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E-grāmata: Integrative Performance: Practice and Theory for the Interdisciplinary Performer [Taylor & Francis e-book]

(Central School of Speech and Drama, UK)
  • Formāts: 224 pages, 18 Illustrations, black and white
  • Izdošanas datums: 24-Apr-2014
  • Izdevniecība: Routledge
  • ISBN-13: 9780203147788
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 224 pages, 18 Illustrations, black and white
  • Izdošanas datums: 24-Apr-2014
  • Izdevniecība: Routledge
  • ISBN-13: 9780203147788
Citas grāmatas par šo tēmu:
Integrative Performance serves a crucial need of 21st-century performers by providing a transdisciplinary approach to training. Its radical new take on performance practice is designed for a climate that increasingly requires fully rounded artists. The book critiques and interrogates key current practices and offers a proven alternative to the idea that rigorous and effective training must separate the disciplines into discrete categories of acting, singing, and dance.

Experience Bryons Integrative Performance Practice is a way of working that will profoundly shift how performers engage with their training, conditioning and performance disciplines. It synthesizes the various elements of performance work in order to empower the performer as they practice across disciplines within any genre, style or aesthetic.

Theory and practice are balanced throughout, using:











Regular box-outs, introducing the work's theoretical underpinnings through quotes, case studies and critical interjections.





A full program of exercises ranging from training of specific muscle groups, through working with text, to more subtle structures for integrative awareness and presence.

This book is the result of over twenty years of practice and research working with interdisciplinary artists across the world to produce a training that fully prepares performers for the demands of contemporary performance and all its somatic, emotive and vocal possibilities.
List of exercises
ix
Acknowledgements x
Introduction 1(4)
How to use this book 5(2)
PART I PERFORMERS---PERFORMING---PERFORMANCE
7(56)
1 Who Is An Integrative Performer?
9(26)
The alchemy of the performer
11(4)
The performer's brain
15(2)
The performer's mind/body
17(3)
The performing self
20(15)
2 What Is Integrative Performance?
35(18)
Performance, an expanding concept
36(1)
Tracing the evolution of performance
37(16)
3 Towards Integrative Performing
53(10)
Shifts in thinking
55(1)
Rethinking the part, the bit, and the local
56(1)
Rethinking the entire, the whole, and the global
57(3)
Active aesthetic
60(3)
PART II WORKING IN THE FIELD OF PERFORMING
63(32)
4 Centre, Presence, And The Initiation Of Task
65(30)
Doing a task
65(22)
Meeting in the middle
87(3)
Conscious practice
90(1)
Working with the Conscious Practice Journal
91(4)
PART III INTEGRATIVE PERFORMANCE PRACTICE
95(96)
5 Working From The Integrative Centre
97(69)
Centre, which centre?
98(2)
The power of the perineum
100(2)
Exploring the metaphor of the chakra
102(4)
Integrative breathing
106(3)
Suspension
109(4)
The roll
113(4)
Refining the roll --- mirror tensions
117(4)
Sounding while rolling
121(2)
Iliopsoas --- a physical key to integration
123(2)
Spine and psoas, vertical access
125(6)
Dynamic alignment
131(2)
Moving from floor to standing with dynamic psoas alignment
133(2)
Rolling to standing with and without voicing
135(7)
The rings
142(1)
Working in motion through dynamic alignment
143(1)
Working with legs and feet, from sitting to standing, leaping and turning
143(8)
Shoulder, neck, arms, and hands
151(5)
Preparing to take weight in hands and arms
156(9)
Moving forward with dynamic alignment into voicing
165(1)
6 Voicing As A Breath Dance
166(15)
Face and head as mirror of the body
167(1)
The face and three-part breath and tongue
168(2)
Working with the exhale or while voicing
170(5)
Sounding off the throat
175(2)
Exploring range
177(1)
Onset
178(1)
Putting it together: crafting a physio-vocal practice
179(2)
7 Acting Is Doing
181(10)
Revolting against --- defining doing
183(2)
The actor doing
185(1)
Doing actions
186(2)
Being/doing character
188(3)
PART IV INTEGRATIVE PERFORMANCE ANALYSIS
191(25)
8 Working In The Field Of Performing Through Text
193(21)
Text in integrative performance analysis
193(1)
Actions in integrative performance analysis
194(1)
Action against obstacles
195(1)
Events and happenings in integrative performance analysis
196(3)
Activating the event
199(1)
Putting it together
200(12)
Event in IPA: A shifting template holding multiple disciplines within myriad genres
212(2)
9 Conclusion
214(2)
Bibliography 216(4)
Index 220
Experience Bryon is Senior Lecturer in Performance Practices and Research at the Royal Central School of Speech and Drama.