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E-grāmata: Inter-culturality and Philosophic Discourse

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  • Formāts: 329 pages
  • Izdošanas datums: 24-Jul-2014
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-13: 9781443864657
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  • Formāts: 329 pages
  • Izdošanas datums: 24-Jul-2014
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-13: 9781443864657
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Responding to a deep and universal need of philosophizing in the context of intensive intercultural interaction among all philosophical traditions in the process of globalization, this timely book offers a unique collection of excellent papers on inter-translatability, art, and ethics; subjects which are most crucial for intercultural conversations today. Instead of opting for a "comparative philosophy" that suggests the superiority of philosophy in comparison with other forms of thought, this book explores "inter-translatability" between East and West, given that any dialogue between heterogeneous cultures and systems of thought has to start with translation, which constitutes the first part of this book.Art and ethics are the two areas that most obviously link philosophies of the past and the present and constitute a fundamental part of Chinese long-living and practical philosophy. The value of art and aesthetic appreciation, no less than ethics, is at the core of Chinese culture and, indeed, promises a great deal for the future world. Thus, they are dealt with here in the second and third parts.This book is also relevant to inter-culturalism in philosophy itself, as the contributors, firstly, come from several different continents and, secondly, though most of them are philosophers, all contributors are well-versed in other disciplines, such as anthropology, literature, religion, aesthetics, history of art, sinology, cognitive sciences, and social sciences.
Introduction 1(12)
Yolaine Escande
Vincent Shen
Chenyang Li
Part I Intercultural Dialogue/Inter-Translatability
Chapter One Intercultural Philosophy and the Interpretation of Chinese Philosophical Texts
13(16)
Vincent Shen
Chapter Two About Some Forms of Artistic Transmission
29(16)
Jean-Marie Schaeffer
Chapter Three A Source of Misunderstanding between Chinese and Western Philosophy: The Difficulty of Forming a Clear Idea of the Foundation of Western Culture
45(10)
Francois Flahault
Chapter Four Between the West and China: What Difference Chinese Philosophy Makes
55(16)
Chung-Ying Cheng
Chapter Five "The Third Kind of Tragedy": How Wang Guowei Departs from Schopenhauer
71(10)
He Jinli
Chapter Six Ontological Intuitions and their Interpretational Problems: The Case of Dao
81(16)
Rafal Banka
Chapter Seven A Brief Survey of the Question of Cheng: From Inter-Culturalism to Trans-Culturalism
97(20)
Maud M'Bondjo
Part II Philosophy and Ethics
Chapter Eight Mencius' Four Sprouts of Virtue and Two-Level Utilitarianism
117(14)
Byung-do Moon
Chapter Nine From Environmental Ethics to the Ethics of Life: Cross-Cultural Dialogue on Zhuangzi
131(16)
Jiang Dandan
Chapter Ten Mou Zongsan's Typology of Neo-Confucianism: Its Hidden Sources
147(16)
Wing-cheuk Chan
Chapter Eleven The "Chinese Culture" as Ethical and National Spirit in Some Works of Liang Shuming
163(16)
Victor Vuilleumier
Chapter Twelve Divinity and Beauty in the Process of Indication: A Phenomenological Approach
179(18)
Wang
Wen-Sheng
Part III Aesthetics and Art
Chapter Thirteen Chinese Aesthetics: A Hermeneutical Approach
197(18)
Yolaine Escande
Chapter Fourteen Zhu Guangqian on Wang Guowei's Theory of Poetical States: A Reappraisal
215(18)
Wan
Xiaoping
Chapter Fifteen Aesthetic Principles of Epistemological Awakening: Juxtapositioning (Bi and Xing) in Basho's Haiku Pedagogy
233(18)
Sandra A. Wawrytko
Chapter Sixteen Brushstrokes with Emotion
251(20)
Jerome Pelletier
Yolaine Escande
Marine Taffou
Kenneth Knoblauch
Aure-Elise Duret-Lerebours
Stephanie Dubal
Chapter Seventeen Sound, Tone, and Music in Early China: The Philosophical Foundation of Chinese Sound Culture
271(20)
Park
So Jeong
Chapter Eighteen Struggles for Power: The Relation between Entertainments, Sports, and Landscape in the Song Dynasty
291(14)
Antonio Mezcua Lopez
Chapter Nineteen Passage in and from Landscape
305(16)
Huang
Kuan-Min
Contributors 321
Yolaine Escande is a Director of Research at the French National Center for Scientific Research (CNRS). She has translated a collection of fundamental treatises on Chinese calligraphy and painting from Chinese into French. Her research centers on the artistic, philosophical, aesthetic and cultural interactions of Chinese artistic principles with Western art. She is a member of the editorial board of Universitas Monthly Review on Philosophy and Culture, for which she has co-edited special issues in English and in Chinese.Vincent Shen received his PhD from the Université Catholique de Louvain in 1980 and taught philosophy in Taiwan. He has held the Lee Chair in Chinese Thought and Culture in the Department of East Asian Studies and the Department of Philosophy at the University of Toronto since 2000. His publications include Essays on Philosophy East and West; Contrast, Strangification and Dialogue; and Essays on Intercultural Philosophy and Religion.Chenyang Li is the founding Director of the Philosophy program at Nanyang Technological University, Singapore. He has previously served as Professor and Chair of the Philosophy Department at Central Washington University. His main research interests are Chinese philosophy and comparative philosophy. His publications include The Confucian Philosophy of Harmony, The Tao Encounters the West: Explorations in Comparative Philosophy, The Sage and the Second Sex, and The East Asian Challenge for Democracy: Political Meritocracy in Comparative Perspective (co-edited with Daniel Bell).