The Individualist: Todd Rundgren's approach to innovation and his 1993 interactive album No World Order |
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70 | (19) |
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6 Ground control and cloud booths: Using Dante to break geographical barriers to music production |
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89 | (17) |
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7 Music production utilising Internet of Things technologies |
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106 | (19) |
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PART II MUSIC TECHNOLOGY INNOVATION |
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8 Development of an Ambisonic Guitar System |
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125 | (21) |
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9 Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study |
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146 | (16) |
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10 Improvising song writing and composition within a hybrid modular synthesis system |
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162 | (13) |
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11 Speaker Park: An intersection of loudspeaker design and post-acousmatic composition |
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175 | (13) |
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12 Sound objects: Exploring procedural audio for theatre |
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188 | (18) |
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13 Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs |
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206 | (13) |
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14 Concepts for the design of accessible music technology |
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219 | (16) |
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15 Security engineering in the arts |
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235 | (12) |
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PART III PERFORMANCE INNOVATION |
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16 Transparency and authenticity in the live arena: An exploration of electronic music performance techniques |
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247 | (13) |
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17 BTS' "Speak Yourself world tour as an intermedial spectacle of attachment |
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260 | (13) |
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18 A review of contemporary practices incorporating digital technologies with live classical music |
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273 | (17) |
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19 Free ensembles and small (chamber) orchestras as innovative drivers of classical music in Germany |
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290 | (16) |
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20 Transforming musical performance: Activating the audience as digital collaborators |
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306 | (25) |
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21 The online composer-audience collaboration |
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331 | (11) |
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22 New instruments as creativity triggers in composer-performer collaboration |
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342 | (13) |
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23 "My avatar and me": Technology-enhanced mirror in monitoring music performance practice |
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355 | (15) |
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24 Creative considerations for on-screen visuals in electronic pop music performances |
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370 | (19) |
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PART IV MUSIC BUSINESS AND ARTIST DEVELOPMENT INNOVATION |
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25 Towards a quantum theory of musical creativity |
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389 | (14) |
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26 Observing mood-based patterns and commonalities in music using machine learning algorithms |
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403 | (11) |
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27 The role of contests and talent shows as part of the artist development process within the music industry |
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414 | (18) |
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28 Music: Leeds - supporting a regionalised music sector and scene |
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432 | (13) |
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| Index |
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445 | |
Biežāk uzdotie jautājumi par e-grāmatām