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Jungs Reception of Picasso and Abstract Art [Mīkstie vāki]

(Bangor University, UK)
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Jungs Reception of Picasso and Abstract ArtPalielināt
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This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932.



This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932.

Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising.

Jung’s Reception of Picasso and Abstract Art

will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.

PART 1: Jungs view of Picasso, modern art and the modern era. 1Jung's
reception of Picasso and abstract art. 2Jung and the Picasso exhibition of
1932. 3Jungs view of the modern era. 4Jung and the schizoid expression
in modern art. 5Jungs letter to Herbert Read (1960). 6Jungs approach to
his confrontation with the unconscious. Conclusion Part 1:
Chapters 1-6. PART
2: Jungs Red Book paintings and misinterpretation of modern art. 7Jungs
collection of art and his own paintings. 8Jung and the anima. 9Jung and
mandalas. 10Jungs misinterpretation of modern art. 11Why Jung and Modern
Art Matters. Bibliography. Index.
Lucinda Hill is a postdoctoral research fellow at Bangor University (UK) and has a PhD in philosophy. She is also a practising abstract artist.