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Keep It Moving? - Conserving Kinetic Art [Mīkstie vāki]

  • Formāts: Paperback / softback, 208 pages, height x width x depth: 250x150x15 mm, weight: 666 g
  • Izdošanas datums: 11-May-2018
  • Izdevniecība: Getty Publications
  • ISBN-10: 1606065386
  • ISBN-13: 9781606065389
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  • Formāts: Paperback / softback, 208 pages, height x width x depth: 250x150x15 mm, weight: 666 g
  • Izdošanas datums: 11-May-2018
  • Izdevniecība: Getty Publications
  • ISBN-10: 1606065386
  • ISBN-13: 9781606065389
Citas grāmatas par šo tēmu:
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. 
 
Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings. 

www.getty.edu/publications/keepitmoving 
 
Foreword viii
Timothy P. Whalen
Preface ix
Rachel Rivenc
Opening Remarks: The Kinetic Collection at the Museo del Novecento, Milan 1(5)
Iolanda Ratti
PART 1 KEYNOTES
1 A Question of KinEthics
6(10)
Reinhard Bek
2 The Fluid Boundaries between Interpretation and Overinterpretation: Collecting, Conserving, and Staging Kinetic Art Installations
16(10)
Tiziana Caianiello
PART 2 CASE STUDIES
3 Fast and Furious: Operation, Maintenance, and Repair of Chris Burden's Metropolis II at LACMA
26(8)
Mark Gilberg
Alison Walker
Richard Sandomeno
4 Conserving Thomas Wilfred's Lumia Suite, Opus 158
34(7)
Carol Snow
Lynda Zycherman
5 Cybernetic Umbrella: A Case Study in Collaboration
41(6)
Carla Flack
Louise Lawson
Jack McConchie
Ming-Yi Tsai
6 Moving with the Times: The Refurbishment and Restoration of a Choreographed Robotic Arm
47(9)
Sherry Phillips
Marcel Verner
PART 3 COLLECTIONS/ARTISTS' OEUVRES
7 Takis and the Fourth Dimension
56(8)
Erin Stephenson
Kari Dodson
8 Preserving Performativity: Conserving the Elusive in Aleksandar Srnec's Artwork
64(9)
Mirta Pavic
Vesna Mestric
9 Engineering a Solution: Latin American Light-Based Kinetic Art at the Museum of Fine Arts, Houston
73(9)
Jane Gillies
Ingrid Seyb
10 Intertwined Strategies for Conservation and Display of Kinetic Art: Case Studies in the European Neo-Avant-Garde
82(6)
Francesca Pola
Barbara Ferriani
11 The Examination and Conservation of Thirteen Artworks by Jean Tinguely in the Collection of the Stedelijk Museum Amsterdam
88(8)
Esther Meijer
Susanne Meijer
Sandra Weerdenburg
PART 4 THEORETICAL ISSUES
12 The Hype about ZERO and Its Influence on the Conservation and Presentation of Early Kinetic Works
96(8)
Gunnar Heydenreich
Julia Giebeler
13 Kinetic Multiples: Between Industrial Vocation and Handcrafted Solutions
104(9)
Isabel Plante
14 The Collection of Nicolas Schoffer: From the Artist's Studio to the Museum
113(7)
Manon D'Haenens
Muriel Verbeeck
David Strivay
15 "Pretty Good for the 21st Century": Restoration, Reconstruction, and Realization of Len Lye's "Tangible Motion Sculpture"
120(12)
Paul Brobbel
Simon Rees
PART 5 POSTERS
16 Conserving Mechanical Elements in Technological Artifacts: Three Case Studies from Museo Nazionale della Scienza e della Tecnologia "Leonardo da Vinci," Milan
132(2)
Marianna Cappellina
Claudio Giorgione
17 Think Big! The Conservation of Ballerina Clown, a Kinetic Work of Art by Jonathan Borofsky
134(2)
Mine Erhan
18 Conserving a Kinetic "Rotor": Light Dynamo by Heinz Mack
136(2)
Paola Iazurlo
Grazia De Cesare
Mariastella Margozzi
19 Considering the Continuum of Care for Outdoor Kinetic Sculpture
138(2)
Abigail Mack
Friederike Steckling
Sara Levin
20 Gianni Colombo's Strutturazione cinevisuale abitabile: From Flickering to Light
140(2)
Marlies Peller
Gerda Kaltenbruner
Martina Pfenninger Lepage
21 Death of a moment: Management, Installation, and Maintenance of a Site-Specific Kinetic Sculpture
142(2)
Eugenia Stamatopoulou
22 Future in Motion: Conservation Issues of Seven Kinetic Artworks by Dutch Artist Ray Staakman
144(2)
Carien van Aubel
Nikki van Basten
Katja van de Braak
Sjoukje van der Laan
Anouk Verbeek
Marleen Wagenaar
23 The Conservation Ethics of and Strategies for Preserving and Exhibiting an Operational Car: The Motion and Standstill of Joost Conijn's Hout Auto (Wood Car)
146(2)
Arthur van Mourik
Contributors 148(9)
Symposium Participants 157(4)
Index of Videos 161(7)
Bibliography 168
Rachel Rivenc is an associated scientist at the Getty Conservation Institute and author of Made in Los Angeles: Materials, Processes, and the Birth of West Coast Minimalism (Getty Publications, 2015). Reinhard Bekis a partner of Bek & Frohnert LLC, a conservation studio specializing in modern and contemporary art.