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Invention of Melbourne: A Baroque Archbishop and a Gothic Architect [Hardback]

  • Formāts: Hardback, 277 pages, height x width x depth: 256x193x30 mm, weight: 1170 g
  • Izdošanas datums: 06-Aug-2019
  • Izdevniecība: The Miegunyah Press
  • ISBN-10: 0522875637
  • ISBN-13: 9780522875638
  • Formāts: Hardback, 277 pages, height x width x depth: 256x193x30 mm, weight: 1170 g
  • Izdošanas datums: 06-Aug-2019
  • Izdevniecība: The Miegunyah Press
  • ISBN-10: 0522875637
  • ISBN-13: 9780522875638
The Invention of Melbourne defines the relationship between an architect of genius, William Wardell, and the first Catholic Archbishop of Melbourne, James Goold, an Irishman educated in Risorgimento, Italy. Their partnership produced St Patrick's, the largest cathedral of the 19th century anywhere in the world, and some thirteen churches, decorated with hundreds of Baroque paintings. These ambitious policies coincided with the Gold Rush, which contributed financially to their success.

The contribution made by Wardell and Goold to the built environment of Melbourne remains significant, and the essays in this volume radically reassess Goold, who until now has been either dismissed as a stern, aloof Irish cleric, or viewed more favourably for his achievements as a champion of Catholic education. Similarly, Wardell's legacy to Melbourne has been forgotten despite the conspicuous presence of Government House and the Gothic Bank, for many Melburnians their most favourite building.

Together, they actively and creatively shaped the city that became a major international metropolis.

Papildus informācija

The origin story of Melbourne's Gothic churches.
Acknowledgements vii
Introduction 1(14)
Part 1 The First Catholic Archbishop of Melbourne
I Situating Goold: Pastor And Cultural Patron
15(16)
Max Vodola
II Portraits Of Episcopal Authority In Colonial Australia
31(16)
Rachel Naughton
III Ursula Frayne And James Goold; An Irish Cultural Partnership In Nineteenth-Century Melbourne
47(20)
Catherine Kovesi
IV `Sound Taste And A Love Of The Fine Arts': Bishop Goold's Experience Of Cultural Patronage In The Diocese Of Sydney, 1838-1848
67(16)
Peter Cunich
V A Baroque Bishop In Catholicism's Greater Ireland: The Global Context Of Archbishop James Alipius Goold Of Melbourne
83(14)
Colin Barr
Part 2 Goold's Late Baroque Picture Collection
VI The Pictorial Presence Of Heavenly Grace In The Art Of The Renaissance And Baroque
97(30)
Klaus Kriiger
VII Collecting For Conversion: Bishop Goold's Passion For Late Baroque Painting
127(20)
Jaynie Anderson
VIII The Rich Treasures Of Bishop Goold': Provenance. Exhibition And Reception
147(18)
Callum Reid
IX Piranesi, Guercino And Goold's Fascination For The Baroque
165(18)
Angelo Lo Conte
Part 3 Goold's Architectural Patronage in Melbourne
X Williamwardell's Formation in England
183(20)
Ursula Maria de Jong
XI Building The Diocese: Bishop Goold's Architectural Patronage, 1848-1868
203(22)
Paola Colleoni
XII The Gothic Bank, Melbourne: The Design Collaboration Of William Wardell And Sir George Verdon
225(22)
Peter Lovell
Part 4 Goold's Private Library and Its Public Impact
XIII Bibliomania In Colonial Australia
247(12)
Wallace Kirsop
XIV Divining A Purpose: The Logic Of Bishop Goolds Library
259(21)
Shane Carmody
Kerrie Burn
Nick Gellatly
Huw Sandaver
Notes 280(14)
Select Bibliography 294(12)
About the Authors 306(4)
Index 310
Jaynie Anderson is professor emeritus at the University of Melbourne. In 1970, she was the first woman Rhodes Fellow at Oxford. From 1997 to 2014 she was Herald Chair of Fine Arts at Melbourne. In 2015 she received a knighthood from the President of the Republic of Italy for distinguished research on Renaissance art.

Max Vodola is a priest of the archdiocese of Melbourne and lecturer in church history at Catholic Theological College, East Melbourne (University of Divinity). He is Chairman of the Melbourne Diocesan Historical Commission.

Shane Carmody is a historian who has published widely on the history of collections and the history of the book. He has worked at National Archives of Australia and State Library Victoria, where he was Director, Collections and Access. His most recent role has been as Senior Development Manager at the University of Melbourne.