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ix | |
Acknowledgements |
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x | |
Introduction |
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1 | (4) |
How to use this book |
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5 | (2) |
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PART I PERFORMERS---PERFORMING---PERFORMANCE |
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7 | (56) |
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1 Who Is An Integrative Performer? |
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9 | (26) |
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The alchemy of the performer |
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11 | (4) |
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15 | (2) |
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The performer's mind/body |
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17 | (3) |
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20 | (15) |
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2 What Is Integrative Performance? |
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35 | (18) |
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Performance, an expanding concept |
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36 | (1) |
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Tracing the evolution of performance |
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37 | (16) |
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3 Towards Integrative Performing |
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53 | (10) |
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55 | (1) |
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Rethinking the part, the bit, and the local |
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56 | (1) |
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Rethinking the entire, the whole, and the global |
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57 | (3) |
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60 | (3) |
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PART II WORKING IN THE FIELD OF PERFORMING |
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63 | (32) |
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4 Centre, Presence, And The Initiation Of Task |
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65 | (30) |
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65 | (22) |
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87 | (3) |
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90 | (1) |
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Working with the Conscious Practice Journal |
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91 | (4) |
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PART III INTEGRATIVE PERFORMANCE PRACTICE |
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95 | (96) |
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5 Working From The Integrative Centre |
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97 | (69) |
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98 | (2) |
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The power of the perineum |
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100 | (2) |
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Exploring the metaphor of the chakra |
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102 | (4) |
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106 | (3) |
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109 | (4) |
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113 | (4) |
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Refining the roll --- mirror tensions |
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117 | (4) |
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121 | (2) |
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Iliopsoas --- a physical key to integration |
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123 | (2) |
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Spine and psoas, vertical access |
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125 | (6) |
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131 | (2) |
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Moving from floor to standing with dynamic psoas alignment |
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133 | (2) |
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Rolling to standing with and without voicing |
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135 | (7) |
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142 | (1) |
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Working in motion through dynamic alignment |
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143 | (1) |
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Working with legs and feet, from sitting to standing, leaping and turning |
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143 | (8) |
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Shoulder, neck, arms, and hands |
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151 | (5) |
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Preparing to take weight in hands and arms |
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156 | (9) |
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Moving forward with dynamic alignment into voicing |
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165 | (1) |
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6 Voicing As A Breath Dance |
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166 | (15) |
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Face and head as mirror of the body |
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167 | (1) |
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The face and three-part breath and tongue |
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168 | (2) |
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Working with the exhale or while voicing |
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170 | (5) |
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175 | (2) |
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177 | (1) |
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178 | (1) |
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Putting it together: crafting a physio-vocal practice |
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179 | (2) |
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181 | (10) |
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Revolting against --- defining doing |
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183 | (2) |
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185 | (1) |
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186 | (2) |
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188 | (3) |
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PART IV INTEGRATIVE PERFORMANCE ANALYSIS |
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191 | (25) |
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8 Working In The Field Of Performing Through Text |
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193 | (21) |
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Text in integrative performance analysis |
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193 | (1) |
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Actions in integrative performance analysis |
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194 | (1) |
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195 | (1) |
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Events and happenings in integrative performance analysis |
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196 | (3) |
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199 | (1) |
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200 | (12) |
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Event in IPA: A shifting template holding multiple disciplines within myriad genres |
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212 | (2) |
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214 | (2) |
Bibliography |
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216 | (4) |
Index |
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220 | |