Atjaunināt sīkdatņu piekrišanu

E-grāmata: Insubordination of Photography: Documentary Practices under Chile's Dictatorship

  • Formāts - EPUB+DRM
  • Cena: 35,06 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Latin American Studies Association Visual Culture Section Best Book PrizeLatin American Studies Association Historia Reciente y Memoria Section Best Book PrizeThe role of documentary photography in exposing and protesting the crimes of a dictatorship. After Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents. The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochets authoritarian regime.

Įngeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonquén case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nations politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press.

In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.

A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernįndez LHoeste and Juan Carlos Rodrķguez Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Recenzijas

Donoso Macaya offers an engaging, multidisciplinary, and well-researched analysis of Chile under the Pinochet dictatorship and in the process contributes to understanding the complexity and political implications of photography.Choice

A necessary, timely, and original book. . . . Donoso Macaya skillfully and carefully has traced the ways photographs travel, incite public discussion, move from one setting to another, and transform.H-Net

Enriches the existing literature on the Chilean dictatorship by taking seriously the social and political power of photography. . . . Excellent and necessary.Latin AmericanistThrough a series of emblematic case studies, the book makes a powerful argument about the multi-faceted visual and social impact of photography under repressive rule. . . . Its immense value lies in the way [ Donoso Macaya] traces the social history of photographers who pushed the performative dimension of photography to challenge the dictatorship in various forms.Journal of Social History





A valuable addition to the literature examining the social construction and performativity of images as well as the use of photography as a civil practice, areas that are essential to understanding the political uses and consequences of protest photography.The AmericasA very thoroughly researched and original contribution to studies of Chilean visual culture. Bulletin of Spanish Studies

List of Figures
vii
Acknowledgments xi
Introduction: Adjusting the Depth of Field 1(34)
1 Persistence of the Portrait
35(46)
2 Forensic Matter
81(40)
3 Emergence of a Field
121(43)
4 Photography Off Limits
164(32)
5 Epilogue
196(11)
Notes 207(26)
Works Cited 233(12)
Index 245
Įngeles Donoso Macaya is professor of Spanish at the Borough of Manhattan Community College/CUNY and professor of Latin American culture and visual studies at The Graduate Center/CUNY. She is coeditor of Latinas/os on the East Coast: A Critical Reader.