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Interior Design on Edge: History, Theory, Praxis [Hardback]

Edited by (Pratt Institute, USA), Edited by , Edited by , Edited by (Pratt Institute, USA), Edited by (Pratt Institute, USA)
  • Formāts: Hardback, 290 pages, height x width: 229x152 mm, weight: 1000 g, 5 Line drawings, black and white; 107 Halftones, black and white; 112 Illustrations, black and white
  • Izdošanas datums: 25-Apr-2024
  • Izdevniecība: Routledge
  • ISBN-10: 1032601469
  • ISBN-13: 9781032601465
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  • Formāts: Hardback, 290 pages, height x width: 229x152 mm, weight: 1000 g, 5 Line drawings, black and white; 107 Halftones, black and white; 112 Illustrations, black and white
  • Izdošanas datums: 25-Apr-2024
  • Izdevniecība: Routledge
  • ISBN-10: 1032601469
  • ISBN-13: 9781032601465
Citas grāmatas par šo tēmu:
"Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory. The essays in this volume explore these questions in history, theoryand praxis through a focus on different periods, cultures and places. With chapters submitted from around the globe, Interior Design on Edge showcases new scholarship that expands and contests traditional relationships between architecture, interiors andthe people that use and design them, provoking readers to consider the interior differently, moving beyond its traditional, architectural definition. Focusing on the concept of interiority considered in a wider sense, it draws on interdisciplinary modes of investigation and analysis and reflects the latest theoretical developments in the fields of interior design history and practice. With new research from both established and emerging authors, this volume will make a valuable contribution to the fieldsof Interior Design, Architecture, Art and Design History, Cultural History, Visual Culture Studies, and Urban Studies"--

Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory.



Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory.

The essays in this volume explore these questions in history, theory, and praxis through a focus on different periods, cultures, and places. Interior Design on Edge showcases new scholarship that expands and contests traditional relationships between architecture, interiors, and the people that use and design them, provoking readers to consider the interior differently, moving beyond its traditional, architectural definition. Focusing on the concept of interiority considered in a wider sense, it draws on interdisciplinary modes of investigation and analysis and reflects the latest theoretical developments in the fields of interior design history and practice.

With new research from both established and emerging authors, this volume will make a valuable contribution to the fields of Interior Design, Architecture, Art and Design History, Cultural History, Visual Culture Studies, and Urban Studies.

Introduction Section I: Liminal Edges
1. From the Inside Out: Chinas
Post-Socialist Housing Reform
Yang Yang
2. [ re] Tracing the Veil: Implied Boundary and Invisible Wall
3.
Province of Interiors: Strategies and Tactics on the Frontier of Northern New
Spain
4. The Plastex Wall and the Analytic Couch: Surface, Subject, and the
Psychotherapeutic Interior
5. Embodied Imaginaries of Interior Space: A
framework for Dynamic Environments and Sensory Inclusion Section II: Material
Edges
6. Interior Landscapes: A Look at the Interior at the Microscale
7.
Being Manwaring: Crafting Embodied History
8. Earth-Eating in Golden Age
Spain: On the Pleasure of Clay and the Secrets of Women
9. At the Edge of the
Earth Section III: Mediating
10. The Production of the Traveling Public: Rest
Stop Interior Design 19501970
11. Body Language
12. Polyatmospheric Urban
Interiors: Late-COVID-19 Case Studies
13. The Day the Sun Never Rose:
COVID-19, Wildfire and Californias Relationship with Interior Air
14. Moving
to the Edge: How the Relocation of the Provincial Higher Architecture
Institute in Hasselt, Belgium, Reshaped Its Interior Architecture Program
Erica Morawski, Ph.D., is an assistant professor in the Department of Art and Design History at the Pratt Institute in New York.

Deborah Schneiderman, RA, LEED AP, is a professor of Interior Design at the Pratt Institute and principal/founder of deSc: architecture/design/research.

Keena Suh is a professor in the Interior Design department at the Pratt Institute where she teaches design studios, electives, and construction courses at the undergraduate and graduate levels while coordinating the departments construction-related courses.

Karin Tehve is a professor of Interior Design at the Pratt Institute, where she coordinates the theory and undergraduate thesis curriculum in Interior Design.

Karyn Zieve, Ph.D., is an assistant dean of the School of Liberal Arts and Sciences and Adjunct Assistant Professor CCE in the History of Art and Design Department at the Pratt Institute. She earned her MA from University of Pennsylvania and her Ph.D. from Institute of Fine Arts, NYU.