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E-grāmata: Joy of Sets: A Short History of the Television

  • Formāts: EPUB+DRM
  • Izdošanas datums: 22-Dec-2017
  • Izdevniecība: Reaktion Books
  • Valoda: eng
  • ISBN-13: 9781780237831
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 22-Dec-2017
  • Izdevniecība: Reaktion Books
  • Valoda: eng
  • ISBN-13: 9781780237831

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It is a modern activity, one of the primary ways we consume information and entertainment, something we’ll do over dinner, at a bar, or even standing on the street peering into a store window—watch TV. Many of us spend countless hours in front of the tube, and even those of us who have proudly eliminated it from our lives can probably still rattle off the names of today’s most popular shows. But for as crucial as television viewing is in modern culture, the television set itself, as a ubiquitous object in our environment, rarely captures our attention—turn one off and it seems to all but disappear. In this book, Chris Horrocks tells the story of the television set, exploring its contradictory presence in our lives as both a material object and a conveyor of illusory images.
      
Horrocks begins in the nineteenth century and television’s prehistory as a fantastic, futuristic concept. He follows the television’s journey from its strange roots in spiritualism, imperialism, and Victorian experiments in electro-magnetism to the contested accounts of its actual invention, looking at the work of engineering pioneers such as Philo Farnsworth and John Logie Baird. Unboxing sets all across the world, he details how it arrived as an essential consumer product and began to play an extraordinary role as a bridge between public and private life. Horrocks describes how the console and cabinet themselves expressed status and good taste and how their designs drew on cultural phenomena such as the space race and the avant-garde. He discusses how we have both loved it for what it can provide and reviled it as a sinister object literally controlling our thoughts, and he shows how it has figured in other cultural realms, such as the work of artists like Wolf Vostell and Nam June Paik. Finally, Horrock laments the death of the cathode ray tube and the emergence of the flat-screen, which has reduced the presence of the television as a significant material object. Altogether, The Joy of Sets brings this most elusive object into crystal-clear critical and historical focus.
 

Recenzijas

Television, reveals cultural historian Chris Horrocks in this compact chronicle, has tangled roots. The scientific advances of inventor John Logie Baird, broadcast pioneer Paul Nipkow and Karl Braun, inventor of the cathode-ray tube, are only part of the story. A slew of Victorian novels featured visual portals conquering time and space, such as the varzeo in Ismar Thiusens The Diothas (1883). Along with sets, from Bairds 1928 Noahs Ark televisor to todays ultra-thin screens, Horrocks examines the technologys military uses, the ethical furore over content, and its uses as a symbol in art, film and literature * Nature * The television set, ubiquitous but often overlooked, takes centre stage in Chris Horrocks book. He offers a glimpse into how television sets developed from the meeting between technology and culture, becoming both familiar and alien objects in our lives. He asks that we look more closely at them and, in doing so, see them afresh . . . The Joy of Sets is a wide-ranging and well-researched book, which provides an unconventional perspective on TV . . . The ideas raised about the ends of the television set could spark new debates on the role the internet may play in our relationship with TV and whether new streaming platforms for receiving content will fundamentally alter the television sets material form -- Emily Rees * Times Higher Education * [ This] study brilliantly investigates the impact of the remote control and the way in which TV was portrayed sometimes menacingly in art film and literature . . . the book is beautifully illustrated, containing many fine colour pictures of TV sets from the 1920s to the present day. There are comprehensive notes and the title benefits unlike similar publications in this under researched field from a thorough, six-page, bibliography. However, the real strength of this title is that it encourages the reader to think about the television set as an object of popular material culture and an inspiration for art as well as a mere technical receiver of images * Radio User magazine * The Joy of Sets: A Short History of the Television hides a useful survey history of the TV receiver behind a tongue-in-cheek title. With a strong British bias, this offers a breezy survey of receiver design, primarily in Britain and the U.S. over the last 80 years or so . . . This centers on the receiver as an art object, albeit a useful one. * Communication Booknotes Quarterly *

Introduction 7(4)
1 From Fantasy to Physics
11(20)
2 Inventing Television
31(27)
3 Television at War
58(15)
4 Consuming the Receiver
73(26)
5 Alien Television
99(26)
6 Space Ship, Black Box, Flat Screen
125(30)
7 Art Against Television
155(22)
Epilogue: The Ends of Television 177(16)
References 193(15)
Bibliography 208(6)
Acknowledgements and Photo Acknowledgements 214(2)
Index 216
Chris Horrocks is Associate Professor in the School of Critical Studies and Creative Industries at Kingston University, and a film-maker. His previous books include Genteel Perversion: The Films of Gilbert and George (2014), Cultures of Colour (2012) and Marshall McLuhan and Virtuality (2000).