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E-grāmata: Je-Ne-Sais-Quoi in Early Modern Europe: Encounters with a Certain Something

(Fellow and Tutor in French, Oriel College, Oxford)
  • Formāts: PDF+DRM
  • Izdošanas datums: 29-Sep-2005
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191515262
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  • Formāts: PDF+DRM
  • Izdošanas datums: 29-Sep-2005
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191515262

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What is the je-ne-sais-quoi? How-if at all-can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He describes the rise and fall of the expression as a noun and as a topic of debate, examines its cluster of meanings, and uncovers the scattered traces of its 'pre-history'. The je-ne-sais-quoi is often assumed to belong purely to the realm of the literary, but in the early modern period it serves to articulate problems of knowledge in natural philosophy, the passions, and culture, and for that reason it is approached here from an interdisciplinary perspective. Placing major figures of the period such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, Scholar argues that the je-ne-sais-quoi serves above all to capture first-person encounters with a 'certain something' that is as difficult to explain as its effects are intense. When early modern writers use the expression in this way, he suggests, they give literary form to an experience that twenty-first-century readers may recognize as something like their own.

Recenzijas

Thoughtful and erudite work [ ...] Nothing less than a stunning scholarly achievement [ ...] Above all, Scholars book shows how our drive to delineate the boundaries of the comprehensible must remain intrinsically connected to contemporary methods of inquiry and understanding, and why the early modern period is one of the most fruitful areas of inquiry for making this connection. * TEMS, H-France Review * Richard Scholar's book is a cheerful and exhaustive attempt to describe this phenomenon, readily - and consciously - embracing its inarticulability even while exploring nearly every corner of its territory...I applaud...Scholar's willingness, throughout the book, to attempt to explain something that by definition cannot be explained: as his own argument clearly shows, if you know what it is, it's not what you're looking for * David M. Posner, Renaissance Quarterly * [ a] wonderfully rich and challenging study of the je-ne-sais-quoi. It is extraordinary how [ ...] relatively little work has been done on the provenance and history of the term. This book fills the gap triumphantly, covering fields as diverse as theology, natural science, poetry, philosophy, and theatre * Nicholas Hammond, Modern Language Review * riveting...I try to keep an eye on the university press ads because occasionally great delights and surprises turn up ...The history of the je- ne-sais-quoi tells us a good deal about how human beings inhabit the world. * Jenny Diski, LRB * Richard Scholar's wonderfully rich and challenging study of the je-ne-sais-quoi ... the elegance, detail and...scholarship of Scholar's book. * Nicholas Hammond, Gonville and Caius College, Cambridge *

Papildus informācija

Winner of Awarded a Philip Leverhulme Prize in 2007.
Note on References, Translations, and Abbreviations xi
Introduction 1(20)
PART I. WORD HISTORY
A Modish Name
21(52)
The Rise of the Je-Ne-Sais-Quoi
21(22)
On Vogue-Words
21(4)
Precursors in European Languages
25(6)
Sixteenth-Century French Usage
31(8)
The Noun in Seventeenth-Century France and England
39(4)
Defining Moments
43(16)
The Dictionary Makers
43(3)
Uses and Definitions
46(6)
Coming to Terms
52(7)
Bouhours's Topic of Conversation
59(14)
The Realms of the Je-Ne-Sais-Quoi
59(4)
The Humiliation of Divine Grace
63(6)
Towards a Critical History
69(4)
PART II. CRITICAL HISTORIES
A Secret of Nature? Descartes and the Philosophers
73(52)
Preternatural Effects and Traditional Explanations
73(15)
The Je-Ne-Sais-Quoi in Nature
73(3)
Occult Qualities and Substantial Forms
76(10)
The Proponents of Traditional Explanations
86(2)
The Attack on Tradition
88(20)
The New Philosophers and the Je-Ne-Sais-Quoi
88(9)
Qualities and Forms as Refuges of Ignorance
97(11)
New Explanations and Their Discontents
108(17)
Two Approaches: Bacon and Descartes
108(6)
Forceful Objections
114(5)
The Nature of the Je-Ne-Sais-Quoi: Leibniz vs. Newton
119(6)
The Stroke of Passion: Pascal and the Poets
125(57)
Theories of the Passions
125(16)
A Strange Sympathy
125(3)
Vernacular Treatises before Descartes
128(9)
Descartes in Love
137(4)
What the Poets Say
141(32)
Two Observations about Love
141(12)
Corneille and the Poetry of the Je-Ne-Sais-Quoi (N.)
153(9)
Pascal: Cleopatra's Nose
162(11)
From Passion to Pathos
173(9)
La Rochefoucauld, Racine, and Moliere
173(7)
An Instrument of Pathos
180(2)
A Sign of Quality: Bouhours and the Polite Circle
182(43)
The Culture of the Je-Ne-Sais-Quoi
182(8)
A Subtle Artifice
182(2)
Nescioquiddity: The Parlour Game
184(6)
Signs of Quality
190(22)
Honnetete: A Rough Guide
190(6)
Art and Culture
196(7)
Urbanite, Galanterie, Bel Esprit
203(9)
The Fall of the Je-Ne-Sais-Quoi
212(13)
Mere: It Takes One to Know One
212(3)
The Phatic Communion of Ariste and Eugene
215(2)
The Widening Rift
217(8)
PART III. PRE-HISTORY
A Certain Something: Montaigne
225(50)
Towards a Pre-History
225(11)
Like Father, Like Son?
225(6)
Experience and Explanation
231(5)
`Plaisants causeurs'
236(19)
The Blind Man
236(13)
The Middle Region
249(6)
The Art of Disaster
255(20)
Making Essays
255(6)
Friendship: The Real Thing
261(14)
Beyond Pre-History: The Case of Shakespeare
275(14)
Coda
275(7)
Bottom's Dream
282(7)
Bibliography 289(28)
Index 317
Richard Scholar is a Fellow and Tutor in French, Oriel College, Oxford