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Isamu Noguchi | Qi Baishi | Beijing 1930 [Mīkstie vāki]

Foreword by , Text by , Text by , Text by , Text by , Text by , Preface by , Foreword by , Edited by
  • Formāts: Paperback / softback, 144 pages, height x width: 280x230 mm, 75 colour
  • Izdošanas datums: 19-Mar-2013
  • Izdevniecība: Five Continents Editions
  • ISBN-10: 8874396392
  • ISBN-13: 9788874396399
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 51,63 €*
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  • Formāts: Paperback / softback, 144 pages, height x width: 280x230 mm, 75 colour
  • Izdošanas datums: 19-Mar-2013
  • Izdevniecība: Five Continents Editions
  • ISBN-10: 8874396392
  • ISBN-13: 9788874396399
Citas grāmatas par šo tēmu:
In 1930, renowned Japanese-American artist Isamu Noguchi (1904–1988) journeyed to Beijing, where he studied with the Chinese brush-and-ink painter Qi Baishi (1864–1957). Qi, greatly admired for his dynamic brushwork and calligraphy, had a profound impact on Noguchi. As he later said, “All Japanese art has roots in China.” Isamu Noguchi/Qi Baishi/Beijing 1930 brings together the work of these two artists for the first time. Published to accompany a traveling exhibition, this volume features some 65 drawings by Noguchi and ink painting and calligraphic works by Qi. Noguchi’s drawings suggest a keen observation of Qi’s masterful skills and artistry with free-spirited lines, bold brushstrokes, and a purposeful use of void space.

Foreword 9(2)
Jenny Dixon
Joseph Rosa
Preface 11(2)
Alexandra Snyder May
Isamu Noguchi in China: Sotokichi Katsuizumi, Qi Baishi, and the Reinvention of Abstraction in the Peking Scroll Drawings
13(22)
Natsu Oyobe
The "Discovery" of Qi Baishi - Reflections on Isamu Noguchi and Qi Baishi
35(22)
Lang Shaojun
Qi Baishi and Noguchi, Square and Circle
57(22)
Britta Erickson
Grabbism: 1930s
79(16)
Jo-Anne Birnie Danzker
A Sculptor's Brush with Ink: From the Flight of the Dragon to the Pool of the Inkstone
95(14)
Bert Winther-Tamaki
Notes 109(6)
Chronology 115(6)
Suggested readings 121(2)
Photo credits 123(2)
Index 125
Isamu Noguchi/Qi Baishi/Beijing 1930 brings together the work of these two artists for the first time. Noguchi's drawings suggest a keen observation of Qi's masterful skills and artistry with free-spirited lines, bold brushstrokes, and a purposeful use of void space.