Throughout the past century, traumatic experiences have been re-enacted frequently by evolving media and art forms. Now there is a significant body of theory across academic disciplines focused on the representation of cataclysmic European and US historical events. However, less critical attention has been devoted to the representation of havoc outside the West, even though depictions of Third-World disasters saturate contemporary media and art around the globe.
This book considers traumatic histories internationally in a broad range of creative arts and visual media representations. Deploying diverse applications of the conventional theories of trauma, it examines the theoretical limitations at the same time as considering alternative methodologies. Interrogating Trauma is concerned with the examination of the concept of trauma, and how it is (often unproblematically) used to theorise the cultural representation of disaster and atrocity. It offers a theorisation of trauma, in order to reappraise the relationship between cultural representation and the socio-historical processes which are marked by violence, conflict and suffering.
This book was published as a special issue of Continuum: Journal of Media and Cultural Studies.
| Notes on Contributors |
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vi | |
| Abstracts |
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ix | |
| Acknowledgements |
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1 | (2) |
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1 Interrogating trauma: Towards a critical trauma studies |
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3 | (14) |
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2 Cache: Or what the past hides |
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17 | (14) |
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3 Torturous dialogues: Geographies of trauma and spaces of exception |
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31 | (16) |
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4 Moving testimonies and the geography of suffering: Perils and fantasies of belonging after Katrina |
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47 | (18) |
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5 After the apology: Reframing violence and suffering in First Australians, Australia, and Samson and Delilah |
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65 | (14) |
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6 Confronting `choiceless choices' in Holocaust videotestimonies: Judgement, `privileged' Jews, and the role of the interviewer |
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79 | (12) |
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7 The guilt zone: Trauma, masochism and the ethics of spectatorship in Brian De Palma's Redacted (2007) |
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91 | (16) |
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8 When places have agency: Roadside shrines as traumascapes |
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107 | (12) |
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9 Trauma, bodies, and performance art: Towards an embodied ethics of seeing |
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119 | (12) |
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10 Poetic witnessing in the archive: The database narrative of Life after Wartime |
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131 | (14) |
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11 Bearing witness to the trauma of slavery in Kara Walker's videos: Testimony, Eight Possible Beginnings, and I was transported |
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145 | (16) |
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12 Depiction or erasure? Violence and trauma in contemporary Peruvian film |
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161 | (18) |
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13 Dictatorship memories: Working through trauma in Chilean post-dictatorship documentary |
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179 | (14) |
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| Index |
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193 | |
Mick Broderick is Associate Professor and Research Coordinator in the School of Media, Communications & Culture at Murdoch University, where he is Deputy Director of the National Academy of Screen & Sound (NASS). He has published editions of the reference work Nuclear Movies and, as editor, Hibakusha Cinema.
Antonio Traverso is Senior Lecturer in Film and Television studies in the School of Media, Culture and Creative Arts at Curtin University, Perth, Australia. He co-edited a special issue of Social Identities: "Living Through Terror: (Post)Conflict, (Post)Trauma and the South", and has produced several short films, including the award-winning Tales from the South.
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